Index
01 Prolegomena
to All Future Cinema
Guy Debord
16 Preface
Peter Weibel
18 A Panorama of
Pre-Cinematic Principles
Tjebbe van Tijen
19 Introduction
Jeffrey Shaw
- 12 -
THE
CINEMATIC
IMAGINARY
30 Werner Nekes
David Robinson
40 The Urge to Create Visions
Stefan Themerson
48 The Camera Eye:
Dialectics of a Metaphor
William C. Wees
56 Battle of the Images
Raymond Bellour
60 Fugitive Realities, Situated Realities,
"Situational Realities,"
or Future Cinema(s) Past
Timothy Druckrey
66 Nostalgia for the Digital Object:
Regrets on the guickening of QuickTime
Vivian Sobchack
74 Luis Buñuel
76 Perry Hoberman
Erkki Huhtamo
- 11 -
SCREENINGS
80 Will CinemaScope Save
the Film Industry?
André Bazin
88 Glorious Technicolor, Breathtaking CinemaScope
and Stereophonic Sound
Richard Hamilton
96 Prague - A Place of Illusionists
Michael Bielicky
102 Laterna Magika,
Polyekran, Kinoautomat
Vit Havr anek
108 Josef Svoboda
110 Expanded Cinema, Video
and Virtual Environments
Peter Weibel
- 10 -
THEATERS
128 Fairground to Dream Palace -
Buildings for Film
Edwin Heathcote
132 Frederick Kiesler
Valentina Sonzogni
134 The Cathedral of Fictions
Scott Mcguire
136 Stan VanDerBeek's Movie-Drome:
Networking the Subject
Gloria Sutton
144 The Pepsi Pavilion:
Laboratory for Social Experimentation
Randall Packer
150 Dan Graham
Ulrike Havemann
- 09 -
CODES
156 Cinema and the Code
Gene Youngblood
162 Steina and Woody Vasulka
Rober t A. Haller
168 Public Image
Michele Pierson
176 Painting, the Power of Illusion
and the Moving Pictures
Dorte Zbikowski
180 Peter Weibel
Dominika Szope
192 Michael Snow
Anne-Marie Duguet / Jean Gagnon
196 Zbigniew Rybczynski
Paul Virilio / Siegfried Zielinski
202 Werner Nekes
Siegfried Zielinski
204 William Kentridge
Katrin Kaschadt and Petra Meyer
210 Jon Jost
212 resfest, 2002
Holly Willis
214 Gilles Deleuze and a Future Cinema:
Cinema 1, Cinema 2 - and Cinema 3?
Barbara Filser
- 08 -
REMAPPING
220 Lynn Hershman Leeson
228 Perry Hoberman
Timothy Druckrey
236 Toni Dove
Sabine Himmelsbach
240 Martin Arnold
242 Pierre Huyghe
244 Constanze Ruhm
248 Rosa Barba
Nils Roller
250 Caspar Stracke
252 Jennifer and Kevin McCoy
Timothy Druckrey
254 Jim Campbell
Sabine Himmelsbach
- 07 -
TRANSCRIPTIVE
260 Grahame Weinbren
272 Interactive Cinema Group,
MIT Media Lab
Glorianna Davenport
280 Jill Scott
282 Eija-Liisa Ahtila
Dörte Zbikowski
288 Isaac Julien
David Frankel
292 Jordan Crandall
296 Chris Hales
302 Susan Norrie
Dominika Szope
304 Gary Hill
Sabine Himmelsbach
312 Interactive Narrative
as a Multi-temporal Agency
Neil Brown, Dennis Del Favero,
Jeffrey Shaw, Peter Weibel
316 Timely Art: Hybridity in New Cinema
and Electronic Poetry
N. Katherine Hayles
- 06 -
RECOMBINATORY
324 George Legrady with Rosemary Comella
328 Chris Marker
Christine van Assche / Barbara Filser
334 Bill Seaman
Dieter Daniels
336 Agnes Hegedus
Ursula Frohne
