|
Robovox |
2008 |
Slovenia |
Neja Tomšič; Martin Bricelj; Peter Lukan; Mitar Milutinović |
jubljana : Zavod Projekt Atol, |
|
Room Tone |
2015 |
Germany |
Brandon LaBelle, Robin Wilson , Elena Biserna |
Errant Bodies Press |
|
Rorschach Audio: Art and Illusion for Sound |
2012 |
UK |
Joe Banks |
Strange Attractor Press |
|
|
Rules of Play: Game Design Fundamentals |
2003 |
USA |
Katie Salen & Eric Zimmerman |
The MIT Press |
|
Ryoji Ikeda : datamatics |
2012 |
Italy |
Ryoji Ikeda; Kazunao Abe; María Belén Sáez de Ibarra; Benjamin Weil |
Charta |
|
Ryoji Ikeda: Dataphonics |
2010 |
France |
Ryoji Ikeda |
Dis Voir |
|
SCREEN CITY - 2015 - Labour and the City in-between |
2015 |
Norway |
Daniela Arriado |
Screen City |
|
SEISMA Neuroscience |
2021 |
UK |
(guest edited by) Abhrajeet Roy |
PARABOLA PRESS |
|
SHARE - Social, Media, Music - April 7-9 Belgrade Serbia |
2011 |
Serbia |
Share Conference |
Share Conference |
|
SISEA |
1990 |
Holland |
|
SISEA |
|
|
SK-INTERFACES: Exploding Borders in Art, Science and Technology |
2008 |
UK |
Jens Hauser |
Liverpool University Press |
|
SOCIAL GLITCH - Radical aesthetics and the consequences of extreme events |
2015 |
Austria |
Sylvia Eckermann, Gerald Nestler, Maximilian Thoman |
TIM. theories in mind and medien.kunst.tirol |
|
SOFA magazine issue 02, Cyberlove |
2017 |
Germany |
VVAA |
editionmessner |
|
SONICA FESTIVAL TRANZITORNIH UMETNOSTI - Tretja Kultura / Third Culture |
2012 |
Slovenia |
Martin Briceljn Baraga |
MoTA - Museum of Transitory Art |
|
SPECTROPIA. Illuminating investigations in the electromagnetic spectrum / SPEKTROPIJA. Radoši meklējumi elektromagnētiskajā spektrā |
2008 |
Republic of Latvia |
edited by Daina Silina, Linda Vēbere, Inta Rozenvalde, Zita Joyce, Aija Silina |
MPLab and RIXC |
|
SPLENDID VOIDS The Immersive Works of Kurt Hentschläger |
2017 |
Germany |
edited by Isabelle Meiffert |
DISTANZ Verlag |
|
SPLICE: At the Intersection of Art and Medicine |
2013 |
USA |
Nina Czegledy |
Pratt Manhattan Gallery |
|
SRC_04 - Remote control |
2006 |
Netherlands |
Arjen de Jong |
The Stereo Foundation |
|
STRIKE NOW!! - Aram Bartholl |
2019 |
Germany |
VV.AA. |
panke.gallery |
|
STRP Festival Guide 2011 |
2011 |
The Netherlands |
edited by Cindy Iseli |
STPR Festival |
|
STRUCTURES - CTM.09 – Festival for Adventurous Music and Related visual Arts |
2009 |
Germany |
Oliver Baurhenn, Jan Rohlf, Remco Schuurbiers |
CTM Festival |
|
STRUCTURES OF EXPERIENCE - UN-CODING AND CODING EMOTIONS |
2019 |
UK |
Danny Aldred, Andy Lapham |
BookLAB |
|
SWAMP - Studies of Work Atmosphere and Mass Production |
2008 |
The Netherlands |
Matt Kenyon, Doug Easterly |
lulu.com |
|
SWAMP 2 - Studies of Work Atmosphere and Mass Production |
2012 |
|
Matt Kenyon, Doug Easterly |
SWAMP |
|
SYSTEMICS #2 - AS WE MAY THINK (OR, THE NEXT WORLD LIBRARY) |
2013 |
Denmark |
