|
Technology and Desire: The Transgressive Art of Moving Images |
2014 |
UK |
edited by Rania Gaafar, Martin Schulz |
Intellect Ltd |
|
Technoschamanism / Technoschamanismus HMKV Ausstellungs-magazin 2021/3 |
2022 |
Germany |
Inke Arns, Erik Davis, Verena Kuni |
Verlag Kettler / HMKV |
|
Tele-Improvisation: Intercultural Interaction in the Online Global Music Jam Session |
2019 |
Switzerland |
Roger Mills |
Springer |
|
Telefonías - un proyecto de Mariano Sardón |
2008 |
Argentina |
Rodrigo Alonso |
Espacio Fundación Telefónica |
|
Telepresence and Bio Art: Networking Humans, Rabbits & Robots |
2005 |
USA |
Eduardo Kac |
University of Michigan Press |
|
Temporary Library of Norwegian Media Art |
2018 |
Norway |
edited by Zane Cerpina, Espen Gangvik, Alessandro Ludovico, Stahl Stenslie |
TEKS Publishing |
|
Teoria Digital |
2010 |
Brazil |
Paula Perissinotto; Ricardo Barreto |
FILEImprensaoficial |
|
Territorios Occupados |
2004 |
Argentina |
Corinne Sacca Abadi |
Espacio Fundación Telefónica |
|
Test Exposure - WRO Art Biennale 2015 - Przewodnik/Guide |
2015 |
Poland |
Piotr Krajewski |
WRO Media Art Center Foundation, WRO Art Center |
|
Tester |
2004 |
Spain |
|
Foundación Rodríguez, Arteleku |
|
The 3dt Seoul International Media Art Biennale |
2005 |
Korea |
|
Myung Bak Lee_Mayor of Seoul City |
|
The Age of Electroacoustics: Transforming Science and Sound |
2016 |
USA |
Roland Wittje |
Mit Press |
|
The Age of Spiritual Machines: When Computers Exceed Human Intelligence |
2000 |
UK |
Ray Kurzweil |
Penguin (Non-Classics) |
|
The Ambivalent Internet: Mischief, Oddity, and Antagonism Online |
2017 |
UK |
Whitney Phillips, Ryan M. Milner |
Polity Press |
|
The Animators |
2006 |
UK |
Angela Kingston |
Angel Row Gallery |
|
The Anthropocene Cookbook: Recipes and Opportunities for Future Catastrophes |
2022 |
USA |
Zane Cerpina, Stahl Stenslie |
Mit Press |
|
The Architecture of Continuity |
2009 |
Netherlands |
Lars Spuybroek |
NAi Publishers |
|
The Archived Web: Doing History in the Digital Age |
2018 |
USA |
Niels Brügger |
Mit Press |
|
The Art Happens Here: Net Art Anthology |
2019 |
USA |
(edited by) Michael Connor, Aria Dean |
Rhizome |
|
The Art of Deception: Controlling the Human Element of Security |
2003 |
USA |
Kevin D. Mitnick & William L. Simon |
Wiley |
|
The Art of Sound: A Visual History for Audiophiles |
2017 |
UK |
Terry Burrows |
Thames & Hudson |
|
The Art of the Accident : Merging of Art, Architecture and Media Technology |
1999 |
Netherlands |
Bart Lootsma, Joke Brower |
NAI Publishers |
|
The Artist in the Machine: The World of AI-Powered Creativity |
2019 |
USA |
Arthur I. Miller |
Mit Press |
|
The Assemblage Brain - Sense Making in Neuroculture |
2017 |
USA |
Tony D. Sampson |
University of Minnesota Press |
|
|
The Audible Past: Cultural Origins of Sound Reproduction |
2003 |
USA |
Jonathan Sterne |
Duke University Press Books |
|
The Audiovisual Breakthrough |
2015 |
Germany |
Edited by Cornelia Lund and Ana Carvalho |
Fluctuating Images |
|
The Auditory Setting, Environmental Sounds in Film and Media Arts |
2021 |
UK |
Budhaditya Chattopadhyay |
Edinburgh University Press |
|
The Body and the Screen: Theories of Internet Spectatorship |
2006 |
USA |
Michele White |
The MIT Press |
|
The Book of X, 10 Years of Computation, Communication, Aesthetics and X |
2022 |
Portugal |
edited by Miguel Carvalhais, André Rangel, Luísa Ribas, Mario Verdicchio |
I2ADS |
|
The Cathedral & the Bazaar: Musings on Linux and Open Source by an Accidental Revolutionary |
2001 |
USA |
Eric S. Raymond |
O'Reilly Media |
|
|
The Cinema Effect |
2005 |
USA |
Sean Cubitt |
The MIT Press |
|
The Class of the New |
2006 |
UK |
Richard Barbrook |
Mute |
|
The Computer in Art |
1971 |
UK |
Jasia Reichardt |
Littlehampton Book Services Ltd |
|
The Computer’s Voice, From Star Trek to Siri |
2022 |
USA |
Liz W. Faber |
University of Minnesota Press |
|
The Contemporary Condition - A Slow, Contemporary Violence: Damaged Environments of Technological Culture |
2016 |
Germany |
Jussi Parikka, edited by Geoff Cox & Jacob Lund |
Sternberg Press |
|
The Contemporary Condition - Introductory Thoughts on Contemporaneity & Contemporary Art |
2017 |
Germany |
Geoff Cox & Jacob Lund |
Sternberg Press |
|
|
The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage |
2005 |
USA |
Cliff Stoll |
Gallery Books |
|
The Culture of the Copy - Striking Likenesses, Unreasonable Facsimiles |
2014 |
USA |
Hillel Schwartz |
Zone Books |
|
|
The Cybercultures Reader |
2000 |
UK |
Routledge |
Routledge |
|
The Cybergypsies: A frank account of Love, Life and Travels on the Electronic Frontier |
1999 |
USA |
Indra Sinha |
Simon & Schuster |
|
The Dark Net |
2014 |
UK |
Jamie Bartlett |
William Heinemann |
|
The Detective Wall Guide |
2021 |
Slovenia |
Clusterduck |
Aksioma, IMPAKT |
|
The Digital Dialectic: New Essays on New Media |
2000 |
USA |
Peter Lunenfeld |
The MIT Press |
|
The Digital Imaginary, Literature and Cinema of the Database |
2020 |
USA |
(edited by) Roderick Coover |
Bloomsbury Academic |
|
The Digital Sublime: Myth, Power, and Cyberspace |
2005 |
USA |
Vincent Mosco |
The MIT Press |
|
The Digital Weird |
2021 |
UK |
edited by Jan Robert Leegte and @arebyte |
@arebyte |
|
The Drone Chronicles 2001–2016 |
2019 |
Germany |
(edited by) Joerg Bader – Rob van Leijsen |
Spector Books OHG |
|
The Emergence of Video Processing Tools: Television Becoming Unglued |
2014 |
UK |
Kathy High, Sherry Miller Hocking, Mona Jimenez |
Intellect Ltd |
|
The End of Print: The Graphic Design of David Carson |
1995 |
USA |
Lewis Blackwell, David Carson, David Byrne (Introduction) |
Chronicle Books |
|
The Ends of the Internet |
2016 |
The Netherlands |
Boris Beaude |
Institute for Network Cultures |
