Index
CONTENTS
Introduction: Friedrich Kittler's Light Shows
by John Durham Peters 1
Acknowledgments 18
Preface 19
1. Theoretical Presuppositions 29
2. Technologies of the Fine Arts 47
2.1 Camera Obscura and Linear Perspective 47
2.1.1 Prehistory 47
2.1.1.1 Greeks and Arabs 50
2.1.2 Implementation 52
2.1.2.1 Brunelleschi 54
2.1.2.2 Alberti 61
2.1.3 Impact 65
2.1.3.1 Perspective and Letterpress 65
2.1.3.2 The Self-Printing of Nature 67
2.1.3.3 Europe’s Colonial Power 68
2.2 Lanterna Magica and the Age of the World Picture 70
2.2.1 Magic Lanterns in Action 70
2.2.2 Implementation 71
2.2.3 Impact 72
2.2.3.1 Propaganda 72
2.2.3.2 Heidegger’s Age of the World Picture 75
2.2.3.3 Jesuits and Optical Media 76
2.3.3.4 Travelling People 81
2.2.3.5 Jesuit Churches 81
2.2.3.6 Jesuit Theatre 85
2.3 Enlightenment and Image War 89
2.3.1 Brockes 89
2.3.2 Phenomenology from Lambert to Hegel 93
2.3.3 Ghost Seer 98
2.3.3.1 Schiller 101
2.3.3.2 Hoffmann 109
2.3.4 Romantic Poetry 112
3. Optical Media 118
3.1 Photography 118
3.1.1 Prehistory 118
3.1.2 Implementation 119
3.1.2.1 Niépce and Daguerre 125
3.1.2.2 Talbot 132
3.1.3 Painting and Photography: A Battle for the Eyeballs 136
3.2 Film 145
3.2.1 Preludes 145
3.2.2 Implementation 154
3.2.2.1 Marey and Muybridge 155
3.2.2 Silent Film 160
3.2.3 Sound Film 189
3.2.4 Colour Film 202
3.3 Television 207
4. Computer 225
Bibliography 231
Index 237