|
La fabbrica dell'infelicità |
2001 |
Italy |
Franco Berardi (Bifo) |
DeriveApprodi srl |
|
Lab+10 - MÁS DE DIEZ AÑOS DE APOYO A LA INVESTIGACIÓN Y PRODUCCIÓN ARTÍSTICAS EN LABORAL |
2018 |
Spain |
edited by Patricia Villanueva and María Romalde |
LABoral Centro de Arte y Creación Industrial |
|
Lab[au]m0t1v |
2010 |
Germany |
|
Kunst Station Sankt Peter Koln |
|
Labels, Making Independent Music |
2020 |
USA |
Dominik Bartmański and Ian Woodward |
Bloomsbury Academic |
|
Latidos - De Daniel Canogar |
2012 |
Argentina |
Julia Zurueta |
Espacio Fundación Telefónica |
|
Laura Splan, Embodied Objects |
2018 |
Canada |
Laura Splan |
Occurrence Gallery |
|
Le Mois de la Photo à Montréal: Drone: The Automated Image |
2013 |
Germany |
Paul Wombell |
Kerber |
|
Le radici dell’HACKTIVISM in Italia, 1969-1989 Dallo sbarco sulla luna alla caduta del muro di Berlino |
2019 |
Italy |
Tommaso Tozzi |
Accademia di Belle Arti di Firenze |
|
|
Leaving Reality Behind: etoy vs eToys.com & other battles to control cyberspace |
2003 |
USA |
Adam Wishart & Regula Bochsler |
Ecco |
|
Legacies of Tactical Media - The Tactics of Occupation: From Tompkins Square to Tahrir |
2011 |
The Netherlands |
Eric Kluitenberg |
Institute of Network Cultures |
|
Leonardo |
2019 |
USA |
edited by Roger F. Malina |
Mit Press |
|
Leonardo - Volume 53 |
2020 |
USA |
edited by Roger F. Malina |
Mit Press |
|
Les Levine: Transmedia 1964-1974 |
2017 |
Canada |
Sarah Robayo Sheridan, Sunny Kerr and Dennis Young |
Oakville Galleries |
|
Les enfants perdus et retrouvés de l'art vidéo/The lost and found children of video art |
2013 |
France |
Marc Mercier |
Instants Vidéo |
|
Let's Start Playing the Game! |
2015 |
The Netherlands |
Freek Lomme |
Onomatopee |
|
Leçon sur le son |
2005 |
Belgium |
Alain Geronnez |
La Lettre volée |
|
Libérez les machines ! : L'imaginaire technologique à l'épreuve de l'art |
2013 |
France |
edited by Pierre Braun |
Present Compound |
|
Life in the Age of Drone Warfare |
2017 |
USA |
(edited by) Lisa Parks, and Caren Kaplan |
Duke University Press |
|
Limiares das redes – escritos sobre arte e cultura contemporânea |
2014 |
Brazil |
Marcus Bastos |
Intermeios |
|
Liminal - Élizabeth Creseveur : 4 expositions |
2003 |
France |
Élizabeth Creseveur |
Le Parvis. Centre d’art contemporain |
|
Liquid Crystal Display |
2018 |
UK |
edited by Sharna Jackson, Angelica Sule and Kirsty Young |
Site Gallery |
|
Liquid Surveillance: A Conversation |
2012 |
UK |
Zygmunt Bauman |
Polity |
|
Listening through the Noise: The Aesthetics of Experimental Electronic Music |
2010 |
USA |
Joanna Demers |
Oxford University Press |
|
Listening to Noise and Silence: Towards a Philosophy of Sound Art |
2010 |
UK |
Salome Voegelin |
Continuum |
|
Literature’s Elsewheres, On The Necessity Of Radical Literary Practices |
2022 |
USA |
Annette Gilbert |
University of Minnesota Press |
|
Live Coding, A User’s Manual |
2022 |
USA |
Alan F. Blackwell, Emma Cocker, Geoff Cox, Alex McLean, and Thor Magnusson |
Mit Press |
|
Loading the Silence: Australian Sound Art in the Post-Digital Age |
2013 |
UK |
Linda Ioanna Kouvaras |
Ashgate Pub Co |
|
Los desastres [políticas de la representación] / The disasters [politics of representation] |
2008 |
Spain |
edited by Lucia Marino, Ivan Marino, Antonio Franco |
MEIAC - Museo Extremeño e Iberoamericano de Arte Contemporáneo |
|
Lost and Living (in) Archives, Collectively Shaping New Memories |
2017 |
The Netherland |
(edited by) Annet Dekker |
Valiz |
|
Lost in sound |
2000 |
Spain |
|
Xunta de Galicia |
|
Low Power to the People: Pirates, Protest, and Politics in FM Radio Activism (Inside Technology) |
2014 |
USA |
Christina Dunbar-Hester |
The MIT Press |
|
Lucille Calmel, when I'm bad I'm better |
2019 |
France |
Lucille Calmel |
Lucille Calmel |
|
Ludic Society Magazine #6 |
2013 |
Switzerland |
edited by Margarete Jahrmann and Max Moswitzer |
Private Publishing House |
|
MAGNETICA - Propuestas para el Próximo Milenio |
2000 |
Chile |
Javier Aguirre Nogués |
EPSON, Fundacion Telefonica |
|
MAQUINA CONDOR - Demian Schopf |
2006 |
Chile |
edited by Sergio Rojas, Demian Schopf |
Galeria Gabriela Mistral |
|
META/DATA: A Digital Poetics |
2007 |
UK |
Mark Amerika |
The MIT Press |
|
MIR - Men in Red - Rivista di ufologia radicale 1 |
1998 |
Italy |
K e Militant X |
MIR |
|
MIR - Men in Red - Rivista di ufologia radicale 2 |
1998 |
Italy |
K e Militant X |
MIR |
|
MONDO 2000 - Arthur Kroker, Einstürzende Neubauten, Hans Moravec, Pirate Media, Allucquere Rosanne Stone, Vrcadia |
1993 |
USA |
edited by Wes Thomas |
Fun City MegaMedia |
|
MUTE - Culture and Politics after the Net - Exhuming the Human - vol 2 #11 |
2009 |
UK |
edited by Josephine Berry Slater |
Mute |
|
MUTE MAGAZINE - GRAPHIC DESIGN - Introduction by Arian Shaughnessy |
2008 |
UK |
Simon Worthington, Damian Jaques, Pauline Van Mourik Broekman |
eightbooks |
|
MUTEK - 2003 - Music, sound and new technologies |
2003 |
Canada |
Alain Mongeau |
Mutek, Excentris |
|
Machine |
2019 |
USA |
Thomas Pringle, Gertrud Koch, Bernard Stiegler |
Meson Press |
|
Machine Landscapes: Architectures of the Post Anthropocene |
2019 |
UK |
(edited by) Liam Young |
Wiley |
|
Machine Learning and Notions of the Image |
2020 |
Denmark |
Rosemary Lee |
IT University of Copenhagen - Department of Digital Design |
|
Machine Will Watch Us Die |
2018 |
UK |
Patrizia Costantin |
Manchester School of Art |
|
Machine art in the twentieth century |
2017 |
USA |
Andreas Broeckmann |
Mit Press |
|
Machines And Robots - Edition Digital Culture 5 |
2018 |
Germany |
(edited by) Dominik Landwehr |
Christoph Merian, Migros-Kulturprozent |
|
Made In Brasil: três décadas do vídeo brasileiro |
2009 |
Brasil |
Arlindo Machado |
Iluminuras |
|
Made in Light - art optique et cinétique |
2014 |
France |
Christie's |
Christie's |
