|
Hamlet on the Holodeck: The Future of Narrative in Cyberspace |
1998 |
USA |
Janet H. Murray |
The MIT Press |
|
|
Handbook of Computer Game Studies |
2005 |
USA |
Joost Raessens & Jeffrey Goldstein |
The MIT Press |
|
Handmade Pixels - Independent Video Games and the Quest for Authenticity |
2019 |
USA |
Jesper Juul |
Mit Press |
|
Happy End |
2015 |
Austria |
Bruckner |
MOOZAK, KAZOOM#006 |
|
Hard Copy |
2015 |
Germany |
Matthew Plummer-Fernandez |
NOME |
|
|
Hard, Soft & Wet |
1998 |
UK |
Melanie McGrath |
Flamingo |
|
Haunted Weather: Music, Silence and Memory |
2006 |
UK |
David Toop |
Five Star |
|
Heliosfera + 747 |
2014 |
Portugal |
André Sier, Thomas Behrens |
Galeria Municipal de Montemor-o-Novo |
|
|
Hello World: Travels In Virtuality |
2004 |
UK |
Sue Thomas |
Raw Nerve Books |
|
Hello, Robot.: Design between Human and Machine |
2017 |
Germany |
edited by Mateo Kries, Christoph Thun-Hohenstein, Amelie Klein |
Vitra Design Museum, MAK |
|
Herbarium - fotografi & botanik |
2017 |
Denmark |
Kristine Kern, Camilla Kragelund |
Fotografisk Center |
|
Hertzian Tales: Electronic Products, Aesthetic Experience, and Critical Design |
2006 |
UK |
Anthony Dunne |
The MIT Press |
|
Hidden Persuasion: 33 Psychological Influences Techniques in Advertising |
2014 |
The Netherlands |
Marc Andrews, Matthijs Van Leeuwen, Rick Van Baaren |
Bis Pub |
|
|
High Noon on the Electronic Frontier: Conceptual Issues in Cyberspace |
1996 |
USA |
Peter Ludlow |
A Bradford Book |
|
High Static, Dead Lines: Sonic Spectres & the Object Hereafter |
2018 |
UK |
Kristen Gallerneaux |
STRANGE ATTRACTOR PRESS/Mit Press |
|
Historically Brewed Issue #9 - The Enthusiast's Magazine of Computer History Nostalgia - Altair starts the revolution! |
1996 |
USA |
edited by David A. Greelish |
HCS |
|
History Has Left the Building |
2012 |
Germany |
Francis Hunger |
SPECTOR BOOKS |
|
Holo 2 |
2016 |
Canada |
VVAA |
Creative Applications |
|
Hotsaren espazioa. Begiradaren denbora - El espacio del sonido. El tiempo de la mirada |
1999 |
Spain |
Robert Adrian, Ana Salaverria, José Iges |
Gipuzkoako Foru Aldundia |
|
House of Mirrors: Artificial Intelligence as Phantasm |
2022 |
Germany |
(edited by) Inke Arns, Francis Hunger, Marie Lechner |
VERLAG KETTLER |
|
How Not to Network a Nation: The Uneasy History of the Soviet Internet |
2016 |
USA |
Benjamin Peters |
Mit Press |
|
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics |
1999 |
USA |
N. Katherine Hayles |
University Of Chicago Press |
|
How does media influence what we see? Vision, Memory and Media |
2010 |
UK |
edited by Andreas Brøgger, Omar Kholeif |
Liverpool University Press |
|
How history gets things wrong : the neuroscience of our addiction to stories |
2018 |
USA |
Alexander Rosenberg |
Mit Press |
|
|
How the Web was Born: The Story of the World Wide Web |
2000 |
USA |
James Gillies & Robert Cailliau |
Oxford University Press, USA |
|
How to Do Nothing: Resisting the Attention Economy |
2019 |
USA |
Jenny Odell |
Melville House |
|
How to be a geek - Essay on the Culture of Software |
2017 |
UK |
Matthew Fuller |
Polity Press |
|
How to bypass Internet censorship - supplement for proprietary software |
2011 |
|
Sesawe |
Sesawe |
|
How to talk about Videogames |
2015 |
USA |
Ian Bogost |
University Of Minnesota Press |
|
Human Nature Ars Electronica 2009 |
2010 |
Germany |
Gerfried Stocker & Christine Schopf |
Hatje Cantz |
|
|
Humour the Computer |
1995 |
USA |
Andrew Davison |
The MIT Press |
|
Hybrid City |
2008 |
Belgium |
Arie Altena, Moritz Ebinger, Liesbeth Huybrechts |
Media & Design Academy Genk & Design Academie |
|
Hyper Geography |
2014 |
France |
Joe Hamilton |
Jean Boîte Éditions |
|
Hyperemployment – Post-work, Online Labour and Automation |
2020 |
Italy |
(edited by) Domenico Quaranta and Janez Janša |
NERO AND AKSIOMA |
|
Hypertext and the Female Imaginary |
2010 |
USA |
Jaishree K. Odin |
University Of Minnesota Press |
|
I Must Not Think Bad Thoughts - Drive-by Essays on American dread, American Dreams |
2012 |
USA |
Mark Dery, Bruce Sterling |
University Of Minnesota Press |
|
I Read Where I Am: Exploring New Information Cultures |
2011 |
The Netherlands |
Andrew Blauvelt & Mieke Gerritzen & Geert Lovink & Minke Kampman |
Valiz/Graphic Design Museum, Breda |
|
I love you - Computer, Viren, Hacker, Kultur |
2002 |
Germany |
Franziska Nori |
Museum für Angewandte Kunst |
|
I maestri della Visual Music. Esplorazioni astratte: storia e ricerca contemporanea |
2017 |
Italy |
Adriano Abbado |
Skira |
|
IAMAS 2013 - Graduation and project research exhibition |
2013 |
Japan |
Akira SEGAWA, Yukari OKAMOTO, Takahiro KOBAYASHI, Yoshinico SUMIGAMA, Koji YAMADA |
Institute of Advanced Media Arts and Sciences |
|
ICON: A Digital Caress |
2019 |
UK |
edited by Priya Khanchandani |
ICON |
|
ICONORAMA |
2005 |
France |
Sonia Marques, Pierre Velon |
Imprimerie SETIG Palussière |
|
IKEA - The Smart everyday for the many people - for research purposes only |
2015 |
Sweden |
edited by Barry Brown, Julian Bleecker |
Mobile Life, Near Future Laboratory, Boris Design Studio |
|
IMPULSE INTERVIEWS |
2018 |
Canada |
edited by Eldon Garnet |
Impulse [b] |
|
INCITE: Digital Art & Activism |
2023 |
UK |
edited by: Joseph DeLappe & Laura Leuzzi |
peacock & the worm |
|
INFOWAR.information.macht.krieg |
1998 |
Austria |
Gerfried Stocker & Christine Schöpf |
Springer |
|
INHYE LEE - Face to Faces |
2014 |
France |
edited by Musaeum |
Galerie Charlot |
|
INMERSIÓN KLAUDIA KEMPER |
2013 |
Chile |
Klaudia Kemper |
OCHO LIBROS EDITORES LTDA |
|
IP Poetry - Gustavo Romano |
2008 |
Spain |
Belén Gache |
Museo Extremeño E Iberoamericano De Arte Contemporáneo |
|
IS THE INTERNET DOWN? |
2019 |
USA |
VV.AA. |
Draw Down Books |
