|
ISEA 2015 ART AND DISRUPTION |
2015 |
Canada |
Kate Armstrong |
Blurb |
|
ISPRICATI PRICU / TO TELL A STORY |
2001 |
Croatia |
Marija Gattin, Leonida Kovač, Jadranka Vinterhalter |
Muzej Suvremene Umjetnosti |
|
Ice Laboratory - Лаборатория льда |
2014 |
Russia |
edited by Daria Parkhomenko, Valerie Oleynik |
Laboratoria Art & Science Space |
|
Iconographies |
2016 |
Germany |
Quayola |
NOME |
|
Idea of radical media / Ideja radikalnih medija |
2013 |
Croatia |
Tomislav Medak & Petar Milat |
Multimedijalni institut |
|
If/Then: Design Implications of New Media, Issue 0.1: Play |
1999 |
The Netherlands |
edited by Janet Abrams |
Netherlands Design Institute |
|
Il comando cibernetico - Informatica Potere Antagonismo |
1981 |
Italy |
VV.AA. |
Controinformazione Cooperativa |
|
Image Management |
2012 |
The Netherlands |
Kim de Groot |
Onomatopee |
|
Imagery in the 21st Century |
2011 |
USA |
Edited by Oliver Grau With Thomas Veigl |
The Mit Press |
|
Imaginary Spaces: Raum/Prostor - Medien/Média - Performance/Performance |
2008 |
Czech Republic |
Jana Horáková, Barbara Büscher |
KLP Koniasch Latin Press |
|
Immagine in tempo reale - Storie, pratiche, teorie per un’introduzione alla performance audiovisiva |
2019 |
Italy |
Emanuele Ponzio |
Mimesis Edizioni |
|
Immersed in Technology: Art and Virtual Environments |
1996 |
USA |
Mary Anne Moser, Douglas MacLeod |
The MIT Press |
|
Impresión posdigital. La mutación de la edición desde 1894 |
2020 |
Colombia |
Alessandro Ludovico |
EDICIONES UNIANDES |
|
In Place |
2016 |
Germany |
Jason Kahn |
Errant Bodies Press |
|
In the Blink of an Ear: Toward a Non-Cochlear Sonic Art |
2009 |
UK |
Seth Kim-Cohen |
Continuum Pub Group |
|
In-Game - From Immersion to Incorporation |
2011 |
USA |
Gordon Calleja |
The Mit Press |
|
Infinito Paisaje - obras de katia maciel y andré parente |
2011 |
Argentina |
Daniela Bousso |
Espacio Fundación Telefónica |
|
Infobahn |
1995 |
USA |
|
Michael C. Berch |
|
Information |
2016 |
USA |
Sarah Cook |
Mit Press |
|
|
Information Anxiety 2 |
2000 |
USA |
Richard S Wurman |
Que |
|
Information Arts: Intersections of Art, Science, and Technology |
2003 |
USA |
Stephen Wilson |
The MIT Press |
|
Information Fantasies: Precarious Mediation in Postsocialist China |
2019 |
USA |
Xiao Liu |
University of Minnesota Press |
|
|
Information Is Alive: Art And Theory On Archiving And Retrieving Data |
2003 |
The Netherlands |
Winy Maas & Arjun Appadurai & Joke Brouwer & Simon Conway Morris |
NAi Publishers |
|
|
Information Politics on the Web |
2006 |
USA |
Richard Rogers |
The MIT Press |
|
Information Politics: Liberation and Exploitation in the Digital Society |
2015 |
UK |
Tim Jordan |
Pluto press |
|
Infosphere |
2015 |
Germany |
Peter Weibel, Daria Mille, Giulia Bini |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Infosphäre/Infosphere - Ryoji Ikeda: micro | macro |
2015 |
Germany |
Peter Weibel, Stephan Schwingeler, Linnea Semmerling |
ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe |
|
Infotopia: How Many Minds Produce Knowledge |
2008 |
USA |
Cass R. Sunstein |
Oxford University Press, USA |
|
Inquisitor n.1 |
1993 |
USA |
|
Daniel Drennan |
|
Inquisitor n.2 |
1994 |
USA |
|
Daniel Drennan |
|
Inquisitor n.4 |
1996 |
USA |
|
Daniel Drennan |
|
Insect Media: An Archaeology of Animals and Technology |
2010 |
USA |
Jussi Parikka |
Univ Of Minnesota Press |
|
Insert : Retrospektiva hrvatske video umjetnosti - Retrospective of Croatian Video Art |
2008 |
Croatia |
Tihomir Milovac, Silva Kalčić, Zagrebački Velesajam |
Muzej Suvremene Umjetnosti |
|
Inside Cyber Warfare: Mapping the Cyber Underworld |
2009 |
USA |
Jeffrey Carr |
O'Reilly Media |
|
Inside [Arte e Ciência] [Art and Science] |
2009 |
Spain |
|
Editora LxXL |
|
|
Inside the SPAM Cartel: By Spammer-X |
2004 |
USA |
Spammer-X & Jeffrey Posluns (Editor) & Stu Sjouwerman (Foreword) |
Syngress |
|
Installations / Instalações |
2022 |
Portugal |
Pedro Tudela & Miguel Carvalhais |
CRÓNICA / I2ADS |
|
Instants Video - Festival Numérique et Poétique |
2008 |
France |
Marc Mercier |
Instants Vidéo |
|
Intelligent Agent, interactive media in arts and education fall |
1997 |
USA |
edited by Christiane Paul |
Hyperactive Corporation |
|
Interact or Die: There Is Drama In The Networks |
2007 |
Netherlands |
Christian Hubler & Noortje Marres & Brian Massumi & Detlef Mertins |
NAi Publishers |
|
|
Interaction: Artistic Practice in the Network |
2001 |
USA |
John Johnson & Jordan Crandall & John S. Johnson & Amy Scholder |
D.A.P./EYEBEAM ATELIER |
|
Interactive Art and Embodiment: The Implicit Body as Performance |
2013 |
USA |
Nathaniel Stern |
Gylphi Limited |
|
Interface Criticism: Aesthetics Beyond the Buttons |
2011 |
Denmark |
Christian Ulrik Andersen & Soren Bro Pold |
Aarhus University Press |
|
Interface Fantasy: A Lacanian Cyborg Ontology |
2009 |
USA |
André Nusselder |
The MIT Press |
|
Interferences / Forty-Four Excuses for Participation and a Zero |
2020 |
Switzerland |
(edited by) ECAL & Mario de Vega |
ECAL |
|
Interferenze - new arts festival - Naturalis Electronica - IV Edizione 2006 |
2006 |
Italy |
Leandro Pisano |
Interzona |
|
International Museum of Electrography Cuenca Center for Innovation in Art and New Technologies |
2016 |
Spain |
José Ramón Alcalá, Beatriz Escribano |
Universidad de Castilla-La Mancha |
|
Internet Art |
2004 |
UK |
Rachel Greene |
Thames & Hudson |
|
Internet Art: The Online Clash of Culture and Commerce |
2003 |
UK |
Julian Stallabrass |
Tate |
|
Internet Daemons: Digital Communications Possessed |
2018 |
USA |
Fenwick McKelvey |
University of Minnesota Press |
