|
Sensations of History: Animation and New Media Art |
2019 |
USA |
James J. Hodge |
University of Minnesota Press |
|
Senses of Vibration |
2012 |
UK |
Shelley Trower |
Continuum |
|
Sensing Machines, How Sensors Shape Our Everyday Life |
2022 |
USA |
Chris Salter |
Mit Press |
|
Sensing Sound: Singing and Listening as Vibrational Practice |
2015 |
USA |
Nina Sun Eidsheim |
DUKE UNIVERSITY PRESS |
|
Sensing and Making Sense, Photosensitivity and Light-to-sound Translations in Media Art |
2021 |
Germany |
Graziele Lautenschlaeger |
Transcript Verlag |
|
Sensing the Future: Moholy-Nagy, Media and the Arts |
2014 |
Switzerland |
Oliver Botar |
Lars Müller |
|
Sensorium: Embodied Experience, Technology, and Contemporary Art |
2006 |
USA |
Caroline A. Jones |
The MIT Press |
|
Serve City |
2004 |
Germany |
Neil Leach & Omar Akbar & Wilfried Hackenbroich & Regina Sonnabend |
Jovis |
|
Server Manifesto, Data Center Architecture and the Future of Democracy |
2022 |
Germany |
Niklas Maak |
Hatje Cantz |
|
Seven Years of Design Research and Experimentation in Electronic Textiles and Reactive Garments |
2010 |
Canada |
Joanna Berzowska |
XS Labs |
|
Shape of Light: 100 years of Photography and Abstract Art |
2018 |
UK |
(edited by) Simon Baker, Emmanuelle De L’Ecotais |
Tate Publishinng |
|
Shaping Technologies: Sarai Reader #3 |
2006 |
USA |
Sarai Media Lab |
Autonomedia |
|
Shaping Things |
2005 |
USA |
Bruce Sterling |
The MIT Press |
|
Shifting Interfaces, An Anthology of Presence, Empathy, and Agency in 21st-Century Media Arts |
2020 |
Belgium |
edited by Hava Aldouby |
LEUVEN UNIVERSITY PRESS |
|
Siemens Medienkunstpreis 97: Vilém Flusser, Peter Weibel, Ingo Günther |
1997 |
Germany |
Jörg Stelkens |
Zentrum f. Kunst u. Medientechnol. |
|
Signs of Life: Bio Art and Beyond |
2009 |
USA |
Eduardo Kac |
The MIT Press |
|
Silence Vert. Rencontres des Arts Numériques, Électroniques et Médiatiques 2012 |
2013 |
France |
Gaspard et Sandra Bébié-Valérian, Manuel Fadat |
OUDEIS |
|
Silence on the Wire: A Field Guide to Passive Reconnaissance and Indirect Attacks |
2005 |
USA |
Michal Zalewski |
No Starch Press |
|
Silicon Mirage: The Art and Science of Virtual Reality |
1992 |
USA |
Steve Aukstakalnis, David Blatner, Stephen F. Roth |
Peachpit Pr |
|
Silicon Plateau Vol-1 |
2015 |
India |
edited by Marialaura Ghidini and Tara Kelton |
The Centre for Internet and Society (CIS), T.A.J. Residency & SKE Projects |
|
Silicon Plateau, Volume Two |
2018 |
India |
(edited by) Marialaura Ghidini, Tara Kelton |
The Institute of Network Cultures |
|
Simulation and Its Discontents |
2009 |
USA |
Sherry Turkle |
The MIT Press |
|
Sintopias - De la relacion entre arte, ciencia y tecnologia | Art, science, and technology interrelations |
2007 |
Spain |
VVAA |
Insituto Cervantes. Junta de Extremadura. MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo |
|
Sirens |
2012 |
Belgium |
Novi_sad, Ryoichi Kurokawa |
SUB ROSA |
|
Site of Sound: Of Architecture and the Ear: Vol 2 |
