Index

Contents


12, Pedro Tudela                       O-F-M-O-N-O-F-O-R-M-O-N-O

19, Alessandro Ludovico                Music in Print 
                                       How Publishing Has Been Able to Flirt 
                                       with Music

29, Luísa Ribas                        Performativity as a 
                                       Perspective on Sound-Image 
                                       Relations and Audiovisuality

53, Ephraim Wegner                     Potential and Possibilities 
                                       A Short History of Musical Techniques

71, Thor Magnusson                     From a Music Industry to Sound
                                       Industries

81, Frank Ekeberg                      Space, Place and 
                                       Dematerialization

95, Francisco López                    Music Dematerialized?

103, Miguel Carvalhais                 Deep Listening to Software 

121, Miguel Cardoso                    Mediation with Computers in 
                                       Music Practice

137, Samon Takahashi                   Grooving in Silence

155, Heitor Alvelos                    333 
                                       Empirical Evidence on the Validity of a 
                                       Random Music Label in 2013

171, Enrico Coniglio & Leandro Pisano  Galaverna 
                                       Approaching Post-Digital Sound

175, María Andueza                     A Matter of Displacement
                                       The Listening Section of Augmented
                                       Spatiality. Beyond Sound Recordings 
                                       and Urban Spaces

189, Julio d'Escriván & Monty Adkins   Stream-Form and the Loss of 
                                       Traditional Virtuosity 
                                       Thoughts and a Method

205, Marc Behrens                      Coathangers

217, Maile Colbert                     The Sound of Disaster 
                                       Our Relationship to Sound in Danger