|
Outerviews : conversations with artists |
2013 |
Slovenia |
edited by Neja Tomšič, Martin Bricelj Baraga |
MoTA - Museum of Transitory Art |
|
Ouvrage: Nathalie Bujold / Work : Nathalie Bujold |
2024 |
Canada |
edited by Sonia Pelletier |
Vidéographe |
|
Overlap – The no man’s land between art and science |
2020 |
The Netherland |
(edited by) Ann Bessemans, Marjan Doom, Frank Merkx and Nele Wynants |
KOMMA, UITGEVERIJ |
|
Own This!: How Platform Cooperatives Help Workers Build a Democratic Internet |
2023 |
UK |
R. Trebor Scholz |
Verso |
|
P0Es1S: The Aesthetics Of Digital Poetry |
2004 |
Germany |
Bill Seaman & Eduardo Kac & Christiane Heibach & Karin Wenz |
Hatje Cantz Publishers |
|
PARN: Physical and Alternate Reality Narratives |
2013 |
Austria |
Time's Up, FoAM, Blast Theory, Tina Auer, Tim Boykett, Cooky Eek, Nik Gaffney, Honor Harger, Martin Howse, Maja Kuzmanovic, Andreas Mayrhofer, An Mertens, Valentina Nisi, Paola Orlic |
Time’s Up |
|
PATCH - Acteur/Machines, Denis Marleau, Christophe Huysman |
2009 |
Belgium |
Pascal Keiser, Clarisse Bardiot |
Revue du Centre des Ecritures Contemporaines et Numeriques |
|
PERFORMING MIXED REALITY |
2011 |
USA |
Steve Benford and Gabriella Giannachi |
The Mit Press |
|
PERSISTENCE - CTM FESTIVAL 2019 - Adventurous Music & Art 20th Edition/Berlin |
2019 |
Germany |
edited by Jan Rohlf, Annie Garlid, Taïca Replansky, Ollie Zhang, Dahlia Borsche, Andreas L. Hofbauer |
DISK - Initiative Bild & Ton e.V. |
|
PERSISTING REALITIES |
2019 |
Germany |
edited by Taïca Replansky, Ollie Zhang, Oliver Baurhenn |
CTM Festival |
|
PHYSICAL/ITÉ - BIENNALE INTERNATIONALE D'ARTE NUMÉRIQUE INTERNATIONAL DIGITAL ARTS BIENNIAL |
2014 |
Canada |
Alain Thibault |
BIAN Montréal |
|
PSYCHOECONOMY! Corporate Summit Madrid 2010 |
2011 |
Spain |
edited by Gustavo Romano |
Acción Cultural Española (AC/E) |
|
PSYOP: An Anthology |
2018 |
Germany |
(edited by) Karen Archey, Metahaven |
Stedelijk Museum Amsterdam / Ica London /Koenig Books |
|
Pakui Hardware - Vanilla Eyes |
2016 |
Austria |
Karola Kraus, Rainer Fuchs |
mumok |
|
|
Parables for the Virtual: Movement, Affect, Sensation |
2002 |
UK |
Brian Massumi |
Duke University Press Books |
|
Paradoxes of Interactivity: Perspectives for Media Theory, Human-Computer Interaction, and Artistic Investigations |
2008 |
UK |
Uwe Seifert, Jin Kim, Anthony Moore |
Transcript Verlag |
|
Paralelo - Narrativas em Percurso |
2009 |
Brazil |
|
Museu Da Imagem E Do Som |
|
Parallax Symmetry |
2019 |
Germany |
(edited by) Susanne Gaensheimer, Doris Krystof |
Spector Books / KUNSTSAMMLUNG NORDRHEIN-WESTFALEN |
|
Parsons Paris Graduation Catalog 2017 |
2017 |
USA |
Bridget O'Rourke |
The New School Parsons Paris |
|
Pascal Dombis |
2018 |
France |
edited by Didier Girard |
Supernova édition |
|
Pascal Dombis - Time Spirals |
2010 |
China |
Christine Buci-Glucksmann |
The Cat Street Gallery |
|
Patrick Tresset |
2016 |
Poland |
edited by Ryszard W. Kluszczyński |
Centre for Contemporary Art Laznia | Polity Press |
|
