|
Piermario Ciani. Dal great complotto a Luther Blissett |
2000 |
Italy |
Piermario Ciani |
AAA Edizioni |
|
Piksel 10 (un) stable |
2010 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel 14 be\0/art |
2014 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel [X] - Kernel Panic! |
2012 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel | 13 Riot |
2013 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel09 :: f[re](e){op}[en]able |
None |
Norway |
Gisle Frøysland |
Piksel |
|
Pingo Ergo Sum, das Bild fällt aus dem Hirn |
2012 |
Austria |
Adi Hoesle |
Kunsthalle Rostock, Ars Electronica Center |
|
Piracy: Leakages from Modernity |
2014 |
USA |
Martin Fredriksson, James Arvanitakis |
Litwin Books |
|
Pirate Cinema |
2012 |
USA |
Cory Doctorow |
Tor Books |
|
Pixorama |
2008 |
Canada |
eBoy |
eBoy |
|
Place Studies in Art, Media, Science and Technology : Historical Investigations on the Sites and the Migration of Knowledge |
2008 |
Germany |
edited by Andreas Broeckmann and Gunalan Nadarajan |
VDG |
|
Placing Words: Symbols, Space, and the City |
2005 |
UK |
William J. Mitchell |
The MIT Press |
|
Plants, Androids and Operators: A Post-Media Handbook |
2014 |
UK |
Clemens Apprich, Josephine Berry Slater, Anthony Iles, Oliver Lerone Schultz |
Mute Books |
|
Play Cultures [svet digitalnih igara] |
2007 |
Serbia |
Kristian Lukić |
Institute for Flexible Cultures and Technologies - NAPON |
|
Playing Utopia, Futures in Digital Games |
2019 |
Germany |
edited by Benjamin Beil, Gundolf S. Freyermuth, Hanns Christian Schmidt |
Trascript |
|
Playing with feelings - Video Games and Affect |
2018 |
USA |
Aubrey Anable |
University of Minnesota Press |
|
Poetics and Politics of Data |
2015 |
Switzerland |
Sabine Himmelsbach, Claudia Mareis |
Christoph Merian Verlag |
|
Poi vol.3 featuring Kazuhiro Jo |
2020 |
Japan |
(edited by) Yosaku Matsutani |
Will Corporation |
|
Poietry: Challenging Solitude and the Improbability of Communication |
2017 |
Austria |
Sophie-Carolin Wagner |
DE GRUYTER |
|
Point and Click. Adventure als Spielprinzip |
2010 |
Germany |
edited by Jonas Hansen and Lasse Scherffig |
Kunsthochschule für Medien Köln (KHM) |
|
Political Intervention |
2014 |
Switzerland |
edited by Dominik Landwehr |
Christoph Merian Verlag |
|
Polyphonic Minds: Music of the Hemispheres |
2017 |
USA |
Peter Pesic |
Mit Press |
|
Polytech.Science.Art: Наука.Искусство.Технологии 2015 |
2015 |
Russia |
Natalia Fuchs |
The Polytechnic Museum |
|
Poptronics |
2019 |
France |
Edited by Matthieu Recarte and Annick Rivoire |
Tombolo Presses |
|
Post-Butt, The power of the image |
2016 |
The Netherlands |
Melani de Luca |
Onomatopee |
|
Postcards |
2005 |
Italy |
Vittore Baroni e autori vari |
Coniglio editore in collaborazione con AAA Edizioni |
|
Postdigital 2 - Erscheinungsformen und Ausbreitung eines Phänomens |
2017 |
Germany |
Franz Thalmair |
Kunstforum |
|
Postdigital Aesthetics: Art, Computation And Design |
2015 |
UK |
David M. Berry and Michael Dieter |
PALGRAVE MACMILLAN |
|
|
Pr0nnovation?: Pornography and Technological Innovation |
2009 |
USA |
Johannes Grenzfurthner |
Re/Search Publications |
|
Practicable: From Participation to Interaction in Contemporary Art |
2016 |
USA |
edited by Samuel Bianchini and Erik Verhagen |
Mit Press |
|
|
Present Continuous Past(s): Media Art. Strategies of Presentation, Mediation and Dissemination |
2005 |
Austria |
Ursula Frohne & Mona Schieren & Jean-Francois Guiton |
Springer |
|
Preservation of Digital Art: Theory and Practice: The Digital Art Conservation Project |
2013 |
Austria |
Bernhard Serexhe |
Ambra V |
|
Prix Ars Electronica 95 |
1995 |
Austria |
|
Hannes Leopoldseder, Christine Schöpf |
|
Processing: A Programming Handbook for Visual Designers and Artists |
2007 |
USA |
Casey Reas & Ben Fry |
The MIT Press |
|
Producing Futures. A Book on Post-Cyber Feminisms |
2019 |
Switzerland |
edited by Heike Munder |
JRP Ringier Kunstverlag AG / Migros Museum für Gegenwartskunst |
|
|
Profiling Machines: Mapping the Personal Information Economy |
2003 |
USA |
Greg Elmer |
The MIT Press |
|
Program Earth: Environmental Sensing Technology and the Making of a Computational Planet |
2016 |
USA |
Jennifer Gabrys |
University Of Minnesota Press |
|
Program or Be Programmed: Ten Commands for a Digital Age |
2010 |
USA |
Douglas Rushkoff |
OR Books |
|
Program to Perform - Exploring Dance and New Media |
2009 |
Norway |
edited by Therese Berg and Lise Amy Hansen |
Oslo School of Architecture and Design and Dance Information Norway |
|
Programa de Pós-Graduação Artes Visuais | ano 12 | n. 24 | 2014 |
2014 |
Brazil |
edited by Gilbertto Prado, Marco Giannotti, Sonia Salzstein |
ECA_USP |
|
Programa de Pós-Graduação Artes Visuais | ano 9 | n. 17 | 2011 |
2011 |
Brazil |
edited by Gilbertto Prado, Marco Giannotti, Sonia Salzstein |
ECA_USP |
|
Programmed Inequality: How Britain Discarded Women Technologists and Lost Its Edge in Computing |
2017 |
USA |
Marie Hicks |
Mit Press |
|
Protocol: How Control Exists after Decentralization |
2006 |
USA |
Alexander R. Galloway |
The MIT Press |
|
Proud to be Flesh: A Mute Magazine Anthology of Cultural Politics After the Net |
2009 |
UK |
Josephine Berry Slater, Pauline Van Mourik Broekman, Michael Corris |
Mute Publishing Ltd |
|
Psychic Tv. Genesis. P. Orridge. Una raccolta comprensiva di testi. 1981-1990 |
1990 |
Italy |
Vittore Baroni |
Stampa Alternativa / Nuovi Equilibri |
|
Public Domain: Edition Digital Culture |
2015 |
Switzerland |
edited by Dominik Landwehr |
Christoph Merian Verlag |
|
Public Loudspeakers |
2007 |
Sweden |
Henrik Rylander |
Henrik Rylander |
|
Publishing Manifestos : an international anthology from artists and writers |
2018 |
Germany |
edited by Michalis Pichler |
Miss Read |
|
Públicos fantasma - La naturaleza política del libro - La red |
2016 |
Mexico |
Andrew Murphie, Janneke Adema, Gary Hall, Alessandro Ludovico |
Taller de Ediciones Económicas |
|
Quantum Art & Uncertainty |
2017 |
UK |
Paul Thomas |
Intellect Ltd |
