|
The Pirate Book, Read Me |
2015 |
Slovenia |
edited by Nicolas Maigret, Maria Roszkowska |
Aksioma - Institute for Contemporary Art, Ljubljana |
|
The Poem Electric, Technology and the American Lyric |
2018 |
USA |
Seth Perlow |
University of Minnesota Press |
|
The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing |
2015 |
USA |
Paul Stephens |
University Of Minnesota Press |
|
The Political Possibility of Sound |
2018 |
UK |
Salomé Voegelin |
Bloomsbury Academic |
|
The Politics of New Media Theatre: Life |
2006 |
USA |
Gabriella Giannachi |
Routledge |
|
The Politics of the Impure |
2011 |
The Netherlands |
Joke Brouwer & Arjun Appadurai & Bruce Sterling & Gunnar Heinsohn |
NAi Publishers |
|
The Practice of Light: A Genealogy of Visual Technologies from Prints to Pixels |
2014 |
USA |
Sean Cubitt |
The MIT Press |
|
The Privacy Advocates: Resisting the Spread of Surveillance |
2010 |
USA |
Colin J. Bennett |
The MIT Press |
|
The Producer as Composer: Shaping the Sounds of Popular Music |
2010 |
USA |
Virgil Moorefield |
The MIT Press |
|
The Promise of Total Automation |
2016 |
Austria |
Anne Faucheret |
Kunsthalle Wien GmbH |
|
The Race of Sound: Listening, Timbre, and Vocality in African American Music |
2019 |
USA |
Nina Sun Eidsheim |
Duke University Press |
|
The Rhythmic Event |
2014 |
USA |
Eleni Ikoniadou |
The MIT Press |
|
The Robot in the Garden: Telerobotics and Telepistemology in the Age of the Internet |
2001 |
USA |
Ken Goldberg |
The MIT Press |
|
The Robotic Imaginary: The Human & the Price of Dehumanized Labor |
2018 |
USA |
Jennifer Rhee |
University of Minnesota Press |
|
The Search: How Google and Its Rivals Rewrote the Rules of Business and Transformed Our Culture |
2006 |
USA |
John Battelle |
|
|
The Second Life Herald: The Virtual Tabloid that Witnessed the Dawn of the Metaverse |
2009 |
USA |
Peter Ludlow & Mark Wallace |
The MIT Press |
|
The Second Link: Viewpoints on Video in the Eighties |
1983 |
Canada |
Falk, Lorne And Gene Youngblood, Carl Loeffler, Sandy Nairne Et Al. |
Walter Philips Gallery |
|
The Social Media Reader |
2012 |
|
edited by Michael Mandiberg |
NYU Press |
|
The Software Arts |
2019 |
USA |
Warren Sack |
The MIT Press |
|
The Sonic Persona: An Anthropology of Sound |
2018 |
UK |
Holger Schulze |
Bloomsbury Academic |
|
The Soul at Work: From Alienation to Autonomy |
2009 |
USA |
Franco "Bifo" Berardi |
Semiotext(e) |
|
The Sound of Innovation: Stanford and the Computer Music Revolution |
2015 |
USA |
Andrew J. Nelson |
Mit Press |
|
The Sound of Things to Come: An Audible History of the Science Fiction Film |
2018 |
USA |
Trace Reddell |
University of Minnesota Press |
|
The Sounding Museum: Box of Treasures |
2014 |
Germany |
Hein Schoer |
Transcript-Verlag |
|
The Spam Letters |
2004 |
USA |
Jonathan Land |
No Starch Press |
|
The Spectralization of Technology: From Elsewhere to Cyberfeminism and Back, Institutional Modes of the Cyberworld |
1999 |
Slovenia |
Marina Gržinić, Adele Eisenstein |
The Youth Culture Center |
|
The Stack, On Software and Sovereignty |
2016 |
USA |
Benjamin H. Bratton |
Mit Press |
|
The Stuff of Bits: An Essay on the Materialities of Information |
2017 |
USA |
Paul Dourish |
Mit Press |
|
The Systemic Image - A New Theory of Interactive Real-Time Simulations |
2017 |
USA |
Inge Hinterwaldner |
Mit Press |
|
The Techno-Galactic Guide to Software Observation |
2017 |
Belgium |
VV.AA. |
Constant, Association for Art and Media |
|
The Tuning of Place: Sociable Spaces and Pervasive Digital Media |
2010 |
USA |
Richard Coyne |
The Mit Press |
|
The User Unconscious: On Affect, Media, and Measure |
2018 |
USA |
Patricia Ticineto Clough |
University of Minnesota Press |
|
The Vestigial Heart - A Novel of the Robot Age |
2018 |
USA |
Carme Torras |
Mit Press |
|
The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century's On-line Pioneers |
2007 |
USA |
Tom Standage |
Walker & Company |
|
The Virtual Community: Homesteading on the Electronic Frontier |
2000 |
USA |
Howard Rheingold |
The MIT Press |
|
The War of Desire and Technology at the Close of the Mechanical Age |
1995 |
USA |
Allucquère Rosanne Stone |
The MIT Press |
|
The Watchman: The Twisted Life and Crimes of Serial Hacker Kevin Poulsen |
1997 |
USA |
Jonathan Littman |
Little, Brown and Company |
|
The Wealth of Networks: How Social Production Transforms Markets and Freedom |
2007 |
USA |
Yochai Benkler |
Yale University Press |
|
The Yes Men: The True Story of the End of the World Trade Organization |
2004 |
USA |
Yes Men |
The Disinformation Company |
|
The absolute report |
2006 |
Austria |
|
Revolver |
|
The glitch moment(um) |
2011 |
The Netherlands |
Rosa Menkman |
Institute of Network Cultures |
|
The pleasure of light |
2010 |
Hungary |
György Kepes and Frank J. Malina |
Ludwig Muzeum Press |
|
There Are No Facts, Attentive Algorithms, Extractive Data Practices, and the Quantification of Everyday Life |
2022 |
USA |
Mark Shepard |
Mit Press |
|
ThermoPoetics: Energy in Victorian Literature and Science |
2010 |
USA |
Barri J. Gold |
MIT Press (MA) |
|
Things we brought back from the - Sound Development City Artist Expedition 2016 - Madrid - Casablanca |
2016 |
Switzerland |
edited by Nicholas Scharer |
Druckerei Odermatt |
|
This Is Supposed To Be A Record Label |
2016 |
France |
Frans de Waard |
TIMELESS EDITIONS |
|
This Is Why We Can't Have Nice Things: Mapping the Relationship Between Online Trolling and Mainstream Culture |
2015 |
USA |
Whitney Phillips |
The Mit Press |
|
This Track Contains Politics, The Culture of Sampling in Experimental Electronica |
2022 |
Switzerland |
Hannes Liechti |
Norient Books |
|
This is Not a Remix: Piracy, Authenticity and Popular Music |
2017 |
USA |
Margie Borschke |
Bloomsbury Academic |
|
This is not art - 29 Sept, 3 Oct 2005 |
2005 |
Australia |
edited by Paul Byron |
The Octapod |