|
Racing the Beam: The Atari Video Computer System |
2009 |
UK |
Nick Montfort, Ian Bogost |
The MIT Press |
|
Radical Friends | Decentralised Autonomous Organisations and the Arts |
2022 |
UK |
edited by Ruth Catlow, Penny Rafferty |
TORQUE EDITIONS |
|
Radical Software Number 1 - The Alternate Television Movement |
1970 |
USA |
Beryl Korot, Phyllis Gershuny, Ira Schneider |
Raindance Corporation |
|
Radical Tactis of the Offline Library |
2014 |
The Netherlands |
Henry Warwick |
Institute of Network Cultures |
|
Radio Revolten: 30 Days of Radio Art |
2019 |
Germany |
(edited by) Corax E.V. |
Spector Books |
|
Radio Territories |
2006 |
Germany |
Brandon LaBelle & Erik Granly Jensen |
Errant Bodies Press |
|
Radio-art |
2019 |
France |
Tetsuo Kogawa |
UV Éditions |
|
Rafaël Rozendaal: Everything, Always, Everywhere |
2017 |
The Netherlands |
|
Valiz |
|
Read Me: Software Art & Cultures |
2004 |
Denmark |
Olga Goriunova & Alexei Shulgin |
Aarhus University Press |
|
ReadMe! ASCII Culture and the Revenge of Knowledge |
2009 |
USA |
Nettime |
Autonomedia |
|
Read_Me_2.3 Reader |
2003 |
Finland |
|
NIFCA Nordic Institute for Contemporary Art |
|
Reader No. 4 im/possible images |
2023 |
Germany |
edited by Rosa Menkman & Luzi Gross |
Lothringer 13 Halle |
|
Readme 100 |
2006 |
Germany |
Olga Goriunova |
Books On Demand |
|
Real Feelings, Emotion and Technology |
2020 |
Switzerland |
edited by Sabine Himmelsbach, Angelique Spaninks, Ariane Koek |
|
|
Real Projects for Real People - Volume 1 |
2010 |
The Netherland |
Anne Nigten |
The Patching Zone |
|
Real Projects for Real People - Volume 3 |
2013 |
The Netherlands |
Anne Nigten |
The Patching Zone |
|
Real Virtuality - About the Destruction and Multiplication of World |
2014 |
Germany |
Ulrich Gehmann, Martin Reiche |
Transcript-Verlag |
|
Record Play FastForward Rewind Stop Eject |
1998 |
Germany |
|
|
|
Records By Artists: 1958-1990 |
2014 |
Italy |
Giorgio Maffei |
Danilo Montanari |
|
Reflejo / Sonoro |
2015 |
Argentine |
Colectivo BiotroniK 2.0 |
Museo Nacional de Bellas Artes |
|
Reframing Consciousness : Art, Mind and Technology |
2001 |
UK |
Roy Ascott |
Intellect L & D E F a E |
|
|
Release 2.0 |
1997 |
USA |
Esther Dyson |
Broadway |
|
Relics |
2017 |
Germany |
Chris Drange |
Hatje Cantz |
|
Relive: Media Art Histories |
2013 |
USA |
Sean Cubitt, Paul Thomas |
The MIT Press |
|
Reload: Rethinking Women + Cyberculture |
2002 |
USA |
Mary Flanagan & Austin Booth |
The MIT Press |
|
Remake 3/4 Magazine, Rethinking Media Arts in C(K)ollaborative Enviroments |
2012 |
Slovakia |
Slavo Krecovic |
ATRAKT ART |
|
Remediation: Understanding New Media |
2000 |
USA |
Jay David Bolter & Richard Grusin |
The MIT Press |
|
Remix Theory: The Aesthetics of Sampling |
2012 |
Austria |
Eduardo Navas |
Springer Vienna Architecture |
|
Renewable Futures - Art, Science and Society in the Post-Media Age |
2017 |
Latvia |
edited by Rasa Smite, Raitis Smits and Armin Medosch |
RIXC, LIEPU MPLAB |
|
Reset Modernity! |
2016 |
USA |
Edited by Bruno Latour, Christophe Leclercq |
Mit Press |
|
Resistencia : 9a Bienal de Video y Artes Mediale |
2010 |
Chile |
Simón Pérez Wilson, Enrique Rivera Gallardo |
BVAM (Bienal de Video y Artes Mediales) and MAC (Museo de Arte Contemporáneo) |
|
Resisting the Virtual Life: The Culture and Politics of Information |
1995 |
USA |
James Brook; Iain A Boal |
City Lights Publishers |
|
Resonances: Noise and Contemporary Music |
2013 |
USA |
Michael Goddard, Benjamin Halligan, Nicola Spelman |
Bloomsbury Academic |
|
Resonant Bridges - Ars Electronica 2012 |
2012 |
Austria |
Dennis Russell Davies, Wolfgang Winkler, Heribert Schroeder, Gerfried Stocker, Elisabeth Zimmermann |
Ars Electronica |
|
Resounding Roar |
2017 |
USA |
Israel Martínez |
Errant Bodies Press / Doormats |
|
Respawn: Gamers, Hackers, and Technogenic Life |
2018 |
USA |
Colin Milburn |
Duke University Press |
|
Responsibility for Things Seen - A Reader |
2011 |
Croatia |
edited by Petar Milat with Giuliana Bruno, Peter Szendy, Stephen Zepke |
BADco. |
|
Rethinking Curating: Art after New Media |
2010 |
USA |
Beryl Graham & Sarah Cook |
The MIT Press |
|
|
Rethinking Media Change: The Aesthetics of Transition |
2004 |
USA |
David Thorburn & Henry Jenkins |
The MIT Press |
|
Retracing Political Dimensions, Strategies in Contemporary New Media Art |
2020 |
Germany |
Edited by Oliver Grau and Inge Hinterwaldner |
DE GRUYTER |
|
Retrato proteico / Proteic Portrait |
2009 |
Spain |
Marta de Menezes |
MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo |
|
Revista de Artes Sonoras y Cultura AURAL nº4 |
2021 |
Chile |
VVAA |
TSONAMI ARTE SONORO |
|
Rewind Italia: Early Video Art in Italy |
2015 |
UK |
Laura Leuzzi, Stephen Partridge |
John Libbey Publishing |
|
Rewire: Digital Cosmopolitans in the Age of Connection |
2013 |
USA |
Ethan Zuckerman |
W. W. Norton & Company |
|
|
Rewired |
1997 |
USA |
David Hudson |
MacMillan Technical Publishing |
|
Rezonancia : elektromágneses testek = Resonance : electromagnetic bodies |
2006 |
Hungary |
edited by Dózsai Rita, Üveges Krisztina |
Ludwig Múzeum - Museum of Contemporary Art |
|
Rhythm Science |
2004 |
USA |
Paul D. Miller aka Dj Spooky that Subliminal Kid |
The MIT Press |
|
Robert Adrian X |
2001 |
Austria |
edited by Kunsthalle Wien, Lucas Gehrmann, Gerald Matt |
Kunsthalle Wien / Folio |
|
Robot Sex: Social and Ethical Implications |
2017 |
USA |
(edited by) John Danaher, Neil McArthur |
Mit Press |
|
Robotarium X |
2007 |
Portugal |
Leonel Moura |
Fenda |
