Index
CONTENTS/SATURS
8 Kerstin Mey. INTRODUCTION
10 Kerstina Meja. IEVADS
13 I ARTISTIC INQUIRY/ MÅKSLINIECISKI MEKLÉJUMI
15 Sher Doruff. ARTISTIC RES/ARCH:THE PROPOSITIONAL EXPERIENCE OF MATTERING
24 Sera Dorufa. MÅKSLINIECISKÅ PÉTNIECiBA KÅ RES/ARCH: NOZImTGUMATAPSANAS PROPOZICIONÅLÅ PIEREDZE
33 Christoph Brunner. RESEARCH-CREATION //THE GENERATION OF NOVEL TEXTURES
39 Kristofs Brunners. PÉTNIEClBA-JAUNRADE // NEBIJUSU TEKSTURU RADlSANA
45 Carole Gray, Heather Delday. A ‘PEDAGOGY OF POIESIS'.
POSSIBLE FUTURES FOR ARTISTIC' PRACTICE-LED DOCTORAL RESEARCH
59 Kerola Greja, Hetera Deldeja. POIESIS PEDAGOQIJA.
“MÅKSLINIECISKAS" PRAKSES VADITÅS DOKTORANTURAS STUDIJU PÉTNIECIBAS IESPÉJAMÅ NÅKOTNE
73 Janis Jefferies. SITUATED KNOWLEDGE: THE SUBJECTIVE AND THE PERSONAL IN CREATIVE ARTS RESEARCH
83 Dfemsa Dfeferisa. SITUÉTÅS ZINÅéANAS: SUBJEKTIVAIS UN PERSONISKAIS RADO&AJÅ MÅKSLAS PÉTNIECIBA
93 Kerstin Mey. CREATIVITY, IMAGINATION. VALUES - WHY WE NEED ARTISTIC RESEARCH
100 Kerstina Meja. RADOSUMS. IZTÉLE. VÉRTIBAS - KÅPÉCIR NEPIECIESAMA MÅKSLINIECISKÅ PÉTNIECIBA
107 II ARTISTIC RESEARCH IN DOCTORAL STUDIES / MÅKSLINIECISKÅ PÉTNIECiBA DOKTORANTURAS STUDIJU
IETVAROS
109 Jan Kaila. ARTISTIC RESEARCH FORMALIZED INTO DOCTORAL PROGRAMS
113 Jans Kaila. OFICIÅLA STATUSA PIESKIRéANA MÅKSLINIECISKAI PÉTNIECIBAI DOKTORANTURAS PROGRAMMÅS
117 Chris Hales. LEARNING FROM THE SMARTLAB EXPERIENCE
124 Kriss Heilss. MÅCOTIES NO SMARTLAB PIEREDZES
131 Camille Baker. METHODOLOGIES FOR MOBILE MEDIA PERFORMANCE
138 Kamilla Beikere. MOBILO MEDIJU PERFORMANCES METODOLOQIJAS
145 III ARTISTIC INQUIRY WITHIN BRODER FIELDS OF CONTEMPORAY CULTURE / MÅKSLINIECISKI PÉTUUMI
LAIKMETIGAJA KULTURÅ
147 Raitis Smits. THE ENVIRONMENT OF NEW MEDIA ART IN ITS EARLY STAGES
159 Raitis Smits. JAUNO MEDIJU MÅKSLAS SÅKOTNÉJÅ VIDE
167 Kathy High, Daniela Kostova, Rich Pell, Soyo Lee. A FIELD REPORT - THE BIOART INITIATIVE
173 Keitija Haja. Daniela Kostova. RiCs Pells, Sojo LL LAUKA DARBA Zlf^OJUMS | B10MÅKSLASIN1CIATIVA
179 Ainårs KamolinS, Jånis LiepinS. FRANZ KAFKA'S "IN THE PENAL COLONY*’ AND THE CORPOREAL WRITING
187 Ainårs Kamoliné, Jånis LiepinS. KAFKAS “LABOéANAS DARBU KOLONIJÅ" UN KERMENISKÅ RAKSTIBA
195 IV FROM “ART AS RESEARCH”TO “RESEARCH ON ART” / NO “MÅKSLA KÅ PÉTNIECIBA” UZ
“MÅKSLAS PÉTNIECIBU”
197 MtliJohn Tharakan, Naohito Okude, Adrian David Cheok. NEOCRAFT: INDIAN TEXTILE CRAFTS SHAPING THE FUTURE
OF INTERACTIVE TEXTILES AND TECHNOLOGY
209 Miti Dzona Tarakana, Naohito Okude, Adrians Deivids Coks. NE0AMATN1ECIBA: IND1JAS TEKSTILAMATNIECIBA,
VE I DO JOT INTERAKTIVOTEKSTILU UN TEHNOLOQIJU NÅKOTNI
221 Stella Pelée. FROM SURFACE TO ILLUSION AND BACK:
THE TEXTURAL QUALITIES OF PAINTINGS IN LATVIAN THINKING ON ART
227 Stella Pelée. NO VIRSMAS LIDZ ILØZIJAI UN ATPAKAL:
GLEZNIEClBAS FAKTØRAS KVALITÅTES LATVIESU MÅKSU\S INTERPRETÅCIJÅS
233 Maija Rudovska, lliana Veinberga. ARCHITECTONIC STRUCTURES AND SOCIAL ECOLOGY:
STUDIES INTO THE CREATIVE LEGACY OF HARDIJS LED!NS
241 Maija Rudovska, lliana Veinberga. ARHITEKTONISKÅS STRUKTØRAS UN SOCIÅLÅ EKOLOQIJA:
HARDIJA LEDINA RADOSÅ MANTOJUMA STUDIJAS
249 Signe Grube. ARTWORK - WITNESS OFTIME (LATVIAN CULTURAL CANON - VISUAL ART)
256 Signe Grube. MÅKSLAS DARBS - LAI KM ETA LIECIBA (LATVIJAS KULTØRAS KANONS - VIZUÅLÅ MÅKSLA)
263 APPENDIX. ARTISTIC RESEARCH PROJECTS / PIELIKUMS. MÅKSLINIECISKO PETTJUMU PROJEKTI
265 TRANSBIOTICS. Festival and Exhibition. RIXC
266 THE RELATIVE VELOCITY INSCRIPTION DEVICE. Paul Vanouse 268 LATENT FIGURE PROTOCOL Paul Vanouse
270 E-STATIC SHADOWS. Zane Berzina, Jackson Tan (UK) and international research team
272 SUCCESSION.Terike Haapoja
273 DIALOGUE.Terike Haapoja
274 DEEP DATA. Andy Grade
275 TISSUE ENGINEERING AND ART WORKSHOP. Workshop leaders: Oron Catts and Dr. lonatZurr/Symbiotic
276 WE ARE ON THE NET. NETART.LV. Exhibition. RIXC 278 THE MESSENGER. Paul DeMarinis
280 RT-32 - ACOUSTIC SPACE LAB. Raitis Smits, Rasa Smite, Martins Ratniks / RIXC
282 SKRUNDA SIGNAL. Raitis Smits, Rasa Smite, Linda Vebere, Martins Ratniks / RIXC
284 CONCORD. Voldemars Johansons
285 HYBRID LAB. Jånis GaranSs
286 WEARABLE CARBON OFFSET. Boo Chappie
287 PROGRAMMED BUTTERFILES: THE IDEAL SECTION. Soyo Lee
