|
pnek - 2019 - Production Network for Electronic Art, Norway |
2019 |
Norway |
Gyrid Nordal Kaldestad, Zane Cerpina |
Pnek |
|
predstavitev slovenskih ustvarjalcev računalniških umetnosti - august/september 1995 |
1995 |
Slovenia |
Mladinski kulturni center Maribor, Umetnostna galerija Maribor |
Mladinski kulturni center Maribor |
|
resonate.io - 2017 |
2017 |
Serbia |
resonate.io |
Magnetic Field B |
|
semipermeable(+) / SymbioticA - Biological Arts |
2013 |
Australia |
Oron Catts |
SymbioticA |
|
situation room - un proyecto de Pablo de Soto y hackitectura.net |
2010 |
Spain |
Pablo de Soto |
LABoral Centro de Arte y Creación |
|
sound development city 2013 |
2013 |
Switzerland |
Gesa Schneider, Martin Heller, Nicholas Schärer |
Druckerei Odermatt, Dallenwil |
|
tektonik |
2004 |
Russia |
|
kuda.read 001 |
|
televisión - El Di Tella y un episodio en la historia de la TV |
2011 |
Argentina |
Rafael Cippolini, Inés Katzenstein |
Espacio Fundación Telefónica |
|
the Interaction '97 - Toward the Expansion of Media Art |
1997 |
Japan |
edited by Itsuo Sakane |
IAMAS - International Academy of Media Arts and Sciences |
|
tm*20 register |
2007 |
Germany |
|
Akademie d. Künste |
|
transmediale/conversationpiece 03.-07.02.2016 HKW |
2016 |
Germany |
Elvia Wilk |
Gallery Print |
|
transmediale/journal face value edition |
2018 |
Germany |
Elvia Wilk |
transmediale e.V. |
|
un|sounding the self — a portrait |
2020 |
Germany |
Christoph Collenberg and Jakob Gengenbach |
Gruenrekorder |
|
update_1 |
2006 |
Belgium |
Jean-Cristophe Bailly, Stef van Bellingen, Miguel Carvalhais, Werner van Craenenbroeck, Jean-Marie Dallet, Isabelle Delamont, Filip Luyckx & Andreas Wiarda |
Stichting Liedts-Meesen |
|
update_2 |
2008 |
Belgium |
Alain Liedts, Françoise Meesen, Peter Weibel, Stef Van Bellingen, Isolde De Buck |
Stichting Liedts-Meesen |
|
update_3 body sound |
2010 |
Belgium |
Various |
Stichting Liedts-Meesen |
|
very cyberfeminist international, obn conference 2001 |
2001 |
Germany |
edited by Helene von Oldenburg, Claudia Reiche |
b-books |
|
|
webAffairs |
2005 |
USA |
Show-n-tell |
Eighteen Publications |
|
wired_women: Gender and New Realities in Cyberspace |
1996 |
USA |
edited by Lynn Cherny and Elizabeth Reba Weise |
Seal Press |
|
xCoAx 2017 - Computation, Communication, Aesthetics and X. |
2017 |
Portugal |
The xCoAx Organizing Commitee |
xCoAx |
|
xxxxx |
2006 |
Germany |
xxxxx |
Mute |
|
{class} – On Consequences in Algorithmic Classification |
2023 |
The Netherlands |
edited by Arie Altena & Florian Weigl |
V2_ Publishing |
|
| Dalibor_Martinis | Binarna_serija | Binary_Series | |
2001 |
Croatia |
Tihomir Milovac |
Muzej Suvremene Umjetnosti |
|
©ovid’s metamorphoses |
2023 |
Belgium |
Bernd Herzogenrath |
meakusma |
|
Årets Bedste Bogarbejde 2017 |
2017 |
Denmark |
Mads Brunsgaard, Christian Kaaber |
Boghaandvaerk |
|
ŠUM#11: Hypersonic Hyperstitions |
2019 |
Slovenia |
(edited by) Marko Bauer, Andrej Škufca |
DRUŠTVO GALERIJA BOKS |
|
БРОЈЕВИ |
2015 |
Serbia |
VVAA |
CPN - Center for the Promotion of Science |
|
ВИДЕFOCUS - videofocus |
2014 |
Russia |
Karina Karaeva, Dasha Birukova |
National Centre for Contemporary Art (NCCA) |
|
Видеоформат [линейность] - Videoformat [Linearity] |
2009 |
Russia |
Karina Karaeva, Arjon Dunnewind |
National Centre for Contemporary Art (NCCA) |
|
Живопись кино - Movie Painting |
2009 |
Russia |
Karina Karaeva, Leonid Lerner |
National Centre for Contemporary Art (NCCA) |
|
РОБОТИ |
2012 |
Serbia |
VVAA |
CPN - Center for the Promotion of Science |
|
“Raw Data” Is An Oxymoron |
2013 |
USA |
Lisa Gitelman |
The MIT Press |
|
∞ |
2011 |
Greece |
Талос |
Талос |
|
再生運動 : 數位時代的科技反思 = Regeneration movement : rethinking technology in the digital age |
2016 |
China |
Chaojung Chen, Zhaoyi Cai, Huifen Liao |
National Taiwan Museum of Fine Arts |
