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Conspire. ( = Transmediale Parcours, 1) . |
2008 |
Germany |
S. / Munz, T. ( Hrg. ) Kovats |
Revolver Frankfurt am Main. |
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Control, Refusal, Trust and Care: A toolkit for making change in the cultural field |
2023 |
The Netherlands |
edited by Mariana Pérez Bobadilla, Maitreyi Maheshwari, Zoénie Liwen Deng, Nora O Murchú |
Arts Formation / Waag / Fact / Transmediale |
|
Conversation avec Annie Abrahams |
2011 |
France |
Manuel Fadat, Annie Abrahams |
lulu.com |
|
Conversation avec Yvonne Resseler |
2008 |
Belgium |
Angelo Vermeulen |
Éditions Tandem |
|
Conversations |
2015 |
Brussels |
edited by Femke Snelting, Christoph Haag |
Constant Verlag |
|
Cornelia Sollfrank: Expanded Original |
2009 |
Germany |
Sabine Himmelsbach & Jacob Lillemose & Rahel Puffert & Cornelia Sollfrank |
Hatje Cantz Publishers |
|
Cornelia Sollfrank: Net.Art Generator |
2005 |
Germany |
Sarah Cook & Florian Cramer & Verena Kuni & Richard Loepold & Annette Schindler & Cornelia Sollfrank |
Verlag Fur Moderne Kunst Nurnberg |
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Correnti Magnetiche |
1996 |
Italy |
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Arnaud - Gramma |
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Cory Arcangel & Olia Lialina: Asymmetrical Response |
2018 |
Germany |
Cory Arcangel, Olia Lialina |
Koenig Books |
|
Cory Arcangel, Beige |
2005 |
Switzerland |
edited by Raphael Gygax, Heike Munder |
JRP-Ringier / Migros museum für gegenwartskunst, Zurich |
|
Cracked Media: The Sound of Malfunction |
2009 |
USA |
Caleb Kelly |
The MIT Press |
|
Crafting our Digital Futures |
2015 |
UK |
edited by Jon Roger, Irini Papadimitriou and Andrew Prescott |
Uniform Communications Ltd |
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Crash 02 - TV COLLAPSUS : LA FIN DE LA TELEVISION ? |
1998 |
France |
Armelle Leturcq |
Frank Perrin |
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Crash Media - meet the critical mass - issue 3 |
1998 |
UK |
Josephine Berry, Micz Flor |
Skycraper Digital Publishing |
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Crash Media - meet the critical mass - issue 4 |
1998 |
UK |
Josephine Berry, Micz Flor |
Skycraper Digital Publishing |
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Creating Insecurity: Art and Culture in the Age of Security |
2009 |
USA |
Wolfgang Sutzl & Geoff Cox |
Autonomedia |
|
Creativity Seen/Unseen in Art and Technology A compendium of media art and performance from YCAM: 2003-2008 |
2006 |
Japan |
YCAM |
Yamaguchi Center for Arts and Media |
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Critical Art Ensemble: Disturbances |
2012 |
UK |
Brian Holmes |
Four Corners Books |
|
Critical Meme Reader: Global Mutations of the Viral Image |
2021 |
The Netherlands |
Edited by Chloë Arkenbout, Jack Wilson and Daniel de Zeeuw |
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Critical Play: Radical Game Design |
2009 |
USA |
Mary Flanagan |
The MIT Press |
|
Critical Strategies in Art and Media: Perspectives on New Cultural Practices |
2010 |
USA |
edited by Konrad Becker, Jim Fleming |
Autonomedia |
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Critical Theory and the Digital (Critical Theory and Contemporary Society) |
2015 |
UK |
David M. Berry |
Bloomsbury Academic |
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Critical Zones, The Science and Politics of Landing on Earth |
2020 |
USA |
(edited by) Bruno Latour and Peter Weibel |
Mit Press |
|
