|
On Line, Kunst Im Netz |
1992 |
Austria |
edited by Dr. Helga Konrad |
Steirische Kultur Initiative |
|
Phase Media Space, Time and the Politics of Smart Objects |
2017 |
USA |
James Ash |
Bloomsbury Academic |
|
inf.ek.taDo - http://www.bakteria.org/ktalogo/ |
2005 |
Mexico |
Arcangelo Constantini |
|
|
0.01s: The First 1/100th Second Of 1-Bit Symphony |
2015 |
|
Tristan Perich |
Physical Editions |
|
0006_limiteazero |
2006 |
Italy |
Nicola Zanardi |
Hublab Edition |
|
100 Notions pour l'Art Numerique |
2015 |
France |
Marc Veyrat |
Les Éditions de l'Immatériel |
|
1st decade |
1998 |
Austria |
Station Rose |
Edition Selene |
|
24 hours in Cyberspace |
1996 |
USA |
Rick Smolan, Jennifer Erwitt |
Que Macmillan USA |
|
25 MINUS HABENS - eXperYenZ |
2012 |
Italy |
Alessandro Ludovico |
Minus Habens |
|
30 Years after Les Immatériaux: Art, Science, and Theory |
2015 |
USA |
edited by Yuk Hui and Andreas Broeckmann |
Meson Press |
|
4x4 Generative Design: Beyond Photoshop (with Auto-Illustrator, Java, DBN, Lingo): Life/Oblivion |
2002 |
UK |
Adrian Ward & Golan Levin & Lia & Meta |
Friends of Ed Publishers |
|
56 Broken Kindle Screens |
2012 |
|
Silvio Lorusso, Sebastian Schmieg |
lulu.com |
|
8-Bit Reggae: Collision and Creolization |
2014 |
France |
Nicolas Nova |
éditions volumiques |
|
@ Is For Activism: Dissent, Resistance And Rebellion In A Digital Culture |
2011 |
UK |
Joss Hands |
Pluto Press |
|
A Brief History Of Curating New Media Art - Conversations with Curators |
2010 |
Germany |
edited by Sarah Cook, Beryl Graham, Verina Gfader, Axel Lapp |
The Green Box - Kunst Editionen |
|
A Brief History of Working with New Media Art - Conversations with Artists |
2010 |
Germany |
edited by Sarah Cook, Beryl Graham, Verina Gfader, Axel Lapp |
The Green Box - Kunst Editionen |
|
A Companion to Digital Art |
2016 |
UK |
edited by Christiane Paul |
Wiley-Blackwell |
|
A Geology of Media |
2015 |
USA |
Jussi Parikka |
University Of Minnesota Press |
|
A Hacker Manifesto |
2004 |
USA |
McKenzie Wark |
Harvard University Press |
|
A Little-Known Story about a Movement, a Magazine, and the Computer's Arrival in Art: New Tendencies and Bit International, 1961--1973 |
2011 |
USA |
Margit Rosen |
The MIT Press |
|
A Neoist Research Project |
2010 |
UK |
N O Cantsin |
OpenMute |
|
A Networked Self: Identity, Community, and Culture on Social Network Sites |
2010 |
USA |
Zizi Papacharissi |
Routledge |
|
A Philosophy of Computer Art |
2009 |
UK |
Dominic Lopes |
Routledge |
|
A Prehistory of the Cloud |
2015 |
USA |
Tung-hui Hu |
The Mit Press |
|
A Thousand Machines: A Concise Philosophy of the Machine as Social Movement |
2010 |
USA |
Gerald Raunig |
Semiotext(e) |
|
Abstract Hacktivism: The making of a hacker culture |
2006 |
UK |
Otto von Busch & Karl Palmås |
OpenMute |
|
Abstraction Now |
2004 |
Austria |
Abstraction Now |
Camera Austria |
|
Access Controlled: The Shaping of Power, Rights, and Rule in Cyberspace |
2010 |
USA |
Ronald Deibert & John Palfrey & Rafal Rohozinski & Jonathan L. Zittrain |
The MIT Press |
|
Accountability Technologies: Tools for Asking Hard Questions |
2013 |
Austria |
Dietmar Offenhuber, Katja Schechtner |
Ambra |
|
Across & Beyond: A Transmediale Reader on Post-Digital Practices, Concepts, and Institutions |
2017 |
Germany |
Ryan Bishop, Kristoffer Gansing, Jussi Parikka, Elvia Wilk |
Sternberg Press |
|
Acts of Voicing: The Poetics and Politics of the Voice |
2015 |
Germany |
edited by Hans D. Christ, Iris Dressler, Christine Peters |
SPECTOR BOOKS |
|
Aerial Aftermaths - Wartime from Above |
2018 |
UK |
Caren Kaplan |
Duke University Press |
|
Aesthetic Computing |
2008 |
USA |
Paul A. Fishwick |
The MIT Press |
|
Aesthetics of Interaction in Digital Art |
2013 |
USA |
Katja Kwastek |
The MIT Press |
|
Ai Weiwei's Blog: Writings, Interviews, and Digital Rants, 2006-2009 |
2011 |
USA |
|
The MIT Press |
|
Alien Agency Experimental Encounters with Art in the Making |
2015 |
USA |
Chris Salter |
The MIT Press |
|
All the Rave: The Rise and Fall of Shawn Fannings Napster |
2003 |
USA |
Joseph Menn |
Crown Publishers |
|
Almost Nothing with Luc Ferrari |
2013 |
Germany |
Jacqueline Caux (Author), Luc Ferrari (Artist) |
Errant Bodies Press |
|
Always Already New: Media, History, and the Data of Culture |
2006 |
USA |
Lisa Gitelman |
The MIT Press |
|
Alzado vectorial : arquitectura relacional no. 4, Vectorial elevation : relational architecture no. 4 |
2000 |
Mexico |
Rafael Lozano-Hemmer (Editor) |
Conaculta |
|
Amaranth Borsuk & Brad Bouse: Between Page and Screen |
2012 |
USA |
Amaranth Borsuk, Brad Bouse |
Siglio |
|
An Aesthesia of Networks: Conjunctive Experience in Art and Technology |
2013 |
USA |
Anna Munster |
The Mit Press |
|
An Alternative Gaze - A shared reflection on cross-Mediterranean cooperation in the arts |
2008 |
The Netherlands |
edited by Odile Chenal, Susanne Mors, Mark Snijder, Hanneloes Weeda |
European Cultural Foundation |
|
An Archive(s) - a minimal Encyclopedia |
2014 |
Germany |
Claudia Giannetti |
EDITH-RUSS-HAUS |
|
An Atlas of Agenda's: Mapping the Power, Mapping the Commons |
2014 |
Germany |
Bureau D'Etudes |
Onomatopee |
|
An Illustrated Guide of Capitalism |
2017 |
The Netherlands |
Ddk |
Onomatopee |
|
An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing |
2014 |
UK |
David Bard-Schwarz |
Routledge |
|
Analog Days: The Invention and Impact of the Moog Synthesizer |
2004 |
|
Trevor Pinch & Frank Trocco |
Harvard University Press |
|
Anamnesia : Unforgetting - polytemporality, implacement and possession in The Crista Dahl Media Library & Archive |
2012 |
Canada |
edited by Amy Kazymerchyk |
VIVO Media Arts Centre |
|
And Then There's This: How Stories Live and Die in Viral Culture |
2009 |
USA |
Bill Wasik |
Penguin (Non-Classics) |
