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Preservation of Digital Art: Theory and Practice: The Digital Art Conservation Project

Author
Bernhard Serexhe
Publisher / Label
Ambra V
Country
Austria
Language
English
Publication year
2013
Type of publication
book
Number of pages
632
ISBN
9783990435380

Index

Contents

Foreword
13  Foreword and Acknowledgments
     Bernhard Serexhe

Collecting and Preserving Digital Art
21  Born Digital – But Still in Infancy
     Bernhard Serexhe

35  Im/possible Tasks – Remarks on the Concept of Collecting and
     Conservation Issues at the House for Electronic Arts Basel
     Sabine Himmelsbach

48  Collecting Digital Art: Reflections and Paradoxes – Ten Years’
     Experience at the Espace multimédia gantner
     Jean-Damien Collin and Valérie Perrin

58  Conservation of Born-digital Art? The Legal Framework of Copyright
     Thomas Dreier and Veronika Fischer

Symposium I: The Digital Oblivion. Substance and Ethics
in the Conservation of Computer-based Art
75  On System Change in Cultural Memory and the Conservation
     of Digital Art
     Bernhard Serexhe

85  Historical Time and Uchronic Time: A Different Way of Conceiving
     of Memory and Forgetting
     Edmond Couchot

91  An (An-)Archive. The Abolition of the Present and the Archive
     of the Future
     Siegfried Zielinski

109 Monument – Values – History.
     On the Theory and Relevance of Monument Conservation
     Ingrid Scheurmann

125 Museum and Amnesia. An Attempt at a Review
     Klaus Weschenfelder

137 From New Media to Old Media: Ambiguous Concepts, Complex
     Problems, and Open Questions
     Hans Dieter Huber

145 Documenting and Conserving Technological Art: The Evolution of
     Approaches and Methods
     Alain Depocas

154 Formats, Strategies, Interpretations, and Translations
     Antoni Muntadas

162 Conserving and Archiving Media Art – The Policy of Discourse
     Rosina Gómez-Baeza in collaboration with Brendan Maloney

174 Archiving Strategies at LABORATORIA Art & Science Space
     Daria Parkhomenko

183 The Digital Oblivion. Towards a Material History of the Media
     Peter Weibel

Symposium II: Digital Art Conservation. Practical Approaches:
Artists, Programmers, Theorists
197 Contemporary Art and Technological Obsolescence
     Cécile Dazord

206 Exhibition Closed Owing to YouTube Redesign. Curatorial Practice and
     Problems in the Conservation of Digital Art.
     Raffael Dörig

217 Keeping the Bits Alive: Authenticity and Longevity for Digital Art
     Perla Innocenti

232 Obsolete Equipment: A Research Project on Preserving Equipment in
     Multimedia Art Installations
     Emanuel Lorrain

243 Machinic Conservation – “Data Carvery” and the Temporality of
     Technical Time
     Jussi Parikka

256 Emulation as a Conservation Tool for Digital Objects.
     The European Union’s KEEP project
     Jean-Philippe Humblot

268 Information Freeze: Decay of Technical Information on the Internet
     Paul Jansen Klomp

273 Hacking Mondrian
     Florian Kaufmann

285 How Deep Is Your Source?
     Aymeric Mansoux

299 M=5|é×–0§n $iá†
     Igor Štromajer

Case Studies
315 Digital Media Art Demands Commitment!
     Arnaud Obermann

324 Herbert W. Franke, ORCHID, TROPIC, WALDWOHN, RAHMEN4,
     ABROLL3 (1984–1992)
     Chiara Marchini Camia, Arnaud Obermann, and Katrin Willert
340     ORCHID, TROPIC, WALDWOHN, RAHMEN4, ABROLL3
          An Interview with Herbert W. Franke
          Arnaud Obermann

344 Hervé Graumann, Raoul Pictor cherche son style … (1993–1997)
      Chiara Marchini Camia and Arnaud Obermann
361     Raoul Pictor cherche son style …
         An Interview with Hervé Graumann
         Pascal Bion, Nelly Massera, and Arnaud Obermann

366 JODI, OSS/•••• (1998–2005)
    Anne Laforet
379     OSS/••••
          An Interview with JODI (Joan Heemskerk and Dirk Paesmans)
          Anne Laforet and Valérie Perrin

384 Marc Lee, TV-BOT 1.0, TV-BOT 2.0 (2004, 2010)
     Doris Gassert
400     TV-BOT.
          An Interview with Marc Lee
          Fabienne Blanc

404 Nicolas Moulin, Viderparis (1998–2001)
     Chiara Marchini Camia and Arnaud Obermann
416     Viderparis.
          An Interview with Nicolas Moulin
          Nelly Massera and Catherine Mueller

420 Michael Naimark, Karlsruhe Moviemap (1991, 2009)
     Chiara Marchini Camia, Esther Neumann, and Arnaud Obermann
438     Karlsruhe Moviemap.
         An Interview with Michael Naimark, part I
         Rebecca Picht

439 Karlsruhe Moviemap.
     An Interview with Michael Naimark, part II
     Chiara Marchini Camia and Arnaud Obermann

442 Nam June Paik, Internet Dream (1994)
     Chiara Marchini Camia and Arnaud Obermann

456 Samuel Rousseau, Sans titre (papier peint vidéo) (2003)
     Chiara Marchini Camia and Arnaud Obermann
469     Sans titre (papier peint vidéo).
          An Interview with Samuel Rousseau
          Pascal Bion and Nelly Massera

472 Antoine Schmitt, still living H, I, J (2006)
     Anne Laforet
484     still living.
          An Interview with Antoine Schmitt
          Anne Laforet

488 Jeffrey Shaw, The Legible City (1989–1991)
     Chiara Marchini Camia, Bernd Lintermann, Arnaud Obermann, and Claudia Röck
513     The Legible City.
          An Interview with Jeffrey Shaw, part I
          Arnaud Obermann
514 The Legible City.
      An Interview with Jeffrey Shaw, part II
      Chiara Marchini Camia and Arnaud Obermann

Exhibition: Digital Art Works. The Challenges of Conservation
523 The Exhibition Digital Art Works. The Challenges of Conservation
     Chiara Marchini Camia

541 List of Artworks Shown in the Exhibition Digital Art Works.
    The Challenges of Conservation

Teaching in the Field of the Preservation of Digital Art
567 Training in Media Conservation
      Johannes Gfeller

584 Conservation: A force to employ (or deploy?) in an art school
     Francisco Ruiz de Infante and Jérôme Thomas (in collaboration with Anne Laforet and
     Pierre Mercier), With an Introduction by Otto Teichert.

Appendix
599 Glossary
603 Authors’ Biographies
617 Bibliography (selection)