Index

Preface.- Introduction.-
Ursula Frohne, The Artwork as Temporal Form. Giving Access to the Historicity, Context and Discursiveness of Media Art.-
Ulrike Rosenbach, Thirty Years of Media Art by Ulrike Rosenbach – Experience in Mediation and Reproduction.-
Sabine Flach, "Withdrawal as an Artform” – Between Withdrawal and Presentation – The Body in the Media Arts.-
Elke Bippus, Dirck Möllmann, Montage and Image Environments: Narrative Forms in Contemporary Video Art.-
Mona Schieren, Media storage. On documenting and Archiving Media Art.-
Lydia Haustein, Global Icons.-
Dieter Daniels, Before and after video art – Television as a subject and material for art around 1963, and a glance at net art since the 1990s.-
Katharina Ammann, Dan Graham’s Designs for Video Presentations: Art, Commentary and Solution.-
Hans D. Christ, Stan Douglas, "Win, Place or Show”.-
Dennis Del Favero / Neil Brown / Jeffrey Shaw / Peter Weibel, T_Visionarium: the aesthetic transcription of televisual databases.-
Jean-François Guiton, www.guiton.de.-
Rudolf Frieling, Database and Context Artistic Strategies within a Dynamic Field of Action.-
Monika Fleischmann / Wolfgang Strauss, On the Development of netzspannung.org – An Online Archive and Transfer Instrument for Communicating Digital Art and Culture.-
Rens Frommé / Sandra Fauconnier, Capturing Unstable Media Arts – A formal model for describing and preserving aspects of electronic Media Art.-
Lori Zippay, The Digital Mystique: Video Art, Aura and Access.-
Bart Rutten, "How to deliver what is asked”.-
Biographies.- Selected bibliography.- Photo credits