Index

Preface		ix	
Acknowledgments		xv	
Introduction: Baroque Folds and Digital Incompossibilities		1	
I. From Video Black to Digital Baroque	
1. Digital Baroque: Performative Passage from Hatoum to Viola
35	
2. Et in Arcadia Video: Poussin' the Image of Culture with Thierry Kuntzel and Louis Marin
58	
II. Digital Deleuze: Baroque Folds of Shakespearean Passage	
3. The Crisis of Cinema in the Age of New World-Memory: The Baroque Legacy of Jean-Luc Godard
85	
4. You Are How You Read: Baroque Chao-Errancy in Greenaway and Deleuze
111	
III. Present Past: Digitality, Psychoanalysis, and the Memory of Cinema	
5. Digitality and the Memory of Cinema: Bearing the Losses of the Digital Code
137	
6. Wounds of Repetition in the Age of the Digital: Chris Marker's Cinematic Ghosts
159	
7. Philosophical Toys and Kaleidoscopes of the Unfamiliar: The Haunting Voices of Toni Dove and Zoe Beloff
178	
8. Digital Incompossibility: Cruising the Aesthetic Haze of New Media
195	
IV. Scanning the Future	
9. Psychic Scansion: The Marker of the Digital In-Between
217	
10. Time @ Cinema's Future: New Media Art and the Thought of Temporality
238	
Notes		261	
Publication History		291	
Index		293