Index

Introduction
—Caroline Profanter,
Henry Andersen, and
Julia Eckhardt ........................ 4
Annotations—Enrico Malatesta ...... 11
Sonic Harbour—Séverine Janssen ........ 23
Magical stones, echoes, and music for animals
and atmosphere: An interview with Akio
Suzuki—Tomoko Sauvage ............................... 29
From the Mechanism of Speech to the Mechanism
of Meaning—Lila Athanasiadou .......................... 39
Playing Guqin—Carolyn Chen .............................. 47
Siren Song—Justin Bennett .................................... 53
Togethering, of the open body—Brandon LaBelle .... 65
Towards a Vaginal Listening—Anna Raimondo
and Edyta Jarząb .................................................... 75
INTERFACES RESIDENTS
Jonathan Frigeri ................................................ 86
ooooo ............................................................ 89
Paulo Dantas ......................................... 92
Melissa E. Logan ......................... 95
Isabelle Stragliati ............. 98
Alice Pamuk ................ 103
Klaas Hübner ........................... 106
Wederik De Backer ............................ 109
Benny Nemerofsky Ramsay ...................... 111
Lucie Vítková ..................................................... 114
Ghosts of the Hidden Layer—Jennifer Walshe ....... 117
What is Performative Distribution?
—Gary Schultz ........................................................... 125
The Sound is Breathing: An interview with
Beatriz Ferreyra—Caroline Profanter ...................... 137
Hearing is the Only Thing that Works:
An interview with Annette Vande Gorne
—Caroline Profanter ................................................ 141
Unstable Contacts—Salomé Voegelin ................... 147
100 Questions about Sound and Language
—Marc Matter ................................................... 155
Peripheries—Franziska Windisch .............. 165
Flutter Echoes—David Toop ................... 171
Touching Sound—Pierre Berthet
and Rie Nakajima ......................... 175
?reversE in thinkinG—sounD
—Mark Fell ..................191