|
Acoustic Space: Media Architecture |
2003 |
Latvia |
|
The center for new media culture RIXC |
|
Acoustic.Space #10 - Networks and Sustainability |
2011 |
Latvia |
Rasa Smite, Armin Medosch, Raitis Smits |
MPLab and RIXC |
|
Acoustic.Space #9 Art as a research |
2010 |
Latvia |
Edited by Rasa Smite, Kerstin Mey, Raitis Smits |
MPLab and RIXC |
|
Across & Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions |
2017 |
Germany |
Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk |
Sternberg Press |
|
Acts of Voicing: The Poetics and Politics of the Voice |
2015 |
Germany |
edited by Hans D. Christ, Iris Dressler, Christine Peters |
SPECTOR BOOKS |
|
Aerial Aftermaths - Wartime from Above |
2018 |
UK |
Caren Kaplan |
Duke University Press |
|
Aeriology |
1995 |
New Zealand |
Joyce Hinterding |
Artspace |
|
Aesthetic Computing |
2008 |
USA |
Paul A. Fishwick |
The MIT Press |
|
Aesthetics of Interaction in Digital Art |
2013 |
USA |
Katja Kwastek |
The MIT Press |
|
Aesthetics of the Commons |
2020 |
Switzerland |
edited by Shusha Niederberger, Cornelia Sollfrank, Felix Stalder |
Diaphanes |
|
After the Internet, Digital Networks between Capital and the Common |
2022 |
USA |
Tiziana Terranova |
SEMIOTEXT(E) |
|
Age of Wonderland 2015 - Balancing green & fair food |
2015 |
The Netherlands |
Olga Mink and Ellen Zoete |
Baltan Laboratories |
|
Ai Weiwei's Blog: Writings, Interviews, and Digital Rants, 2006-2009 |
2011 |
USA |
|
The MIT Press |
|
Alchemists of the Future, Ars Electronica Futurelab, The First 25 Years and Beyond |
2021 |
Austria |
Edited by Horst Hörtner, Roland Haring, Hideaki Ogawa, Andreas J. Hirsch |
Hatje Cantz Verlag GmbH |
|
Algorithms of Resistance: The Everyday Fight against Platform Power |
2024 |
USA |
Tiziano Bonini, Emiliano Trere |
Mit Press |
|
Algorithms of late-capitalism, issues #1 to #4 |
2020 |
The Netherland |
(edited by) Karla Zavala & Adriaan Odendaal |
Internet Teapot |
|
Alien Agency Experimental Encounters with Art in the Making |
2015 |
USA |
Chris Salter |
The MIT Press |
|
Alien Intelligence |
2000 |
Finland |
|
Kiasma |
|
All the Rave: The Rise and Fall of Shawn Fannings Napster |
2003 |
USA |
Joseph Menn |
Crown Publishers |
|
Almost Nothing with Luc Ferrari |
2013 |
Germany |
Jacqueline Caux (Author), Luc Ferrari (Artist) |
Errant Bodies Press |
|
Alt.Culture: An A-To-Z Guide to the '90S-Underground, Online, and Over-The-Counter |
1995 |
UK |
Steven Daly, Nathaniel Wice |
Fourth Estate |
|
Always Already New: Media, History, and the Data of Culture |
2006 |
USA |
Lisa Gitelman |
The MIT Press |
|
Alzado vectorial : arquitectura relacional no. 4, Vectorial elevation : relational architecture no. 4 |
2000 |
Mexico |
Rafael Lozano-Hemmer (Editor) |
Conaculta |
|
An Aesthesia of Networks: Conjunctive Experience in Art and Technology |
2013 |
USA |
Anna Munster |
The Mit Press |
|
An Alternative Gaze - A shared reflection on cross-Mediterranean cooperation in the arts |
2008 |
The Netherlands |
edited by Odile Chenal, Susanne Mors, Mark Snijder, Hanneloes Weeda |
European Cultural Foundation |
|
An Archive(s) - a minimal Encyclopedia |
2014 |
Germany |
Claudia Giannetti |
EDITH-RUSS-HAUS |
|
An Atlas of Agenda's: Mapping the Power, Mapping the Commons |
2014 |
Germany |
Bureau D'Etudes |
Onomatopee |
|
An Illustrated Guide of Capitalism |
2017 |
The Netherlands |
Ddk |
Onomatopee |
|
An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing |
2014 |
UK |
David Bard-Schwarz |
Routledge |
|
An Oceanic Feeling: Cinema and the Sea |
2018 |
New Zealand |
Erika Balsom |
Govett-Brewster Art Gallery |
|
Analog Days: The Invention and Impact of the Moog Synthesizer |
2004 |
|
Trevor Pinch & Frank Trocco |
Harvard University Press |
|
Anamnesia : Unforgetting - polytemporality, implacement and possession in The Crista Dahl Media Library & Archive |
2012 |
Canada |
edited by Amy Kazymerchyk |
VIVO Media Arts Centre |
|
And Then There's This: How Stories Live and Die in Viral Culture |
2009 |
USA |
Bill Wasik |
Penguin (Non-Classics) |
|
Andrea Juan - Getting Over |
2004 |
Argentina |
Corinne Sacca Abadi |
Espacio Fundación Telefónica |
|
Anecdotal Evidence: Ecocritique from Hollywood to the Mass Image |
2020 |
UK |
Sean Cubitt |
Oxford University Press |
|
Angles arts numériques Elektra 10_essais - Angles digital arts Elektra10_essays |
2009 |
Canada |
Daniel Canty, Vincent Bonin and Grégory Chatonsky |
Elektra |
|
Animal Spirits: A Bestiary of the Commons |
2009 |
The Netherlands |
Matteo Pasquinelli |
NAi Publishers |
|
Anime elettriche. Riti e miti social |
2016 |
Italy |
Ippolita |
Fuori Pista |
|
Anna Kournikova deleted by Memeright trusted system: Kunst im Zerfalter des geistigen Eigentums |
2009 |
Germany |
edited by Hartware MedienKunstVerein, Inke Arns, Francis Hunger |
Hartware MedienKunstVerein |
|
Anomalie 5 ://Brasil Festival @rt Outsiders 2005 |
2005 |
France |
|
Hyx Editions |
|
Anti-Media: Ephemera on Speculative Arts |
2013 |
The Netherlands |
Florian Cramer |
nai010 publishers |
|
Antoni Muntadas: Protokolle |
2007 |
Spain |
Hans Dieter Huber, Antoni Muntadas, Hans Christ, Iris Dressler |
Walther König, Köln |
|
Apple T-Shirts: A Yearbook of History at Apple Computer |
1998 |
USA |
Gordon Thygeson |
Pomo Pub |
|
Arabic Glitch, Technoculture, Data Bodies, and Archives |
2023 |
USA |
Laila Shereen Sakr |
Stanford University Press |
|
Archaeologies of Touch, Interfacing with Haptics from Electricity to Computing |
2018 |
USA |
David Parisi |
University of Minnesota Press |
|
Archaeology of Algorithmic Artefacts |
2016 |
USA |
David Link |
Univocal Publishing |
|
Archaeology of the Digital |
2013 |
Germany |
Greg Lynn |
Sternberg Press |
|
Architects of the Web: 1,000 Days that Built the Future of Business |
1997 |
USA |
Robert H. Reid |
Wiley |
|
Architectures of the Unforeseen, Essays in the Occurrent Art |
2019 |
USA |
Brian Massumi |
University of Minnesota Press |
|
Archive2020 : sustainable archiving of born-digital cultural content |
2010 |
The Netherlands |
Annet Dekker |
virtueel_platform |
