Index

Acknowledgements
Introduction
Richard Glover, Jennie Gottschalk, and Bryn Harrison
Chapter One: Foreshadowing and Recollection: Listening Through Morton Feldman's Piano, Violin, Viola, Cello
Bryn Harrison
Postlude to Chapter One
Richard Glover
Chapter Two: Musical brevity in James Saunders' Compatibility hides itself and 511 possible mosaics
Bryn Harrison
Postlude to Chapter Two
Jennie Gottschalk
Chapter Three: Separation and Continuity in Chiyoko Szlavnics' Gradients of Detail
Richard Glover
Postlude to Chapter Three
Jennie Gottschalk
Chapter Four: Filtering Temporality in Ryoji Ikeda's +/-
Richard Glover
Postlude to Chapter Four
Bryn Harrison
Chapter Five: Granulated Time: Toshiya Tsunoda's O Kokos Tis Anixis
Jennie Gottschalk
Postlude to Chapter Five
Bryn Harrison
Chapter Six: Monoliths: Laurie Spiegel's The Expanding Universe and André O. Möller's musik für orgel und eine(n) tonsetzer(in)
Jennie Gottschalk
Postlude to Chapter Six
Richard Glover
Chapter Seven: Observations on Musical Behaviors and Temporality
Richard Glover, Jennie Gottschalk, and Bryn Harrison
Epilogue
Appendix: Suggested Further Reading and Listening