|
The Culture of the Copy - Striking Likenesses, Unreasonable Facsimiles |
2014 |
USA |
Hillel Schwartz |
Zone Books |
|
|
The Cybercultures Reader |
2000 |
UK |
Routledge |
Routledge |
|
The Cybergypsies: A frank account of Love, Life and Travels on the Electronic Frontier |
1999 |
USA |
Indra Sinha |
Simon & Schuster |
|
The Dark Net |
2014 |
UK |
Jamie Bartlett |
William Heinemann |
|
The Detective Wall Guide |
2021 |
Slovenia |
Clusterduck |
Aksioma, IMPAKT |
|
The Digital Dialectic: New Essays on New Media |
2000 |
USA |
Peter Lunenfeld |
The MIT Press |
|
The Digital Imaginary, Literature and Cinema of the Database |
2020 |
USA |
(edited by) Roderick Coover |
Bloomsbury Academic |
|
The Digital Sublime: Myth, Power, and Cyberspace |
2005 |
USA |
Vincent Mosco |
The MIT Press |
|
The Digital Weird |
2021 |
UK |
edited by Jan Robert Leegte and @arebyte |
@arebyte |
|
The Drone Chronicles 2001–2016 |
2019 |
Germany |
(edited by) Joerg Bader – Rob van Leijsen |
Spector Books OHG |
|
The Emergence of Video Processing Tools: Television Becoming Unglued |
2014 |
UK |
Kathy High, Sherry Miller Hocking, Mona Jimenez |
Intellect Ltd |
|
The End of Print: The Graphic Design of David Carson |
1995 |
USA |
Lewis Blackwell, David Carson, David Byrne (Introduction) |
Chronicle Books |
|
The Ends of the Internet |
2016 |
The Netherlands |
Boris Beaude |
Institute for Network Cultures |
|
The Eternal Network |
2020 |
Germany |
edited by Kristoffer Gansing |
Transmediale |
|
The Exploit: A Theory of Networks |
2007 |
USA |
Alexander R. Galloway & Eugene Thacker |
Univ Of Minnesota Press |
|
The Eye of the Master: A Social History of Artificial Intelligence |
2023 |
UK |
Matteo Pasquinelli |
Verso |
|
The F.A.T. Manual |
2013 |
|
Domenico Quaranta, Geraldine Juárez |
Link Editions |
|
The Flesh of Animation, Bodily Sensations in Film and Digital Media |
2024 |
USA |
Sandra Annett |
University of Minnesota Press |
|
The Fundamentals of Digital Art |
2007 |
UK |
Richard Colson |
Ava Publishing |
|
|
The Fundamentals of Sonic Arts and Sound Design |
2007 |
Switzerland |
Tony Gibbs |
Ava Publishing |
|
The Future |
2017 |
USA |
Nick Montfort |
Mit Press |
|
The Future of Media |
2023 |
UK |
edited by Joanna Zylinska with Goldsmiths Media |
GOLDSMITHS PRESS |
|
The Game Worlds of Jason Rohrer |
2016 |
USA |
Michael Maizels and Patrick Jagoda |
The Mit Press |
|
The Gathering Cloud |
2017 |
UK |
J. R. Carpenter |
Uniformbooks |
|
The Glass Room Experience - Looking into Your Online Life |
2018 |
Poland |
Stephanie Hankey, Marek Tuszynski, Christy Lange |
Tactical Tech, Panoptycon Foundation |
|
The Glomar Response |
2015 |
Germany |
James Bridle |
NOME |
|
The Great Offshore, art, argent, souveraineté, gouvernance, colonialisme |
2021 |
France |
RYBN |
UV ÉDITIONS |
|
The Groove of the Poem, reading Philippe Beck |
2016 |
USA |
Jacques Rancière |
Univocal / University of Minnesota Press |
|
The Hacker Crackdown: Law And Disorder On The Electronic Frontier |
1993 |
USA |
Bruce Sterling |
Bantam |
|
The Hypothetical Cabinet of Phlogistronics - Alan Bogana |
2015 |
Switzerland |
Raffael Dörig |
Kunsthaus Langenthal |
|
The Information: A History, a Theory, a Flood |
2011 |
USA |
James Gleick |
Pantheon |
|
The Interface Effect |
2012 |
USA |
Alexander R. Galloway |
Polity |
|
The Internet Revolution: From Dot-com Capitalism to Cybernetic Communism |
2015 |
The Netherlands |
Richard Barbrook, Andy Cameron |
Institute of Network Cultures |
|
The Internet of other people’s things |
2018 |
Austria |
edited by Linda Kronman, Andreas Zingerle |
servus.at |
|
The Iron Ring - An Art Project by Cecilia Jonsson |
2014 |
The Netherlands |
Cecilia Jonsson, edited by Michel van Dartel |
V2_Publishing |
|
|
The Joy of Cybersex: A Creative Guide for Lovers |
1998 |
USA |
Deborah Levine |
Ballantine Books |
|
The Lab Book: Situated Practices in Media Studies |
2022 |
USA |
Darren Wershler, Lori Emerson, and Jussi Parikka |
University of Minnesota Press |
|
The Laboratory Planet - Alien Capitalism |
2016 |
France |
edited by Ewen Chardronnet |
PING, Jeu de Paume |
|
The Laboratory Planet - Hope is not needed to act. |
2008 |
France |
edited by Ewen Chardronnet, Léonore Bonaccini, Xavier Fourt |
La planète laboratoire |
|
The Language of New Media |
2002 |
USA |
Lev Manovich |
The MIT Press |
|
The Laws of Simplicity |
2006 |
USA |
John Maeda |
The MIT Press |
|
|
The Laws of the Web: Patterns in the Ecology of Information |
2001 |
USA |
Bernardo A. Huberman |
The MIT Press |
|
The Logic of Filtering, How Noise Shapes the Sound of Recorded Music |
2021 |
UK |
Melle Jan Kromhout |
Oxford University Press |
|
The Machine in the Ghost - Digitality and its Consequences |
2017 |
UK |
Robin Boast |
Reaktion Books |
|
The Machine: As Seen at the End of the Mechanical Age |
1968 |
USA |
K. G. Pontus Hultén |
Museum of Modern Art |
|
The Machinima Reader |
2011 |
USA |
edited by Henry Lowood, Michael Nitsche |
The Mit Press |
|
The Mag.net reader |
2006 |
|
Miren Eraso & Alessandro Ludovico & Slavo Krekovic |
Mute |
|
The Mag.net reader 2 - Between Paper and Pixel |
2007 |
|
A Ludovico & N Muller |
OpenMute |
|
The Mag.net reader 3 - Processual Publishing. Actual Gestures |
2008 |
UK |
Alessandro Ludovico & Nat Muller |
OpenMute |
|
The Meaning of Creativity in the Age of AI |
2022 |
Estonia |
Edited by Raivo Kelomees, Varvara Guliajeva, Oliver Laas |
Estonian Academy of Arts |
