|
Believing in Bits: Digital Media and the Supernatural |
2019 |
UK |
(edited by) by Simone Natale, Diana Pasulka |
Oxford University Press |
|
Benjamin Grosser - Systems Under Liberty |
2015 |
France |
Valentina Peri |
Galerie Charlot |
|
Berlin Quarterly. European review of Culture. Issue 1 |
2013 |
Germany |
Cesare Alemanni |
Cycling Bear Publishing GmbH |
|
Bernhard Leitner: Ton / Raum / Skulptur |
2016 |
Austria |
Abteilung Kunst und Kultur Amt der Niederösterreichischen Landesregierung |
Kerber Verlag |
|
Betonblumen 11 Evan Roth - Street Art Passage Vienna |
2010 |
Austria |
Vitus Weh, Jogi Neufeld, Evan Roth |
SCHLEBRÜGGE.EDITOR |
|
Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments |
2017 |
UK |
Cathy van Eck |
Bloomsbury Publishing |
|
Between Page and Screen |
2012 |
USA |
Amaranth Borsuk, Brad Bouse |
Siglio |
|
Between the Tracks, Musicians on Selected Electronic Music |
2020 |
USA |
(edited by) Miller Puckette and Kerry L. Hagan |
Mit Press |
|
Beyond Webcams: An Introduction to Online Robots |
2001 |
USA |
Ken Goldberg & Roland Siegwart |
The MIT Press |
|
Bienal de Arte digital – Linguagens Híbridas |
2018 |
Brazil |
VV.AA. |
FAD – Festival de Arte Digital |
|
Biennale Musica 2023: Micro-Music |
2023 |
Italy |
edited by Oreste Bossini |
La Biennale di Venezia |
|
Big Data, No Thanks |
2015 |
Germany |
James Bridle |
Sammlung Haus N |
|
Bilder codes : internationaler Medien Kunst Preis 2002 / International media art award 2002 |
2002 |
Germany |
Barbara Könches, Peter Weibel |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Biopunk: DIY Scientists Hack the Software of Life |
2011 |
USA |
Marcus Wohlsen |
Current |
|
BitStreams March 22-June 10, 2001 |
2001 |
USA |
VV.AA. |
Whitney Museum of American Art |
|
Bitstreams, The Future Of Digital Literary Heritage |
2021 |
USA |
Matthew G. Kirschenbaum |
University of Pennsilvanya Press |
|
Black Software: The Internet and Racial Justice, from the AfroNet to Black Lives Matter. |
2019 |
USA |
McIlwain, Charlton D. |
Oxford University Press |
|
Black Words On White Paper |
1992 |
Italy |
Clock DVA |
Contempo International |
|
Blank Forms Journal, Vol. 4: Intelligent Life |
2019 |
USA |
(edited by) Lawrence Kumpf |
Blank Forms Editons |
|
Blog Theory: Feedback and Capture in the Circuits of Drive |
2010 |
UK |
Jodi Dean |
Polity |
|
Blood Electric |
2002 |
UK |
Kenji Siratori |
Creation Books |
|
BlueCloud – Live Transmission |
2014 |
Australia |
Dirk Paesmans (JODI) |
Atomic Activity Books |
|
BlueSky - Laboratorio de laboratorios - Francisco Ruiz De Infante |
2009 |
Argentina |
Nekane Aramburu |
Espacio Fundación Telefónica |
|
Boek voor de instabiele media/Book for the Unstable Media |
1992 |
Netherlands |
|
Stichting V2 |
|
Boing Boing #10 |
2012 |
USA |
|
P.A.L. Studio City |
|
Boing Boing #11 |
2012 |
USA |
|
P.A.L. Studio City |
|
Boing Boing #13 |
2012 |
USA |
|
P.A.L. Studio City |
|
Boing Boing #14 |
2012 |
USA |
|
P.A.L. Studio City |
|
Boing Boing #15 |
1997 |
USA |
|
P.A.L. Studio City |
|
Bone Music: Soviet X-Ray Audio |
2023 |
UK |
Stephen Coates |
Strange Attractor Press |
|
Book for electronic arts |
2000 |
Netherlands |
|
Art Data |
|
Book of Anonymity |
2021 |
USA |
Anon Collective |
PUNCTUM BOOKS |
|
Books by artists |
1981 |
USA |
Tim Guest, Germano Celant |
Art Metropole |
|
Born Again Ideology; Left Behind: Religion, Technology and Flight from the Flesh |
2007 |
Canada |
Arthur Kroker; Stephen Pfohl |
CTheory Books |
|
Bourse de L'Imaginaire, Bourse Du Fait Divers, Expérience De Presse |
1982 |
France |
Fred Forest |
Centre Georges Pompidou |
|
Brad Buckley, John Conomos |
2013 |
Australia |
edited by Brad Buckley, John Conomos |
Australian Centre for Photography |
|
Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas |
2017 |
USA |
Chris Robé |
PM Press |
|
Bridging Open Borders: as part of V&A Digital Design Weekend 2017 |
2017 |
UK |
edited by Irini Papadimitriou |
Uniform Communications Ltd |
|
Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973--1990 |
2008 |
USA |
Woody Vasulka & Peter Weibel |
The MIT Press |
|
Business Life - Blockchain Frenzy |
2017 |
UK |
edited by Tim Hulse |
Cedar Communications Limited |
|
CAPS LOCK: How Capitalism Took Hold of Graphic Design, and How to Escape from It |
2021 |
The Netherland |
Ruben Pater |
Valiz |
|
CINEGRID futuros cinemáticos |
2016 |
Brazil |
Cícero Inácio da Silva, Jane de Almeida, Thiago de André |
Pró-Reitoria de Cultura e Extensão Universitária |
|
CINEMA City - film, new media festival, Novi Sad, 14 - 21 jun 2008 |
2008 |
Serbia |
Ivan M. Lalic |
Cinema City |
|
CODE - Collaboration and ownership in the digital economy |
2002 |
UK |
edited by John Howkins |
Arts Council of England and Academia Europaea |
|
CODE: Collaborative Ownership and the Digital Economy |
2006 |
USA |
Rishab Ghosh |
The MIT Press |
|
CODED CULTURES - Exploring Creative Emergencies |
2009 |
Austria |
edited by Georg Russegger, Matthias Tarasiewicz, Michal Wlodkowski |
MuseumsQuartier Wien |
|
COLLIDING WORLDS How cutting-Edge Science is Redefining Contemporary Art |
2014 |
USA |
Arthur I. Miller |
Verlag: W. W. Norton & Co. |
|
COMMUNICATION |
2019 |
USA |
Mercedes Bunz, Finn Brunton, Paula Bialski |
University of Minnesota Press |
|
CROSSOVERS - A filmic exploration of history, stories and human remains |
2015 |
China |
Francesca Girelli, Davide Quadrio |
OCAT Shanghai |
|
CRYPTO DESIGN 2016 |
2016 |
The Netherlands |
Institute for Network Cultures and MOTI Museum Of The Image |
Institute for Network Cultures and MOTI Museum Of The Image |
