+ Context 0: https://whereby.com/arthackpractice
Victoria Bradbury and Suzy O’Hara
+ Context I: Histories and Futures
Chapter 1- Abigail Susik - "Art History Hacked: Art Hack Practice as an Intra-garde"
Chapter 2- Mugendi K. M'Rithaa - "The Afrikan Maker: Hacking Our Way into a Hybrid Future…"
Chapter 3- Serena Cangiano, Davide Fornari, Azalea Seratoni - "Reprogrammed Art, a Bridge between the History of Interactive Art and Maker Culture"
Chapter 4- Ruth Catlow and Marc Garrett - "DIWO to DAOWO: Rehashing Proprietorial Dominance of Art Practice"
+ Context II: Labs and Fab Labs
Chapter 5- Clare Reddington - "Pervasive Media Studio: Propagating Practice"
Chapter 6- Olga Mink - "Elaborating on Labs: Reflections on the Blurring Boundaries between Arts, Science, Technology and Society."
Chapter 7- Alexia Mellor - "Participating in the Viscous Porosity of Makerspaces and Fab Labs: A Participatory Art Perspective"
+ Context III: Engaged Communities
Chapter 8- Ayodamola Tanimowo Okunseinde - "Iyapo Repository: Constructing and Archiving Alternate Futures"
Chapter 9- Jasmin Theresa Grimm and Sally Abu Bakr - "Future Heritage: A Community-Based Exchange between Berlin and Ramallah" المستقبل تراث
Chapter 10- Suzy O’Hara – "Little Inventors: From Artistic Method to Global Brand"
+ Context IV: Hack Events, Residencies and Workshops
Chapter 11- Ellen Pearlman - "Cyborg Arts Co-Lab: Interdisciplinary Collaboration Enriched Through Art-A-Hack™ Practices"
Chapter 12- Victoria Bradbury and Suzy O’Hara - "Delivering Hack Events within the Arts"
Chapter 13- Victoria Bradbury - "Where Do We Work? Things We Chat about While Sorting SIM-Cards: A Conversation with Constant Dullaart"
Chapter 14- Olof Mathé - "Art Hack Day"
+ Context V: Museums, Galleries, Festivals and Programs
Chapter 15- Nora O’Murchú - "Critical Making as a Model for Curating or Making Exhibitions as Things to Think With"
Chapter 16- Yidi Tsao - "WIKITOPIA Hong Kong: Curating a Collaborative Urban Future "
Chapter 17- Julie Freeman and Hannah Redler Hawes - "The Evolution of the ODI Data as Culture Art Programme"
Chapter 18- Tania Aedo - "Tracking Hack-Style Interdisciplinary Processes at Laboratorio Arte Alameda, Mexico City"
Chapter 19- Irini Papadimitriou - "The Making of Digital Futures"