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Sirens

Author
Novi_sad, Ryoichi Kurokawa
Publisher / Label
SUB ROSA
Country
Belgium
Language
English
Publication year
2012
Type of publication
Book + CD
Number of pages
48
ISBN
9789609368704

Index

Conceived and directed by Novi_sad

• Sound analysis on recordings, transformation of the results and application of data from stock market crashes by Novi_sad

• Produced by Novi_sad, November 2007 – February 2012

• Visuals by Ryoichi Kurokawa | Japan [www.ryoichikurokawa.com]

(1 Photo by Daniel Demoustier)

• Original audio and compositions from:

» Richard Chartier | U.S [www.3particles.com]

» CM von Hausswolff | Sweden [www.cmvonhausswolff.net]

» Jacob Kirkegaard | Denmark [www.fonik.dk]

» Helge Sten | Norway [Deathprod, Supersilent]

» Rebecca Foon | Canada [Rebecca Foon, A silver mt Zion, Set fire to flames]

The tracks have been manipulated and produced by using the following info / data:

• Track 1 : Richard Chartier | Analysis on vibration recordings from Manhattan and Brooklyn bridges NY / NIKKEI, October 1987 crash, Black Monday

• Track 2 : CM von Hausswolff | Analysis on hydrophone recordings from Mamori Lake, Amazon, Brazil / Deadly Friday, September 1869, Fisk-Gould Scandal

• Track 3 : Jacob Kirkegaard | Analysis on recordings from earthquakes vibrations on earth / Dow Jones crash 1929, Black Tuesday

• Track 4 : Helge Sten | Analysis on sounds from Titan’s atmosphere using the Huygens microphone / dotcom bubble, March 2000

• Track 5 : Beckie Foon | Analysis on recordings from electronic stethoscopes / DAX, October 1987 crash, Black Monday

- Sounds from Titan’s atmosphere using the Huygens microphone are courtesy of The Planetary Society.

- Vibrations on Manhattan and Brooklyn bridges recorded by Scott Konzelmann.

- Tracks 1, 3, 5 produced in Alpha Studio at the Center for Composers, Gotland, Sweden.

- Tracks 2, 4 produced at home studio, Ancient Olympia, Greece.

- CM von Hausswolff’s track produced by manipulating audio material which has been previously used for Hashima film, Japan, 2002 by CM von Hausswolff and Tomas Nordanstad.

- Helge Sten’s original audio track has also been used as a multichannel installation piece in Stavanger, 2009 curated by Anne Hilde Neset.

- Ian Ilavsky recorded Beckie’s cello in Montréal, September 2008.