|
Tiempo estático - 20 años de arte electrónico |
2010 |
Argentina |
Jim Campbell |
Espacio Fundación Telefónica |
|
Time & Motion : Redefining Working Life |
2014 |
UK |
Edited by Emily Gee , Jeremy Myerson |
Liverpool University Press |
|
Time - CYBERPUNK - Virtual sex, smart drugs and synthetic rock 'n' roll! A futuristic subculture erupts from the electronic underground. |
1993 |
USA |
edited by Jason McManus |
Elisabeth Valk Long |
|
Time - Computer Viruses n.39 |
1988 |
USA |
edited by Jason McManus |
Robert L. Miller |
|
Time’s Up – Ambiguous & Incomplete |
2018 |
Austria |
Lückenhaft & Kryptisch |
Revolver Publishing |
|
Todd Deutsch gamers |
2008 |
Italy |
Quaranta Domenico; Slade George |
Fabio Paris Editions |
|
Tokens: The Future of Money in the Age of the Platform |
2023 |
UK |
Rachel O’Dwyer |
Verso |
|
Toshio Iwai |
1994 |
Germany |
Päivi Talasmaa |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Touch Me festival - OutInOpen / K-021 |
2005 |
Croatia |
KONTEJNER |
KONTEJNER |
|
Towards the Third Culture. The Co-Existence of Art, Science and Technology / W stronę trzeciej kultury. Koegzystencja sztuki, nauki i technologii |
2011 |
Poland |
Ryszard W. Kluszczyński |
CSW Łaźnia |
|
Toy Instruments: Design, Nostalgia, Music |
2010 |
USA |
Eric Schneider |
Mark Batty Publisher |
|
Transdiscourse 1: Mediated Environments |
2011 |
Austria |
edited by Andrea Gleiniger , Angelika Hilbeck, Jill Scott |
Springer |
|
Transit - European Young Talents Forum |
2011 |
Germany |
edited by Hermann Noering |
European Media Art Festival |
|
Transmediale 2019 |
2019 |
Germany |
Kristoffer Gansing |
Transmediale |
|
|
Transurbanism |
2002 |
The Netherlands |
Joke Brouwer, Philip Brookman, Arjen Mulder |
NAi Publisher |
|
Tresor: True Stories – The Early Years |
2022 |
Germany |
VV.AA. |
Tresor |
|
|
Trigger Happy |
2001 |
UK |
Steven Poole |
Fourth Estate Paperbacks |
|
Triste Tropique: Topographies of Sadness |
2018 |
France |
Damien Rudd, Cécile Coulon |
Jean Boîte Éditions |
|
Turing and the Universal Machine - The Making of the Modern Computer |
2017 |
UK |
Jon Agar |
Icon Books |
|
|
Twisty Little Passages: An Approach to Interactive Fiction |
2005 |
USA |
Montfort |
The MIT Press |
|
Twitter Bot Encyclopedia |
2014 |
The Netherlands |
Elizaveta Pritychenko |
|
|
Two Bits: The Cultural Significance of Free Software |
2008 |
USA |
Christopher M. Kelty |
Duke University Press Books |
|
Tying the story to data: The Graffiti Markup Field Recorder Challenge |
2011 |
Brussels |
Evan Roth and Femke Snelting, Peter Westenberg, Michele Walther, Stéphanie Villayphiou, John Haltiwanger and momo3010 |
Constant Verlag |
|
UBI |
2002 |
France |
Yann Chateigné, Alice Barbaza, Alexandre Perrier, Hervé Caumont, Benoit Courribet, Cécilé Herjan, Marie Cozette |
association accès)s( cultures électroniques |
|
URO YPO |
2015 |
Denmark |
Galleri Alice |
Galleri Alice |
|
|
Ubermorgen.com - Media Hacking vs. Conceptual Art |
2009 |
Germany |
lizvlx & Hans Bernhard & Alessandro Ludovico |
Christoph Merian |
|
Ukryta Dekada. Polska sztuka wideo 1985-95 / The Hidden Decade. Polish Video Art 1985-1996 |
2010 |
Poland |
Piotr Krajewski |
WRO Media Art Center Foundation |
|
Ultrablack Of Music |
2020 |
Germany |
edited by Achim Szepanski |
Mille Plateaux |
|
Uncanny Networks: Dialogues with the Virtual Intelligentsia |
2004 |
USA |
Geert Lovink |
The MIT Press |
|
Uncommon Grounds: New Media and Critical Practice in North Africa and the Middle East |
2014 |
UK |
Anthony Downey |
I. B. Tauris |
|
Uncurating Sound, Knowledge with Voice and Hands |
2023 |
UK |
Salomé Voegelin |
Bloomsbury Academic |
|
Underneath the Knowledge Commons |
2005 |
|
J. Berry Slater |
Mute |
|
|
Understanding Comics: The Invisible Art |
2000 |
USA |
Scott Mccloud |
Harper Paperbacks |
|
|
Understanding Media Theory |
2004 |
The Netherlands |
Arjen Mulder |
NAi Publishers/V2-Organization |
|
Unfinished: Scars of the Past / Face of the Future |
2007 |
Serbia |
edited by Bull.Miletic |
Museum of Contemporary Art Belgrade |
|
Unidisplay |
2013 |
Germany |
Carsten Nicolai |
Gestalten |
|
Unit Operations: An Approach to Videogame Criticism |
2008 |
USA |
Ian Bogost |
The MIT Press |
|
Unsound - Future Shock |
2011 |
Poland |
Mat Schulz |
unsound |
|
Update 2.0 Medien Kunst Aktuell aus Deutschland / Current Media Art from Germany |
2000 |
Germany |
Rudolf Frieling |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Update_5: Technology as Context |
2014 |
Belgium |
|
MER Paper Kunsthalle |
|
Updating to Remain the Same - Habitual New Media |
2016 |
USA |
Wendy Hui Kyong Chun |
Mit Press |
|
|
User: InfoTechnoDemo |
2005 |
USA |
Peter Lunenfeld |
The MIT Press |
|
Utopian Entrepreneur |
2001 |
USA |
Brenda Laurel |
The MIT Press |
|
V2_Lab Show |
2013 |
The Netherlands |
V2_Lab, Arie Altena |
V2_Publishing |
|
VIDEOEXperimental 98 |
1998 |
Switzerland |
VV.AA. |
publisher VIDEOEX |
|
VJ: Audio-Visual Art and VJ Culture: Includes DVD |
2006 |
UK |
D-Fuse |
Laurence King Publishers |
|
VOICE: Vocal Aesthetics in Digital Arts and Media |
2010 |
USA |
Norie Neumark & Ross Gibson & Theo Van Leeuwen |
The MIT Press |
|
VOID |
2016 |
Switzerland |
edited by Margarete Jahrmann and Max Moswitzer |
Private Publishing House |
|
Vague n.21 |
1988 |
UK |
|
Vague |
|
Valija Diplomática Low Cost Diplomatic Bag |
2015 |
Spain |
Nilo Casares |
Embassy of Spain in Camberra |
