Index
CONTENTS
PART I, PICTORIAL KINETIC ART WITH OPTICAL, MECHANICAL, ELECTRO-MECHANICAL AND CHEMICAL SYSTEMS
1, Electricity and Motion in My Kinetic Art Works 3
Nino Calos (Vol. 1, pp. 415-418; Autumn 1968)
2. Kinetic-Art: The Kinoptic System 6
Valerios Caloutsis (Vol. 3, pp. 433-434; Autumn 1970)
3. Kinetic-Art: Animation of Color for Cinema Film 8
Ana Sacerdote de Guthmann (Vol. 5, pp. 239-241; Summer 1972)
4. Horizontally Oriented Rotating Kinetic Painting 11
Robert Henry (Vol. 2, pp. 239-250; Summer 1969)
5. Kinetic Art with Sunlight: Reflections on Developments in Art Needed Today 23
P. K. Hoenich (Vol. 1, pp. 113-120; Spring 1968)
6. Kinetic Art: The Chromara, a Lumia Technique 30
Richard I. Land (Vol. 5, pp. 103-109; Spring 1972)
7. Kinetic Painting: The Lumidyne System 37
Frank J, Malina (Vol. 1, pp. 25-33; Winter 1968)
8. The “Chromatic Abstractoscope”: An Application of Polarized Light 46
Carlos Martinoya and Nahum Joël (Vol. 1, pp. 171-173; Spring 1968)
9. “Life”: From Drawing to Painting to Kinetic Painting 49
Masako Sato (Vol. 3, pp. 71-73; Winter 1970)
10. Images of Trajectories of Mobiles by Means of Photographs and Cinema: Metaforms 52
Etienne Bertrand Weill (Vol. 5, pp. 301-306; Autumn 1972)
11. Light Shows: A Kinetic Art Technique Using Chemicals 58
D. R. Wier (Vol. 2, pp. 251-256; Summer 1969)
12. Letter of Thomas Wilfred to J. Handel Evans 64
(Vol. 3, p. 467; Autumn 1970)
PART II, KINETIC AND AUDIO-KINETIC SCULTPURE
13. My Op Art Objects and Optico-Spatial Mobiles 67
Henri Gabriel (Vol. 3, pp. 1-7; Winter 1970)
14. My Plexiglas and Light Sculptures 73
Jim Hill (Vol. 3, pp. 9-17; Winter 1970)
15. My Thermoformed Plastic Audio-kinetic Light Sculpture Since 1966 81
Milton B. Howard (Vol. 2, pp. 411-412; Autumn 1969)
16. Sculpture: Fantasy Machines 83
Timothy Hunkin (Vol. 4, pp. 151-153; Spring 1971)
17. My “Mobile Hydromural” 86
Gyula Kosice (Vol. 3, pp. 437-438; Autumn 1970)
18. Kinetic Art: Contructions with Stretched Fabric Strips 88
Thorbjorn Lausten (Vol. 6, pp. 47-48; Winter 1972)
19. The Evolution of My Audio-kinetic Sculptures 90
Charles Mattox (Vol. 2, pp. 355-363; Autumn 1969)
20. An Interview with Stephan Von Huene on His Audio-kinetic Sculptures 99
Dorothy Newmark (Vol. 5, pp. 69-72; Winter 1972)
21. Cybertheater 103
Lev Nusberg (Vol. 2, pp. 61-62; Winter 1969)
22. My Sculptures of Combined Opaque and Illuminated Forms 105
Ted Vincent (Vol. 2, pp. 417-418; Autumn 1969)
23. Kinetic Art: Rotating Bars and Discs on a Rotating Platform 107
Rhonda and David Whitehead (Vol. 5, p. 158; Spring 1972)
24. Imagery, Light and Motion in My Sculptures 108
Jan Zach (Vol. 3, pp. 285-293; Summer 1970)
PART III, KINETIC ART WITH ELECTRONIC SYSTEMS AND COMPUTERS
25. Kinetic Art: On Producing Illusions by Photic-stimulation of Alpha Brain Waves with Flashing Lights 119
Robert Baldwin (Vol. 5, pp. 147-149; Spring 1972)
26. Electronically Operated Audio-kinetic Sculptures, 1968 122
Juan Downey (Vol. 2, pp. 403-406; Autumn 1969)
27. Computer and Kinetic Art; Investigations of Matrix Configuration 126
J. Kenneth Edmiston (Vol. 6, pp. 17-22; Winter 1973)
28. Computer Art: Color-stereo Displays 132
Richard I. Land (Vol. 2, pp. 335-344; Autumn 1969)
29. Oscillons: Electronic Abstractions 142
Ben F. Laposky (Vol. 2, pp. 345-354; Autumn 1969)
30. Method for Producing Sounds or Light Flashes with Alpha Brain Waves for Artistic Purposes 152
David Rosenboom (Vol. 5, pp. 141-145; Spring 1972)
31. Kinetic Art: The Shift Register, a Circuit for Sequential Switching of Lights 157
David Smith (Vol. 5, pp. 59-61; Winter 1972)
32. Three Kinetic Art Projects with Laser Light 160
Joel Stein (Vol. 3, pp. 331-332; Summer 1970)
33. Sonovision: A Visual Display of Sound 162
S. R. Wagler (Vol. 3. pp. 443-445; Autumn 1970)
Part IV, INFORMATION ON SUBJECTS RELEVANT TO KINETIC ART
34. Health and Safety Hazards of Art Materials 167
George A. Agoston (Vol. 2, pp. 373-382; Autumn 1969)
35. Cybernetics and Art 176
Michael J. Apter (Vol. 2, pp. 257-265; Summer 1969)
36. Holography as an Art Medium 185
Margaret Benyon (Vol. 6, pp. 1-9; Winter 1973)
37. On Space and Time in Music and the Visual Arts 193
Elena de Bertola (Vol. 5, pp. 27-30; Winter 1972)
38. The Aesthetic Potential of the Sensory Modes 197
Donald Brook and John Ritchie (Vol. 3, pp. 415-424; Autumn 1970)
39. New Materials and Methods for the Musical Instrument Designer, the Audio-kinetic Sculptor, Musician and Composer 207
John Grayson (Vol. 3, pp. 295-304; Summer 1970)
40. Paths by Coupler for Kinetic Art 217
Richard S. Hartenberg (Vol. 4, pp. 125-128; Spring 1971)
41. The Studio of Word, Sound, Movement of the Janacek Academy of Music and Dramatic Art, Brno, Czechoslovakia 221
Bedrich Jicinsky (Vol. 5, pp. 333-335; Autumn 1972)
42. Non-verbal ‘Discussion’ Using Music and Kinetic Painting 224
Richard I. Land (Vol. 1, pp. 121-123; Spring 1968)
43. Comments on Visual Fine Art Produced by Digital Computers 227
Frank J. Malina (Vol. 4, pp. 263-265; Summer 1971)
44. A Conversation on Concrete Music and Kinetic Art 230
Frank J. Malina and Pierre Schaeffer (Vol. 5, pp. 255-260; Summer 1972)
Glossary 237
Index 243
