Index
Acknowledgment xi
Preface xiii
Introduction 1 (50)
Subject of the Book 4 (2)
Theoretical Approach 6 (7)
Types of Online Communication 13 (4)
Common Features of Digital Writing 17 (2)
Some Forms of Playfulness 19 (5)
Why So Playful? 24 (12)
Overview of Five Case Studies 36 (6)
Writing about a Dynamic Medium in a Static 42 (9)
One
``Feeling Spiffy:'' The Changing Language of 51 (49)
Public Email
A New Kind of Letter-writing 52 (4)
Anomalous Nature of the Medium 56 (3)
What Did Manuals for Email Style Recommend? 59 (4)
Two Hypotheses about Public Email 63 (1)
Presentation of Self in First Email Letters 64 (1)
First Letters to a Professor 65 (3)
Academics Adrift 68 (12)
From Business Letter to Expressive 80 (5)
Conversation
Implications 85 (15)
Typed ``Jazz:'' Writing, Play, and 100 (57)
Performance on Internet Relay Chat
``Hmmm... Where's That Smoke Coming From?'' 101 (6)
Typed Simulation of Smoking Marihuana
Shakespeare ``Live'' Online: the Hamnet 107 (10)
Players
Hamnet Productions and the Problem of Genre 117 (1)
Hamnet Scripts: a Closer Look 118 (9)
Logistics of Hamnet Productions 127 (2)
Hamnet Performances: Some Highlights 129 (12)
Discussion 141 (16)
``Don't Just Send a Card, Send a Cyber 157 (37)
Greeting!'' Digital Greetings on the World
Wide Web
Traditional Postcards and Greeting Cards 159 (2)
A Capsule History of Postcards and Greeting 161 (6)
Cards
The Communicative Functions of Postcards 167 (2)
and Greeting Cards
The Greeting Card Industry 169 (2)
Digital Greetings 171 (1)
Digital Greetings and Life's Troubles 171 (5)
Multimedia Packaging 176 (4)
Why Were Greetings Websites So Playful? 180 (3)
A Look to the Future 183 (11)
ASCII Art and its Antecedents 194 (47)
Technical Aspects 195 (2)
Antecedents of ASCII Art 197 (6)
From Teletype Art to ASCII Art 203 (5)
The 1990s: BBSs, Usenet Newsgroups, and the 208 (2)
World Wide Web
Styles and Genres of ASCII Art 210 (17)
Two Contemporary ASCII Artists 227 (4)
Beyond ASCII Art 231 (4)
ASCII Art in Perspective 235 (6)
``Welcome to Our Beautiful World of Colors!'' 241 (48)
Art and Communication on Internet Relay Chat
What is New in IRC Art? 242 (2)
Overview of the Case Study 244 (9)
New Features: Color, Eccentric Typography, 253 (4)
Abstract Pattern
Striving for Closure: Visual Form 257 (12)
Striving for Closure: the Content of Images 269 (4)
Discussion 273 (16)
``There's More to Life than Times New 289 (56)
Roman!'' Font Frenzy
A Capsule History of Typography 293 (7)
A Smorgasbord of Fonts 300 (6)
``Let's Smash the Crystal Goblet:'' an 306 (7)
Expressive Approach to Fonts
Collecting and Displaying Fonts 313 (5)
Font Themes 318 (11)
Personal Handwriting Fonts: a Closer Look 329 (2)
Discussion 331 (14)
Concluding Reflections 345 (27)
Normalization 345 (3)
IRC Art as Incipient Folk Art and as Craft 348 (7)
Intellectual Property Issues 355 (7)
Bi-stability of Text and Image 362 (1)
Playfulness Revisited 362 (3)
A Grand ``Grand Piano'' on the Desktop 365 (7)
Bibliography 372 (30)
Subject Index 402 (7)
Names Index 409