Kunsthal Aarhus |
Kunsthal Aarhus |
|
Samizdata, Evidence of Conspiracy |
2015 |
Germany |
Jacob Appelbaum |
NOME |
|
Sarai Reader 01: The Public Domain |
2001 |
The Netherlands |
Geert Lovink & Shudhabrata Sengupta |
Waag Society for Old & New Media |
|
Sarai Reader 04: Crisis/Media |
2004 |
India |
Sarai Media Lab |
Autonomedia |
|
Sawt, Bodies, Species. Sonic Pluralism in Morocco |
2023 |
Germany |
Gilles Aubry |
Adocs |
|
Schermi interattivi: il cinema nei videogiochi |
2008 |
Italy |
Matteo Bittanti |
Meltemi |
|
Science and technology in art today |
1972 |
United Kingdom |
Jonathan Benthall |
Thames and Hudson |
|
Screen City Biennial 2017 - Migrating Stories |
2017 |
Norway |
edited by Tanya Toft Ag and Nathan Ma |
Screen City Biennial |
|
Screens / Ekrany |
2001 |
Poland |
Piotr Krajewski |
WRO Media Art Center Foundation, Open Studio/WRO |
|
Search Routines: Tales of Databases |
2015 |
Germany |
edited by Lena Brüggemann and Francis Hunger |
D21 Kunstraum Leipzig |
|
|
Second Person: Role-Playing and Story in Games and Playable Media |
2010 |
USA |
Pat Harrigan & Noah Wardrip-Fruin |
The MIT Press |
|
Secrets and Lies: Digital Security in a Networked World |
2004 |
USA |
Bruce Schneier |
Wiley |
|
Secrets of a Super Hacker. Introduction by Gareth Branwyn |
1994 |
USA |
Knightmare |
Loompanics Unlimited |
|
|
See This Sound |
2010 |
Austria |
Liz Kotz & Cosima Rainer & Stella Rollig & Dieter Daniels & Manuela Ammer |
Walther Konig, Koln |
|
See Yourself Sensing: Redefining Human Perception |
2011 |
UK |
Madeline Schwartzman |
Black Dog Publishing |
|
See Yourself X: Human Futures Expanded |
2018 |
UK |
Madeline Schwartzman |
Black Dog Press |
|
|
See this Sound: Audiovisuology 2 |
2011 |
Germany |
Dieter Daniels & Sandra Naumann |
Walther König, Köln |
|
Seeing Degree Zero, Barthes/Burgin and Political Aesthetics |
2019 |
UK |
edited by Ryan Bishop, Sunil Manghani |
Edinburgh University Press |
|
Seeing with Eyes Closed |
2011 |
Germany |
Alexander Abbushi, Ivana Franke, Ida Mommenejad |
Association of Neuroesthetics |
|
Segnali d'Opera - Arte e Digitale in Italia - XIX Premio Arti Visive "Città di Gallarate" |
1997 |
Italy |
AA. VV. |
Comune di Gallarate |
|
Segni Leggeri - Internet non è per sempre - Internet is not forever |
2017 |
Italy |
Guido Segni, Luca Leggero, Alessandra Ioalé |
Greta's Books |
|
Seismographic Sounds – Visions of a New World |
2016 |
Switzerland |
Edited by Theresa Beyer, Thomas Burkhalter, Hannes Liechti |
Norient Books |
|
Seized : Critical Art Ensemble & Institute for Applied Autonomy |
2009 |
Germany |
Steve Kurtz |
Art Laboratory Berlin |
|
Selected Mistakes |
2017 |
Norway |
VERDENSTEATRET |
VERDENSTEATRET |
|
Selected Writings and Interviews |
2021 |
USA |
Maryanne Amacher |
Blank Forms Editons |
|
Self-Tracking |
2016 |
USA |
Gina Neff, Dawn Nafus |
Mit Press |