340 Ian Howard
342 The Future of the Cinematic City
Norman M. Klein
346 Designing a Database Cinema
Marsha Kinder
354 Norman M. Klein,
with Rosemary Comella,
Andreas Kratky, and
The Labyrinth Project
356 Pat O'Neill,
with Rosemary Comella,
Kristy H.A.Kang, and
The Labyrinth Project
Marsha Kinder
358 Peter Forgács
and The Labyrinth Project
Marsha Kinder and Zaia Alexander
360 Lev Manovich
Andreas Kratky
362 Peter Cornwell
- 05 -
NAVIGABLE
368 Technologies of Seeing
Brian Winston
376 Jeffrey Shaw
Anne-Marie Duguet
390 Jean Michel Bruyere / LFK-lafab
398 The Relation-Image
Jean- Louis Boissier
408 Jean-Louis Boissier
412 Christian Ziegler
Dorte Zbikowski
416 Masaki Fujihata
- 04 -
INTERPOLATED
430 Space-Time Correlations
Focused in Film Objects and
Interactive Video
Susanne Jaschko
436 Joachim Sauter and Dirk Lusebrink
440 Daniel Egg
Peter Weibel
442 Martin Reinhart and Virgil Widrich
444 Margie Medlin
446 Julien Maire
Timothy Druckrey
448 Zoe Beloff
450 Tony Oursler
Dorte Zbikowski
452 Janet Cardiff
Leejone Wong
456 Max Dean
457 Max Dean and Kristan Horton
458 Synthetic Characters Group,
MIT Media Lab
- 03 -
IMMERSIVE
462 Artificial Nature and Natural Artifice
Philippe Codognet
466 Media Art in the Third Dimension:
Stereoscopic Imaging and
Contemporary Art
Erkki Huhtamo
474 Michael Naimark
Roger Malina
486 Judith Barry
492 Agnes Hegedus,
Bernd Lintermann, Jeffrey Shaw
Kristine Stiles
498 Blast Theory
502 Time's Up
504 Luc Courchesne
Emma Crimmings
506 Dennis Del Favero
508 Marnix de Nijs
- 02 -
CALCULATED
512 Karl Sims
516 Artificial Plants
Oliver Deussen
and Sernd Lintermann
520 Shelley Eshkar and Paul Kaiser
524 Marc Lafia with Didi Fire
526 Maciej Wisniewski
530 The Interactive Potential of
Distributed Networks.
Immersion and Participation
in Films and Computer Games
Sabine Himmelsbach
536 Paul Johnson
Tony Conrad
538 The Art of Machinima
Katie Salen
- 01 -
NETWORKED
544 Telling Stories on Screens:
A History of Web Cinema
Nora Barry
552 Young-hae Chang Heavy Industries
554 Mark Napier
Steve Sacks
556 Jan Speckenbach and Birk Weiberg
558 Thomas Fürstner
Margit Rosen
560 Axel Heide, OnesandZeros, Philip Pocock,
Gregor Stehle
- 00 -
SCREENLESS
566 Backwards to the Future:
Outline for an Investigation
of the Cinema as a Time Machine
Siegfried Zielinski
570 The Time Will Come When...
Ross Gibson
572 Maurice Benayoun
Philippe Codognet
582 Michael Schmid,
Jörn Muller-Quade, Thomas Beth
Ulrike Havemann
586 plug-in without drop-out
(media art in the age of cerebral stimulation)
Caspar Stracke
590 Darij Kreuh and Davide Grassi
592 BIQS team:
Jaanis Garancs, Sven Hahne,
Norman Muller, Thomas Tirel
594 The Intelligent Image:
Neurocinema or Quantum Cinema?
Peter Weibel
APPENDIX
604 Notes on the Artists
616 Notes on the Authors
620 Works in the Exhibition
636 Letter to Serge Daney:
Optimism, Pessimism, and Travel
Gilles Deleuze
