|
CRYPTO DESIGN 2016 |
2016 |
The Netherlands |
Institute for Network Cultures and MOTI Museum Of The Image |
Institute for Network Cultures and MOTI Museum Of The Image |
|
CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother |
2002 |
USA |
Thomas Y. Levin & Ursula Frohne & Peter Weibel |
The MIT Press |
|
CUMULUS OLYMPIA |
2013 |
Norway |
edited by Andreas Rishovd |
Kunsthall Grenland |
|
CYBERINTERAZIONI - Creatività giovanile e nuove tecnologie di comunicazione |
2000 |
Italy |
Piermario Ciani |
Comune di Udine Settore Servizi Sociali Settore Attivitá Culturali Agenzia Giovani |
|
CYBERPUNK: Outlaws and Hackers on the Computer Frontier, Revised |
1995 |
USA |
Katie Hafner |
Simon & Schuster |
|
CYNETart_02realtime - 6. - 17. November 2002 in Dresden |
2002 |
Germany |
Klaus Nicolai |
Dresden |
|
Calling All Futures: an overview of futureplaces past present and |
2010 |
Portugal |
Heitor Alvelos, Karen Gustafson, Bruce Pennycook |
FUTURPLACES |
|
Cao Fei |
2019 |
Germany |
(edited by) Susanne Gaensheimer, Kathrin Beßen |
Hirmer Publisher |
|
Carsten Nicolai: Anti-Reflex |
2005 |
Germany |
Magnus Haglund & Yuko Hasegawa & Carsten Nicolai |
Walther Konig, Koln |
|
Carsten Nicolai: Parallel Lines Cross at Infinity |
2015 |
Germany |
Carsten Nicolai |
Gestalten |
|
Carsten Nicolai: Static Fades |
2008 |
Switzerland |
Christoph Doswald & Klaus Ottmann & Britta Schroder & Dorothea Strauss & Carsten Nicolai |
JRP|Ringier |
|
Centre Pompidou Novos Media 1965-2003 |
2007 |
Portugal |
Christine Van Assche, María Jesús Ávila, Emília Tavares
|
Museu do Chiado – Museu Nacional de Arte Contemporânea |
|
Changing Channels: Art and Television 1963 - 1987 |
2010 |
Austria |
Tom Holert, David Joselit, Pamela Lee |
mumok and Verlag der Buchhandlung Walther Konig |
|
Chasing Stillness - boredomresearch |
2009 |
Germany |
Carl Honoré |
[DAM] Berlin |
|
Chimeras: Inventory of Synthetic Cognition |
2022 |
Greece |
(edited by) Ilan Manouach and Anna Engelhardt |
ONASSIS FOUNDATION |
|
Christa Sommerer & Laurent Mignonneau: Interactive Art Research |
2009 |
Austria |
Gerfried Stocker & Christa Sommerer & Laurent Mignonneau |
Springer Vienna Architecture |
|
Christian Marclay |
2005 |
UK |
Jennifer Gonzalez & Kim Gordon & Matthew Higgs |
Phaidon Press |
|
Christian Marclay: Replay |
2007 |
Switzerland |
Emma Lavigne & Philippe-Alain Michaud & Rosalind Krauss & Peter Szendy & Michael Snow & Christian Marclay & Jean-Pierre Criqui |
JRP|Ringier |
|
Chromatic Algorithms: Synthetic Color, Computer Art, and Aesthetics After Code |
2014 |
USA |
Carolyn L. Kane |
University of Chicago Press |
|
Ciencia Abierta / Open Science: Singularidad e Irrupción en las Fronteras de la Práctica Artística |
2016 |
Chile |
Ignacio Nieto, Marcelo Velasco |
|
|
Cinema City 2010 - Film & Media Fest |
2010 |
Serbia |
CINEMA CITY ASSOCIATION |
Cinema City |
|
Cinéma, interactivité et société |
2014 |
France |
Jean-Marie Dallet |
Editions Atlantique |
|
Circuito Alameda |
2018 |
Mexico |
edited by Gilbertto Prado, Jorge La Ferla |