2011 |
Germany |
edited by Brandon LaBelle, Claudia Martinho |
Errant Bodies Press; Pap/Com |
|
Situated Contemporary Art Practices |
2004 |
Slovenia |
Marina Gržinić |
Založba ZRC / ZRC Publishing Revolver - Archiv für aktuelle Kunst |
|
Situated Contemporary Art Practices, Art Theory and Activism from East Europe |
2005 |
Slovenia |
Marina Grzinic |
Revolver |
|
Situated Listening: The Sound of Absorption in Classical Cinema |
2017 |
USA |
Giorgio Biancorosso |
Oxford University Press |
|
Sixcon Lost Media: Dokumentation der Vortragsreihe im Rahmen der Friederichs Stiftungsprofessur von Rotraut Pape an der Hochschule für Gestaltung, Offenbach a.M. |
2002 |
Germany |
|
Hochschule f. Gestaltung |
|
Skin of Culture |
1998 |
UK |
Derrick de Kerckhove |
Kogan Page |
|
Skizo-Mails |
2012 |
USA |
Franco Berardi Bifo |
Errant Bodies Press / Doormats |
|
Small Pieces Loosely Joined |
2002 |
UK |
David Weinberger |
Basic Books |
|
Smart Mobs: The Next Social Revolution |
2003 |
UK |
Howard Rheingold |
Basic Books |
|
Smile Machines |
2006 |
Germany |
|
Akademie d. Künste |
|
Snap Shooters. L'evoluzione del gesto fotografico |
2014 |
Italy |
Vito Campanelli, Marco Cadioli |
MAO-Media & Arts Office |
|
Snap to Grid: A User's Guide to Digital Arts, Media, and Cultures |
2001 |
USA |
Peter Lunenfeld |
The MIT Press |
|
Society of the Query Reader - Reflections on Web Search |
2014 |
The Netherlands |
René König and Miriam Rasch |
Institute of Network Cultures |
|
Soft Cinema: Navigating the Database [Book and DVD] |
2005 |
USA |
Lev Manovich & Andreas Kratky |
The MIT Press |
|
Software Studies: A Lexicon |
2008 |
USA |
Matthew Fuller |
The MIT Press |
|
Software, Infrastructure, Labor: A Media Theory of Logistical Nightmares |
2016 |
USA |
Ned Rossiter |
Routledge |
|
Sonic Agency: Sound and Emergent Forms of Resistance |
2018 |
USA |
Brandon LaBelle |
Mit Press |
|
Sonic Flux: Sound, Art, and Metaphysics |
2018 |
USA |
Christoph Cox |
University of Chicago Press |
|
Sonic Possible Worlds: Hearing the Continuum of Sound |
2014 |
USA |
Salome Voegelin |
Bloomsbury Academic |
|
Sonic Process |
2002 |
Spain |
Macba |
Actar |
|
Sonic Technologies: Popular music, Digital culture and the Creative Process |
2017 |
USA |
Robert Strachan |
Bloomsbury Academic |
|
Sonic Time Machines: Explicit Sound, Sirenic Voices, and Implicit Sonicity |
2016 |
The Netherlands |
Wolfgang Ernst |
Amsterdam University Press |
|
Sonic Warfare: Sound, Affect, and the Ecology of Fear |
2009 |
USA |
Steve Goodman |
The MIT Press |
|
Sonic writing: technologies of material, symbolic, and signal inscriptions |
2019 |
UK |
Thor Magnusson |
Bloomsbury Academic |
|
Sonorous Embodiment - Ars Electronica 2008 |
2008 |
Austria |
Dennis Russell Davies, Wolfgang Winkler, Heribert Schroeder, Gerfried Stocker, Bianca Petscher |
Ars Electronica |
|
Sons & lumières : une histoire du son dans l'art du XXe siècle |
2004 |
France |
edited by Sophie Duplaix; Marcella Lista |
Centre Pompidou |