Index
List of Illustrations
vii
Series Foreword xi
Acknowledgments xiii
Introduction: The Baroque and the Neo-Baroque 1
Postclassical, Modern Classicism, or Neo-Baroque? Will the Real Contemporary Cinema Please Stand Up?
1
...Of Things Baroque
7
The ``Baroque Baroque'' and the Hollywood Style: the 1920s and 1930s
10
The Latin American and Spanish Neo-Baroque
12
The Spatial Aspect of the Cultural System
15
The Neo-Baroque and Contemporary Entertainment Media
23
Polycentrism and Seriality: (Neo-)Baroque Narrative Formations
31
Seriality and the (Neo-)Baroque
31
Globalization, Seriality and Entertainment Media
34
Capitalism, Seriality, and the Baroque
41
Seigneurial Seriality: Serial Form and Baroque Allegory
49
An Aesthetic of Repetition and the Drive for Perfection
55
The Fragment and the Whole: Aliens/Predator: The Deadliest of the Species
60
Intertextuality, Labyrinths, and the (Neo-)Baroque
71
``Intertextual Arenas'' and (Neo-)Baroque Folds
71
Multiple Temporalities and Monadic Logic: The Evil Dead and Evil Dead II, the ``Original'' and the Sequel
73
The Labyrinth, Virtuosity, and the Barberini Ceiling
81
Doom, Doom II, and Neo-Baroque Forces of Expansion
96
The Labyrinth, Virtuosity, and Doom II
103
Hypertexts, Mappings, and Colonized Spaces
109
Phantasmagoria and Intertextual Journeys through Horror
109
Stalker Film Meets the Stalker CD-ROM ``Interactive Movie''
115
The Hypertextual Array: A New Medium for the Neo-Baroque
120
Colonizing Space: The Baroque Mapping of New Worlds
129
Colonizing Cyberspace: Neo-Baroque Mapping and Virtual Spaces
140
Virtuosity, Special-Effects Spectacles, and Architectures of the Senses
151
(Neo-)Baroque Visuality
151
The Quadratura Spectacle of S. Ignazio and the Digital Spectacle of Jurassic Park
160
Optics, Virtuosity, and Seventeenth-Century Illusionistic Ceiling Paintings
171
Optics, Virtuosity, and Digital Effects in Science Fiction Cinema
179
Star Wars and the Architecture of Vision
189
Remediation, Spectacle, and the Assault on the Sensorium
193
Terminator 2: 3D Battle across Time, the Unity of the Arts, and Architectures of the Senses
199
Special-Effects Magic and the Spiritual Presence of the Technological
209
Sensual Seduction and (Neo-)Baroque Transcendence
209
Aliens and the Second Coming: The Spiritual Presence of the Technological
221
The Magic of Spectacle
226
The Aesthetics of Rare Experiences
233
The Game of Creation: Automata, Cyborgs, and Animated Statues
243
The Amazing Adventures of Spiderman and the Bel Composto
251
Notes 257
References 297
Index 313