Pattern Discrimination |
2019 |
USA |
Clemens Apprich, Wendy Hui Kyong Chun, Florian Cramer, and Hito Steyerl |
Mit Press / meson press |
|
Peer-to-Peer : Harnessing the Power of Disruptive Technologies |
2001 |
USA |
Andy Oram |
O'Reilly Media |
|
People Make Television |
2023 |
UK |
Lori E Allen, William Fowler, Matthew Harle and Alex Sainsbury |
Raven Row |
|
People's Pornography - Sex and Surveillance on the Chinese Internet |
2012 |
UK |
Katrien Jacobs |
Intellect Books |
|
Performative Science and Beyond: Involving the Process in Research |
2006 |
Austria |
Hans H. Diebner |
Springer Vienna Architecture |
|
Performing the Digital |
2017 |
Austria |
edited by Timon Beyes, Martina Leeker, and Imanuel Schipper |
Transcript-Verlag |
|
Peripheral Vision: Bell Labs, the S-C 4020, and the Origins of Computer Art |
2015 |
USA |
Zabet Patterson |
The Mit Press |
|
Perspectives in Space Surveillance |
2017 |
USA |
Edited by Ramaswamy Sridharan and Antonio F. Pensa |
Mit Press |
|
|
Perspectives on Free and Open Source Software |
2007 |
USA |
Joseph Feller & Brian Fitzgerald & Scott A. Hissam & Karim R. Lakhani |
The MIT Press |
|
Peter Weibel - (Post-) Europa? Lovis-Corinth-Preis 2020 |
2020 |
Germany |
edited by Bazon Brock |
Hatje Cantz Verlag |
|
|
Peter d'Agostino: Interactivity and Intervention, 1978-99 |
1999 |
USA |
Peter D'Agostino |
Lehman College Art Gallery |
|
Petrified Media |
2023 |
The Netherlands |
Stephen Cornford |
The Eriskay Connection |
|
Photography Off the Scale, Technologies and Theories of the Mass Image |
2021 |
UK |
edited by Tomáš Dvořák and Jussi Parikka |
Edinburgh University Press |
|
Photoviz: Visualizing Information through Photography |
2016 |
Germany |
Nicholas Felton |
Gestalten |
|
Pieces of Sound: German Experimental Radio |
2009 |
USA |
Daniel Gilfillan |
Univ Of Minnesota Press |
|
Piemonte Share Festival - WAVE.IT - 2005 |
2005 |
Italy |
Chiara Garibaldi and Simona Lodi |
Piemonte Share Festival |
|
Piemonte Share Festival - manufacturing - 2008 |
2008 |
Italy |
Chiara Garibaldi and Simona Lodi |
Piemonte Share Festival |
|
Piemonte Share Festival - smart mistakes |
2010 |
Italy |
Chiara Garibaldi and Simona Lodi |
Piemonte Share Festival |
|
Piermario Ciani. Dal great complotto a Luther Blissett |
2000 |
Italy |
Piermario Ciani |
AAA Edizioni |
|
Piksel 10 (un) stable |
2010 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel 14 be\0/art |
2014 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel [X] - Kernel Panic! |
2012 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel | 13 Riot |
2013 |
Norway |
Gisle Frøysland |
Piksel |
|
Piksel09 :: f[re](e){op}[en]able |
None |
Norway |
Gisle Frøysland |
Piksel |
|
Pingo Ergo Sum, das Bild fällt aus dem Hirn |
2012 |
Austria |
Adi Hoesle |
Kunsthalle Rostock, Ars Electronica Center |
|
Piracy: Leakages from Modernity |
2014 |
USA |
Martin Fredriksson, James Arvanitakis |
Litwin Books |
|
Pirate Cinema |
2012 |
USA |
Cory Doctorow |
Tor Books |
|
Pixorama |
2008 |
Canada |
eBoy |
eBoy |
