Index
Contents
Supporter's Foreword 6
Foreword 7
Acknowledgements 8
Together in Electric Dreams: Circuits of Art and Technology, Val Ravaglia 11
Materialising Invisible Forces 22
Electric Worlds, Ming Tiampo 23
Brion Gysin: Before and After the Dreamachine, Bronac Ferran 60
The City Refracted: Katsuhiro Yamaguchi's Applied Media Theory, Nina Horisaki-Christens 66
A Programmed Openness: Art as Visual Research 72
No to Op Art: Visual Research and Programmed Arts of the 1960s and 1970s, Darko Fritz 73
GRAV: Visual Research and the Politics of Participation, Odessa Warren 98
Chromointerferent Environment: A Work in the Making, Carlos Cruz Delgado 102
Dialogues with the Machines, 104
Dialogues with the Machines: Early Computer and Cybernetic Art, Tina Rivers Ryan 105
Analivia Cordeiro: The Computer as Choreographer, Kira Wainstein 142
Meaning Generators: Harold Cohen and AARON, Val Ravaglia 146
Electronic DIY: Tinkering with Tech, 152
The Patchy History of Artists and Electronics: Typewriter, Telephone, Television, Telecommunications, Sarah Cook 153
Progress and Harmony for Mankind: Innovation and Commercialisation at Expo '70, Kira Wainstein 170
Samia Halaby: Kinetic Abstraction, Odessa Warren 192
Light as Material and Medium: Liliane Lijn, Bronac Ferran 196
Tatsuo Miyajima: Light, Movement, Space, Odessa Warren 200
Suzanne Treister and Val Ravaglia in Conversation 205
Notes 216
Exhibited Works 221
Credits 227
Index 236
donated by Tate Modern
#neuralarchive #neuralmag #electricdreams #tatemodern #opart #electricart #cyberart #computerart #electronicart #mediaarthistory #videoart #creativetechnology #onlineart #netart #artandtechnology #arttech #artandtech #kineticart #kineticartwork #kineticsculpture #kineticinstallation #generativeart #genart #audiovisualart #interactiveart #mediainstallation #mediaart #mediaarts #mediaartist #transmedia