|
New. Brave. World! - meta.morf 2010 |
2010 |
Norway |
Espen Gangvik |
TEKS Publishing |
|
Next 5 Minutes |
2003 |
Netherlands |
|
DeriveApprodi srl Balie, Centre for Culture and Politcs |
|
Nexus - Maggio - 1994 |
1994 |
Italy |
Giuseppe Accardi |
ZNORT! srl |
|
Nightwork: A History of Hacks and Pranks at MIT |
2011 |
USA |
Institute Historian T. F. Peterson |
The MIT Press |
|
No Internet, No Art: A Lunch Bytes Anthology |
2015 |
The Netherlands |
Melanie Bühler |
Onomatopee |
|
No Medium |
2013 |
USA |
Craig Dworkin |
The MIT Press |
|
No Patent Pending - Self Made Performative Media |
2015 |
The Netherlands |
Matteo Marangoni |
MER PAPER KUNSTHALLE |
|
Noches Eléctricas : arte y pirotecnia - Electric Nights : art & pyrotechnics |
2011 |
Spain |
Benjamin Weil |
LABoral Centro de Arte y Creación |
|
Nocturne |
2009 |
Italy |
Francesco Brunotti |
Persistencebit Records |
|
Nodale |
1994 |
Italy |
Gabriele Perretta |
manuela allegrini arte contemporanea |
|
Noise, Water, Meat: A History of Sound in the Arts |
2001 |
Usa |
Douglas Kahn |
The MIT Press |
|
Non solo cyber - frammenti di un discorso mediologico |
2013 |
Italy |
Antonio Tursi |
Mimesis Edizioni |
|
Nordic media culture : actors and practices |
2003 |
Finland |
edited by Minna Tarkka and Mirjam Martevo |
Centre for New Media Culture |
|
Numéristique: Sébastien Reuzé |
2009 |
Belgium |
Clément Chéroux |
La Lettre volée |
|
Nybble-Engine |
2003 |
Germany |
|
Climax-Team |
|
Nøtel (The Hague) - Lawrence Lek |
2018 |
The Netherland |
edited by Lawrence Lek & Steve Goodman |
Stroom Den Haag |
|
O Curto circuito da arte digital no Brasil |
2014 |
Brasil |
Débora Aita Gasparetto |
Santa Maria |
|
OEI #98–99: Aural Poetics |
2023 |
Sweden |
edited by Michael Nardone |
OEI |
|
OFF THE PRESS - Electronic Publishing in the Arts - Digital Publishing Kit |
2014 |
The Netherlands |
Margreet Riphagen |
Institute of Network Cultures |
|
OGAKI BIENNALE 2008 live stream |
2008 |
Japan |
edited by Yukari Okamoto, Yosuke Kawamura, Masahiro Kobayashi, Mika Fukumo |
IAMAS - Institute of Advanced Media Arts and Science |
|
OPENISM |
2016 |
Austria |
Edited by Andrew Newman, Matthias Tarasiewicz, Sophie-Carolin Wagner and Stefanie Wuschitz |
University of Applied Arts Vienna and Research Institute for Arts and Technology |
|
OP_ERA - El cuerpo como interfase |
2007 |
Argentina |
Rejane Cantoni, Daniela Kutschat, Machado Arlindo |
Espacio Fundación Telefónica |
|
OTTO BECKMANN, Computerkunst und Plastiken aus Fundobjekten |
1979 |
Austria |
edited by Otto Beckmann, Wolfgang Hilger |
Niederoesterreichisches Landesmuseum |
|
OVER THE REAL, festival internazionale videoarte viareggio 2015 |
2015 |
Italy |
Maurizio Marco Tozzi, Lino Stangis |
Edizioni Kappabit |
|
OVER THE REAL, festival internazionale videoarte viareggio/forte dei marmi 2016 |
2016 |
Italy |
Maurizio Marco Tozzi, Lino Stangis |
Edizioni Kappabit |
|
Of Remixology: Ethics and Aesthetics after Remix |
2015 |
USA |
David J. Gunkel |
The Mit Press |
|
Of Sound Mind, How Our Brain Constructs a Meaningful Sonic World |
2022 |
USA |
Nina Kraus |
Mit Press |
|
Off the Network: Disrupting the Digital World |
2013 |
USA |
Ulises Ali Mejias |
Univ Of Minnesota Press |
|
Olia Lialina, Net Artist |
2020 |
France |
Edited by Valérie Perrin |
Les Presses Du Reel, Espace Multimédia Gantner |
|
On Listening |
2013 |
UK |
Angus Carlyle, Cathy Lane |
Uniformbooks |
|
On Not Dying: Secular Immortality in the Age of Technoscience |
2020 |
USA |
Abou Farman |
University of Minnesota Press |
|
On Struggling to Remain Present When You Want to Disappear - OCAT Shanghai |
2018 |
China |
Marie Martraire, Wang Dan |
OCAT Shanghai |
|
On The Air, Kunst Im Öffenlicjen Datenraum |
1993 |
Austria |
edited by Transit |
Transit |
|
On the Existence of Digital Objects |
2016 |
USA |
Yuk Hui |
University of Minnesota Press |
|
On the Threshold of Beauty: Origins of Electronic Music in the Netherlands, 1925-1965 |
2014 |
The Netherlands |
Kees Tazelaar |
V2_/nai010 publishers |
|
Ondas Inductoras Theta - Mental Electronica - Maquinas Mestizas, |
2017 |
Colombia |
Jorge Barco |
instituto de ciencias parapsicologicas latino americano |
|
One Digital Day : How the Microchip is Changing Our World |
1998 |
USA |
Rick Smolan |
Times Books/Random House |
|
Ooze : arrrrrt: by Fabian Hesse between 2012 and 2015 |
2015 |
Germany |
Fabian Hesse, Rózsa Farkas, Sebastian Stein |
Uuas |
|
Open Codes - The World as a Field of Data |
2019 |
Germany |
edited by Peter Weibel, Jens Lutz, Miriam Stürner |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Open Collaborative Making A Digital Perspective |
2014 |
UK |
edited by Jon Roger, Irini Papadimitriou and Andrew Prescott |
Uniform Communications Ltd |
|
Open Cultures and The Nature of Networks |
2007 |
Germany |
Felix Stalder |
Ram Distribution |
|
Opera Totale 5 |
1999 |
Italy |
|
Comune di Venezia |
|
Operational Images, From the Visual to the Invisual |
2023 |
USA |
Jussi Parikka |
University of Minnesota Press |
|
Optical Media |
2010 |
UK |
Friedrich Kittler |
Polity |
|
Optical Sound & Pierre Beloüin: 1997-x Broché |
2017 |
France |
Jérôme Lefèvre, Pierre-Nicolas Ledoux |
Optical Sound / Les Presses du Réel |
|
Orbitando Satélites |
2011 |
Spain |
Joanna Griffin |
LABoral Centro de Arte y Creación |
|
Orizzonti di forza. Fenomenologia della guida videoludica |
2016 |
Italy |
Matteo Bittanti |
Unicopli |
|
Ost-West Internet / Buch. |
1999 |
Germany |
|
Campus |
|
Out of Hand: Materializing the Postdigital |
2013 |
UK |
Ron Labaco |
Black Dog Publishing |
|
Out of School, Information Art and the Toronto School of Communication |
2022 |
Canada |
Adam Lauder |
MCGILL-QUEEN’S UNIVERSITY PRESS |