Index
ix Acknowledgments
xi Contributors
xiii The Companion Website
1 Introduction: Volume 1
MARK GRIMSHAW-AAGAARD
MADS WALTHER-HANSEN
MARTIN KNAKKERGAARD
PART I. FOUNDATIONS
17 Chapter 1. Imagining Sound as the Absolute: The Case of Sarangadeva 17
SAAM TRIVEDI
31 Chapter 2. The Sensation of Sound and Imagination in a Historical Perspective
SVEN HROAR KLEMPE
55 Chapter 3. Imagining the Sounds Themselves
MALCOLM RIDDOCH
79 Chapter 4. Auditory Imagination. A Phenomenological Perspective
DANIEL A. SCHMICKING
105 Chapter 5. The Necessity of Vagueness and Ambiguity to the Imagining of Sound
MARK GRIMSHAW-AAGAARD
115 Chapter 6. Listening and/as Imagination
MARCEL COBUSSEN
131 Chapter 7. Imagination, Multimodality, and Sound
JOAQUIM BRAGA
149 Chapter 8. Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery
TIMOTHY L. HUBBARD
PART II. SOCIETY AND IDENTITY
175 Chapter 9. Into the Sounds of War: Imagination, Media, and Experience
MICHAEL BULL
203 Chapter 10. Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning
PETTER DYNDAHL
229 Chapter 11. Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound
ULRIK VOLGSTEN
251 Chapter 12. Musical Preferences and the Imagined Self
ALEXANDRA LAMONT
267 Chapter 13. Burmese Spirit Worship: Music as a Medium for the Transformation of Self
JUDITH BECKER
291 Chapter 14. Opera and the South African Political
CHRISTOPHER BALLANTINE
313 Chapter 15. Noise and Tranquility at Stonehenge: The Political Acoustics of Cultural Heritage
ODD ARE BERKAAK
333 Chapter 16. The Sonic Abject: Sound and Violence in the Legal Imagination
VEIT ERLMANN
345 Chapter 17. Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves
KAI TUURI AND HENNA-RIIKKA PELTOLA
359 Chapter 18. Sonic Branding: From Brand Image to Brand Imagination
CLARA GUSTAFSSON
377 Chapter 19. Radio Imaginaries: Music, Space, and Broadcasting in the 1950s
MORTEN MICHELSEN
PART III. LANGUAGE
403 Chapter 20. Audio Inside the Mind: The Poetics of Sound
SEÁN STREET
421 Chapter 21. The Acoustic Imaginations of East Asia
KERIM YASAR
443 Chapter 22. Imagining Sonic Stories
VINCENT MEELBERG
459 Chapter 23. Sound Quality, Language, and Cognitive Metaphors
MADS WALTHER-HANSEN
473 Chapter 24. Speech, Sound, Technology
JOHANNES MULDER AND THEO VAN LEEUWEN
493 Chapter 25. Divergent Images of Early Sound Experience during Infancy and Early Childhood
MICHAEL FORRESTER
PART IV. IMAGE
511 Chapter 26. The Aural Dimension in Comic Art
MARCO PELLITTERI
549 Chapter 27. Sound, Museums, and the Modulation of the Imagination
WILLIAM WHITTINGTON
565 Chapter 28. Cinema as Social Knowledge. The Case of the Beatles in the Studio
FRANÇOIS RIBAC
587 Chapter 29. Concerning the Iconic Signification of Music in Cinema
MICHAEL CHANAN
609 Chapter 30. Embodied Listening: A Moving Dimension of Imagination
MARTINE HUVENNE
629 Chapter 31. The Listener's Choice: The Sounds of Music, Meanings, and Measurements
OLA STOCKFELT
PART V. SPACE AND PLACE
653 Chapter 32. Imagining Acoustic Spaces Through Listening and Acoustic Ecology
BARRY TRUAX
669 Chapter 33. Presence, Environment, and Sound and the Role of Imagination
MARK GRIMSHAW-AAGAARD
683 Chapter 34. Music Places: Imaginative Transports of Listening
JUDY LOCHHEAD
701 Chapter 35. Beacons of Sound
MARTIN KNAKKERGAARD
717 Chapter 36. The Sound of an Endless Column: How Music Imagines Unimaginable Space
ZOHAR EITAN AND HILA TAMIR-OSTROVER
741 Chapter 37. Auditory Mirrors: About the Politics of Hearing
SABINE SANIO
765 Chapter 38. What You Hear is Where You Are
LINDA-RUTH SALTER
789 Chapter 39. Bridging the Other-Real: Video Game Sound and the Imagination
TOM A. GARNER
809 Index
