Index

    Contents

    Commentary

4   Harry Burke on Uncreative Writing, Poetry and Language (p. 34)

6   Domenico Quaranta on Authorship, Appropriation, Surfing Clubs and Post-Internet Art (p. 50)

    Contributions

1   Introduction 
    Melanie Bühler
    (P-9)

2   Arrangement 2 
    Adam Cruces,
    Pierre Lumineau (P-19)

3   From Uncreative Writing 
    Kenneth Goldsmith
    (p. 24)

5   Nothing New Needs 
    to Be Created: Kenneth
    Goldsmith’s Claim 
    to Uncreativity 
    Cornelia Sollfrank 
    (p. 40)

7   Readymade Affect 
    Interview with 
    Michael Bell-Smith
    (P. 57)

8   Constant Fluidity 
    Interview with 
    Joel Holmberg 
    (P. 65)

9   Ben Vickers on “New 
    Media Art,” the Digital as 
    a Category and the 
    Role of the Curator Today 
    (p. 77)

10  Curation | Context | Archive: 
    Presenting and Preserving 
    New Media Art 
    Christiane Paul 
    (P-83)

11  Annet Dekker on
    Archiving, Preservation 
    and Collecting 
    (p. 94)

12  The Archive and the 
    Principle of Noah’s Ark 
    Peter Weibel (p. 98)

13  Jaakko Pallasvuo on Over
    sharing, Social Media 
    and Being Visible as an Artist 
    (p. 109)

14  In the Name of Love: 
    Arguments for a Slow Internet 
    Claire L. Evans
    (P-115)

15  Athletic Aesthetics 
    Brad Troemel
    (p. 120)

16  Paul Kneale on Surveillance, 
    Language and Cryptogifs 
    (p. 129)

17  Surveillance in the Age of 
    “Trusted Computing”
    Douglas Thomas
    (P-137)

18  Nine Eyes 
    Jon Rafman 
    (P-150)

19  Geert Lovink on the “Social” 
    in Social Media and 
    the Political Economy of 
    the Internet
    (p. 154)

20  Out in Public 
    Natalie Bookchin 
    (P-157)

21  Who’s Asking: Reciprocal Quer
    ying in the Age of Big Data 
    Monica Lam, Greg Niemeyer 
    (p. 164)

22  Raffael Dörig on the 
    History of Activism, Art 
    and the Internet 
    (p. 175)

23  Hacking as a Way
    to Deal with the World 
    Interview with 
    ÜBERMORGEN 
    (p. 180)

24  Performance, Mediation, 
    and the Public Sphere 
    Mark Tribe
    (p. 187)

25  Niels van Doom on
    the Political Economy of 
    Labor, the Artist as 
    Creative Entrepreneur 
    and Online Participation 
    as Future Investment 
    (p. 197)

26  The Digitization of Work: 
    Three Trends
    Philipp Albers 
    (p. 206)

27  Internet + Money + Art 
    + Work + Labor 
    Rafael Rozendaal in 
    Conversation with Himself 
    (P-2I3)


28  The Self as Artwork in 
    the Age of Digital Capital 
    Bernadette Wegenstein 
    (p. 219)

29  Jenna Sutela on Extend
    ing Technologies and 
    the Blurring Boundaries 
    of the Self 
    (p. 226)

30  Where Did the Future Go? 
    Nicolas Nova 
    (P- 231)

31  m-a-u-s-e-r on Surface
     Lust and the Architectural 
    Rendering 
    (p. 240)

32  Soft Brand Abstracts: 
    Closer Than Ever Before 
    Kari Altmann 
    (P-245)

33  Michel van Dartel on
    the New Aesthetic and the 
    Post-Digltal 
    (P. 262)

34  Those New Aestheticians
    and their Amazing Mental 
    Machines
    Daniel Pinkas 
    (p. 266)

35  ...More than Meets 
    the Eye. New/Media 
    Aesthetic (s)
    Katja Kzaastek 
    (P 275)

36  The Post-Digital: The 
    New Aesthetic and 
    Infrastructural Aesthetics 
    David M Berry
    (P 287)

37  Elvia Wilk on the Relation
    ship between Physical 
    and Digital 
    (p. 298)

38  Physical Data 
    Interview
    with Aram Bartholl 
    (P 301)

39  Karen Archey on Digital Art, 
    Medium Specificity and 
    Post-Internet 
    (p. 314)

40  Art beyond the Digital Age 
    Andreas Broechmann
    (P-3I7)

    Appendix

    References (p. 329) 
    Keyword Index (p. 335) 
    Biographies (p. 340) 
    Acknowledgements (p. 351) 
    Imprint (p. 352)