Index

Part 1.

1 Intercultural Tele-Improvisation: Inside the Online Global 
   jam Session   3

2 Telematics, Art and the Evolution of Networked Music 
   Performance   21

3 Intercultural Tele-Improvisation: Multi-idiomatic Approaches   59

Part II
4  Intercultural Tele-Improvisatory Performance in Action   83

5  Towards a Theory of Tele-Improvisatory Collaboration   119

Part III
6 Liminal Worlds: Presence and Performer Agency 
   in Tele-Collaborative Interaction   145

7  What's that Sound? Culture, Significance and Interpretation 
   of Electronic Sound and Noise   167

8  Conclusion: Intercultural Tele---Improvisatory Interaction: 
   Applications and Contexts   187

Appendix A: Participant Performer Biographies    207
Appendix B:Interviewees   209
Appendix C: Translators   213