Index
Acknowledgments ix
Introduction
Michael D. Ayers 1
Chapter One: Deafening Silence: Music and the Emerging
Climate of Access and Use
Elizabeth A. Buchanan 9
Chapter Two: Cybernetic Gift Giving and Social Drama:
A Netnography of the Napster File-Sharing Community
Markus Giesler 21
Chapter Three: Do U Produce?: Subcultural Capital and Amateur
Musicianship in Peer-to-Peer Networks
Andrew Whelan 57
Chapter Four: Building a Virtual Diaspora: Hip-Hop in Cyberspace
Andre Pinard and Sean Jacobs 83
Chapter Five: The Technology of Subversion:
From Digital Sampling in Hip-Hop to the MP3 Revolution
Adam Haupt 107
Chapter Six: The Cyberactivism of a Dangermouse
Michael D. Ayers 127
Chapter Seven: Music B[r]ands Online and Constructing Community:
The Case of New Model Army
Daragh O'Reilly and Kathy Doherty 137
Chapter Eight: Beating the Bootleggers:
Fan Creativity "Lossless" Audio Trading, and
Commercial Opportunities
Chris Anderton 161
Chapter Nine: Hacking the iPod:
A Look inside Apple Portable Music Player
Gabrielle Consentino 185
Chapter Ten: The Social Pulse of Telharmonics:
Functions of Networked
Sound and Interactive Webcasting
Trace Reddell 209
Chapter Eleven: Breaking the Decision Chain:
The Fate of Creativity in the Age of Self-Production
John Ryan and Michael Hughes 239
Afterword: On the Future of Music
Jonathan Sterne 255
Notes 265
List of Contributors 273
Index 277
