Index

ACKNOWLEDGMENTS                                                                            7       


INTRODUCTION                                                                               9        

1. OVERIDENTIFICATION, INCARNATION AND DEREALISATION                                       13       
I. The Virtual NSK State                                                                   13        
II. The relation(s) between curators and artists                                           22         
III. Laibach                                                                               28        
IV. In between Ostojic´’s legs                                                             30         
V. Perversion                                                                              38 

2. IDENTITY: EACH BORDER IS OVER-PASSED                                                    41
I. Negativity                                                                              43
II. Lara Croft – Tomb Raider                                                               46
III. Femininity                                                                            50
IV. State of Exception                                                                     54

3. THE TIME-SPACE PARADIGM: BIOMECHANICS & MEMORY                                          59
I. Temporisation of Theory and Time                                                        60
II. It’s just Question of Time                                                             63
III. The Body and Biomechanics                                                             66
IV. Memory and Time                                                                        76

4. IN THE NAME OF THE SERVER                                                               83
I. 0100101110101101.org’s life_sharing                                                     87
II. Who are the Mothers of Monsters?                                                       92
III. Representational Politics                                                             94
         
5. EVERY WAR HAS ITS MEDIUM: THE EVACUATION OF IMAGES                                      96 
I. The Evaporation of the Aura from Photography to Video                                   96
II. Every war has its medium                                                               100
III. Telerobotics and the Return of the Aura                                               105

6. DOES CONTEMPORARY ART NEED MUSEUMS ANYMORE?                                             109

7. THE GENETIC PARADIGM OF CULTURE                                                         124

8. THE OTHER SPACE                                                                         136
I. Srebrenica                                                                              137
II. The Eastern European Condition                                                         142
III. The Other as Two                                                                      145
IV. Agamben’s Out of Being                                                                 148

BIBLIOGRAPHY (selction)                                                                    153

About the author                                                                           155