Index

Contents

Acknowledgments ix
Prelude xi


Part I Musicking

1 Music as an Active Process 3
2 Music as an Embodied Process 23
3 Musical Instruments 39


Part II Embodiment

4 Music-Related Body Motion 53
5 Functional Aspects 71
6 Representations of Sound Actions 85


Part III Interaction

7 Action–Sound Couplings 99
8 Action–Sound Mappings 123
9 Spatiotemporality 159


Part IV Affection

10 From Ivory to Silicone 177
11 12 Unconventional Instruments 205 Performing in the Air 219

Postlude 243
Bibliography 253
Index 281