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Materializing Memories: Dispositifs, Generations, Amateurs

(edited by) Susan Aasman, Andreas Fickers, Joseph Wachelder
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Table of Contents
1. Introduction (eds.)
Susan Aasman, Andreas Fickers, Joseph Wachelder

Part I Dispositifs

2. Amateur technologies of memory, devices and media, communication spaces, Roger Odin (Université Sorbonne Nouvelle, Paris, France)

3. Hybrid Histories: Historicizing the Home Movie Dispositif, Tim van der Heijden (Maastricht University, the Netherlands)

4. The Emergence of Early Artists' Video in Europe & the USA and its' Relationship to Broadcast TV, Chris Meigh-Andrews (University of the West of England / University of Central Lancashire, UK)

5. Materiality, Practices, Problematizations: What Kind of Dispositif Are Media? Markus Stauff (University of Amsterdam, the Netherlands)

6. How to grasp historical media dispositifs in practice? Andreas Fickers (Université de Luxembourg, Luxembourg)

Part II Generations

7. Belated Screenings of Home Movies: Biographical Storytelling and Generational Referencing, Joseph Wachelder (Maastricht University, the Netherlands)

8. The Social Construction of Generations in a Media Society: The Case of Postwar West Germany, Benjamin Möckel (Universität Köln, Germany)

9. “Generation Channel 36”: Pirated VHS Tapes and Remembering the Polish People's Republic in the Age of P2P Networks, Miroslaw Filiciak (University of Social Sciences and Humanities SWPS, Poland)

10. Becoming YouTube's Grandad: Media, Age, and Generation in a Virtual Community, Susan Aasman (University of Groningen, the Netherlands)

Part III Amateurs

11. Amateurs: Naïve Artists or Everyday Experts, Patrice Flichy (Université Paris-Est Marne-la-Vallée, France)

12. Charting Changing Production Practices: Testimonials of Moviemaking Enthusiasts, Ryan Shand (University of West Scotland, Glasgow, UK)

13. Home Mode, Community Mode, Counter Mode: Three Functional Modalities for Coming to Terms with Amateur Media Practices, Tom Slootweg (University of Groningen, the Netherlands)

14. 'Something More': the Analysis of Visual Gestalting in Amateur Films, Daniele Wecker (University of Luxembourg, Luxembourg)