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The glitch moment(um)

Author
Rosa Menkman
Publisher / Label
Institute of Network Cultures
Country
The Netherlands
Language
English
Publication year
2011
Type of publication
Book
Number of pages
68
ISBN
9789081602167

Index

CONTENTS

ACKNOWLEDGEMENTS   5

INTRODUCTION   7

GLITCH STUDIES MANIFESTO   11

A TECHNOLOGICAL APPROACH TO NOISE   12
Linear Progression and the Myth of Perfect Transmission   12
Noise Artifacts   15
Encoding And Decoding: Compression Artifacts   15
A Vernacular Of File Formats   17
Orderly Chaos: Feedback Artifacts   26
The Other Noise Artifact: Glitch   26

THE PERCEPTION OF GLITCH   28
The Meaning Of Noise   28
The Glitch Moment(um): A Void In Techno-Culture-tgj   29
Technorealism And the Accident Of Art   31

A PHENOMENOLOGY OF GLITCH ART   33
The Predicaments Of Defining Glitch Art   33
Categorical Precursors: A Binary Approach To Glitch Art?   35
From Passive Appropriation Or ‘Pure Glitch Art’ To Active, ‘Post-Procedural Glitch Art'   36
Post-procedural Glitch Art Or the Intentional Faux Pas   37 .
The Concept And Technique Of Ruin   40
Creating the‘Perfect Glitch’Using Critical Media Aesthetics   43
The Tipping Point of Cool: Critical Media Aesthetics’ Becoming Commodities   44

FROM ARTIFACT TO COMMODITY   46
From Circuitbending to Simulation   46
From Databending to Transcoding   49
From Enchanting Affect To Filtered Effect   53
The Glitch Art Genre: Between the Void And Commoditized Form   55
The Genre Paradox   57

ORGANIZING GLITCH SPHERES   59
Glitch Art Networked   62
Glitch Sphere Relations   53
Some Final Reflections On The Glitch Spheres   64

THE EMANCIPATION OF DISSONANCE GLITCH   65

BIBLIOGRAPHY--—---67