Cross-over - Kunst, media en technologie in Vlaanderen |
2008 |
Belgium |
Liesbeth Huybrechts |
Uitgeverij Lannoo |
|
Crude life: the tissue culture & art project : Oron Catts + Ionat Zurr |
2012 |
Poland |
Ryszard W. Kluszczyński |
CSW Łaźnia |
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Cry for Help: 36 Scam E-Mails from Africa |
2006 |
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Gingko Press |
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Crypto: Secrecy and Privacy in the New Code War |
2001 |
UK |
Stephen Levy |
Allen Lane |
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Crystylys |
2013 |
Ukraine |
Binmatu |
Kvitnu |
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Cultural Analytics |
2020 |
USA |
Lev Manovich |
Mit Press |
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Cultural Bloggers Interviewed |
2010 |
The Netherlands |
LabforCulture |
Mute Publishing Ltd |
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Cultural Code: Video Games and Latin America |
2016 |
USA |
Phillip Penix-Tadsen |
Mit Press |
|
Culturas en tránsito. Panorámica del videoarte contemporáneo del Perú |
2012 |
Chile |
José-Carlos Mariátegui |
Santiago Centro Cultural de España en Chile |
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Culture Jamming, Activism and the Art of Cultural Resistance |
2017 |
USA |
edited by Marilyn DeLaure and Moritz Fink |
NYU Press |
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Curating Immateriality |
2006 |
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Joasia Krysa |
Autonomedia |
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CyPosium - The Book |
2014 |
Italy |
Annie Abrahams, Helen Varley Jamieson |
Link Editions |
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Cyber Rights: Defending Free speech in the Digital Age |
2003 |
USA |
Mike Godwin |
The MIT Press |
|
CyberArts 2001: International Compendium Prix Ars Electronica |
2001 |
Germany |
edited by Hannes Leopoldseder, Christine Schöpf |
Springer |
|
CyberArts 2003: International Compendium Prix Ars Electronica |
2003 |
Germany |
Christine Schöpf & Hannes Leopoldseder & Christine Schopf |
Hatje Cantz Publishers |
|
CyberArts 2006: International Compendium Prix Ars Electronica |
2006 |
Germany |
Hannes Leopoldseder & Gerfried Stocker |
Hatje Cantz Publishers |
|
CyberArts 2007 |
2007 |
Germany |
Hannes Leopoldseder & Gerfried Stocker & Christine Schöpf |
Hatje Cantz |
|
CyberArts 2008 |
2008 |
Germany |
Hannes Leopoldseder & Gerfried Stocker |
Hatje Cantz |
|
CyberArts 2009 |
2010 |
Germany |
Hannes Leopoldseder & Gerfried Stocker & Christine Schopf |
Hatje Cantz |
|
CyberArts 2010 |
2011 |
Germany |
Hannes Leopoldseder & Christine Schöpf & Gerfried Stocker |
Hatje Cantz |
|
CyberArts 98: International Compendium Prix ARS Electronica |
1998 |
Germany |
Hannes Leopoldseder, Christine Schöpf |
Springer |
|
Cyberarts 2000: International Compendium Prix Ars Electronica |
2000 |
Germany |
edited by Hannes Leopoldseder, Christine Schöpf |
Springer |
|
Cyberarts 2002 |
2003 |
Germany |
Hannes Leopoldseder & Christine Schöpf |
Hatje Cantz Publishers |
|
Cyberarts 2004: International Compendium Prix Ars Electronica |
2004 |
Germany |
Hannes Leopoldseder, Christine Schöpf |
Hatje Cantz Pub, Germany |
|
Cyberarts 2005: International Compendium Prix Ars Electronica |
2005 |
Germany |
Hannes Leopoldseder & Christine Schopf & Gerfried Stocker |
Hatje Cantz Publishers |
|
Cyberchiefs: Autonomy and Authority in Online Tribes |
2009 |
USA |
Mathieu O'Neil |
Pluto Press |
|
Cyberfeminism and Artificial Life |
2003 |
USA |
Sarah Kember |
Routledge |
