Index

CONTENTS

6  Introduction.
7  Lev Manovich. The Science of Culture?
     Cultural Analytics, Social Computing and Digital Humanities

19 I Web Archaeology and Strategies for Preserving Net Art 
21 Raitis Smits. Save as? Rethinking Representation of Media Art -
     From Source Code to Stage Production 
29 Tjarda de Haan and Paul Vogel. The Reconstruction of the Digital City, 
     a Case Study of Web Archaeology 
40 Nils Jean. Renewing HTML Frames and the Discontinuity of Reality 
50 Pau Alsina and Vanina Hofman. Machines Agency in the Construction of Media Arts Memory 
59 Canan Hastik, Arnd Steinmetz and Bernhard Thull. Using CIDOC CRM for Real-Time
     Audiovisual Art

71 II Archiving and Documenting Computer-based Artworks 
73 Hanna Barbara Hölling. The Archival Turn: Towards New Ways of the 
     Conceptualisation of Changeable Artworks 
91 Frieder Nake. Recording and Recoding
100 Francesca Franco. Re:shaping New Challenges - The Origins and Future of a Series of
     Interactive Generative Artworks by British Artist Ernest Edmonds, 1980s-2000s 
105 Esteban Garcfa. Photo and Palette: Early Pixel-Based Computer Art 
113 Elio Ugenti and Valentino Catricalä. Recreating Imaginary. Strategies of Preservation,
     Archiviation and Reuse of Media Art Histories

119 III Moving Images, Video Archives and Issuesof Saving Performing Art
121 Laura Leuzzi. Italian Video Art Centres and Archives: a Treasure Yet to Discover
129 Magdalena Anna Nowak. Documenting Art in Communist Poland:The Kwiekulik Archive
138 lanina Prudenko. Ukrainian Media Art. Past and Present
147 Paul Landon. The Videotheätre of Montreal's Videographe: The Forgotten Screening Room
152 Chris Haies. Öinöera’s Cinelabyrinth in the Context of New Media Art
159 Clarisse Bardiot. Video Recording and Documentation of Performing Arts: From the
     Annotation to the Visualization of Metadata, the Example of the Rekall Software
169 Reba Wesdorp. Digital Performance Art. An On and Offline Game
175 IV Media Archaeological Approach
177 Erkki Huhtamo. PassagesThrough the Past:The Cosmorama and 
     its Cultural Context 
196 Michael Century. Telidon: Another Panacea That Failed 
211 Rudi Knoops. Cylindrical Anamorphosis:ThaumaturgicalOrigins and 
     Contemporary Workings 
226 Artemis Willis. Unfreezing Movement: Whaler out of New Bedford,the Purrington-
     Russell Panorama and the Media-Archaeological Imagination 
233 Georgina Ruff. The Consequencesof the Apparatus: Otto Piene’s Lichtballett 
240 Joanna Walewska. Phonograph as a Double Agent: Bronislaw Pilsudski’s 
     Research on the Native People of Siberia 
253 Franziska Hannß, Esther Lapczyna and Rainer Groh. The Body-Perceiving Museum
265 V From “Save As” to “Data Drift” -
     Interpreting the Net Art and New Data Realities