Index

able of Contents 

 

Contents 

 

List of Illustrations  

Preface to the English Edition  

 

Introduction  

 

PART ONE. ORGANIZING FORGETTING: A THEMATIC APPROACH  

1. Before 1948: Prehistory 

2. A Name—a School—a Style of Music  

3. Concepts—Pedagogy—Tools  

4. Space—Concert—Audience  

5. In Search of Music Writing  

 

PART TWO. MEMORIALIZING THE FACTS: A CHRONOLOGICAL APPROACH 

6. 1948–1958: The Avant-Garde of Musique Concrète  

7. 1958–1968: Birth of the GRM  

8. 1968–1978: End of the Schaeffer Era  

9. 1978–1988: Real and Nonreal Time  

10: 1988–1998: Innovation  

11. 1998 and Beyond