Instituto Nacional de Bellas Artes, Laboratorio Arte Alameda |
|
City. Internationaler Medienkunstpreis 2000 /International Media art award |
2000 |
Germany |
Rudolf Frieling |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Civic Radar |
2016 |
Germany |
Lynn Hershman Leeson |
Hatje Cantz Verlag |
|
Clicking In: Hot Links To a Digital Culture |
1996 |
USA |
Lynn Hershman Leeson |
Bay Press |
|
Closer: Performance, Technologies, Phenomenology |
2008 |
UK |
Susan Kozel |
The MIT Press |
|
Code and Clay, Data and Dirt, Five Thousand Years of Urban Media |
2017 |
USA |
Shannon Mattern |
University of Minnesota Press |
|
Code/Space: Software and Everyday Life |
2011 |
USA |
Rob Kitchin & Martin Dodge |
The MIT Press |
|
Coded Characters - Media Art by Jill Scott |
2003 |
Germany |
Robert Atkins, Anne C. Marsh, Yvonne Spielmann |
Hatje Cantz Verlag |
|
Coded Cultures Open Hardware |
2016 |
Austria |
edited by Matthias Tarasiewicz, Sophie-Carolin Wagner, Andrew Newman, Stefanie Wuschitz |
University of Applied Arts & Technology |
|
Coded Cultures. New Creative Practices out of Diversity |
2011 |
Germany |
edited by Georg Russegger, Matthias Tarasiewicz, Michal Wlodkowski |
Springer |
|
Codex Virtualis_ Genesis |
2021 |
Mexico |
Interspecifics |
|
|
Coin-Operated Americans: Rebooting Boyhood at the Video Game Arcade |
2015 |
USA |
Carly A. Kocurek |
University Of Minnesota Press |
|
Collaborative futures |
2010 |
Germany |
|
Akademie d. Künste |
|
Collect Digital Video Art |
2015 |
France |
Carlos Cardenas, Vincent Justin, Marie Maertens |
Presses Du Reel |
|
Collecting and Conserving Net Art: Moving beyond Conventional Methods |
2018 |
UK |
Annet Dekker |
Routledge |
|
Collecting contemporary art - Kevin Abosch & Ai Weiwei |
2018 |
Switzerland |
Kate Vass Galerie |
Kate Vass Galerie |
|
Comma Urban Art Festival, a view on the European contemporary art scene |
2012 |
Italy |
Various |
Italgraf |
|
Communication Power |
2011 |
USA |
Manuel Castells |
Oxford University Press, USA |
|
Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds |
2009 |
UK |
Celia Pearce |
The MIT Press |
|
|
Community Media: People, Places, and Communication Technologies |
2005 |
UK |
Kevin Howley |
Cambridge University Press |
|
Community without Community in Digital Culture |
2012 |
|
Charlie Gere |
Palgrave Macmillan |
|
Compact Disc |
2020 |
USA |
Robert Barry |
Bloomsbury Academic |
|
Comparative Textual Media: Transforming the Humanities in the Postprint Era |
2013 |
USA |
N. Katherine Hayles, Jessica Pressman |
University of Minnesota Press |
|
Composites |
1986 |
USA |
Nancy Burson, Richard Carling, David Kramlich |
BTB Beech Tree Books William Morrow |
|
Computational Arts in Canada 1967-1974 |
2020 |
Canada |
edited by Adam Lauder |
McIntosh Gallery |
|
Computing as Writing |
2015 |
USA |
Daniel Punday |
University of Minnesota Press |
|
Conferenze Telematiche Interattive |
1992 |
Italy |
Tommaso Tozzi |
Galleria Paolo Vitolo, Roma |
|
Connessioni Leggendarie - Net.Art 1995-2005 |
2005 |
Italy |
edited by Luca Lampo |
ready-made |
