Index

Contents
Introduction: The End(s) of Electronic Literature
  Scott Rettberg (University of Bergen) 1
ELO 2015 Conference Organizations
  Committee Membership 6
ELO 2015 Conference Schedule
  Events by date and time 8
Keynote Debate: End over End
  Espen Aarseth and Stuart Moulthrop 17

WORKSHOPS 19
History of Digital Poetry in France
  Conveners: Philippe Bootz (Université Paris 8) and Johnathan
  Baillehache (University of Georgia) 21
Multimedia Authoring in Scalar
  Convener: Samantha Gorman (University of Southern California) 21
Sonic Sculpture
  Convener: Taras Mashtalir (Independent) 21
Documenting Events and Works in the ELMCIP
Electronic Literature Knowledge Base
  Conveners: Scott Rettberg, Álvaro Seiça and
  Patricia Tomaszek (University of Bergen) 22
Live Writing
  Convener: Otso Huopaniemi (University of Arts, Helsinki) 23
Digital Scherenschnitte / Video Compositing with Cut-ups and
Collage
  Conveners: Alison Aune and Joellyn Rock (University of Minnesota—
  Duluth) 23
Revisiting the Spam Folder: Using 419-fiction for Interactive
Storytelling. A Practical Introduction.
  Conveners: Linda Kronman (Danube University Krems) and Andreas
  Zingerle (University of Art and Industrial Design, Linz) 24

ROUNDTABLE DISCUSSIONS 27
Intermediality and Electronic Literature
  John Barber (Washington State University Vancouver), Caitlin
  Fisher (York University), Samantha Gorman (USC) and Dene Grigar
  (Washington State University
  Vancouver) 29
Beyond the Screens: Transmediality in E-literature
  Domingo Sánchez-Mesa (University of Granada), Nieves Rosendo 
vi
  Sánchez (University of Granada) and Rui Torres (University Fernando
  Pessoa) 29
Archiving Roundtable
  Leonardo Flores (University of Puerto Rico), Marjorie C. Luesebrink
  (ELO), Stephanie Strickland (ELO) and Rui Torres (University Fernando
  Pessoa) 30
Curating and Creating Electronic Works in Arts
Contexts
  Rod Coover (Temple University), Sandy Baldwin (West Virgina
  University), Dene Grigar (Washington State University Vancouver) and
  Mia Zamora (Kean University) 31
CELL ROUNDTABLE—The Consortium for Electronic Literature
  Sandy Baldwin (West Virginia University), Maria Angel (University of
  Western Sydney), Leonardo Flores (University of Puerto Rico), Anna
  Gibbs (University of Western Sydney), María Goicoechea (Complutense
  University of Madrid), Robert Kalman (University of Siegen), Eric Dean
  Rasmussen (University of Stavanger), Johannah Rodgers (The City
  University of New York), Patricia Tomaszek (University of Bergen) and
  Rui Torres (University Fernando Pessoa) 31

LIGHTNING TALKS 33
E-Lit and the Borg: The Challenges of Mainstreaming and
Commercialization
  Steven Wingate (South Dakota State University) 35
Time Capsules for True Digital Natives
  Leonardo Flores (University of Puerto Rico) 35
The Feminist Ends of Electronic Literature
  Xiana Sotelo (Francisco de Vitoria University of Madrid) 36
Bad Data for a Broken World
  Mark Sample (Davidson College) 36
Translating E-poetry: Still Avant-Garde
  José Molina (University of Tuebingen) 36
101 Mediapoetry Lab
  Natalia Fedorova and Daria Petrova (Saint Petersburg State University)
  37
Turesias (Odds of Ends)
  Judd Morrissey (School of the Art Institute Chicago) 37
Post Digital Interactive Poetry: The End of Electronic Interfaces
  José Aburto (Independent) 38
Measure for Measure: Moving from Narratives to Timelines in
Social Media Networking
  Andrew Klobucar (New Jersey Institute of Technology) 38
The End of Endings
  David Clark (NSCAD University) 39

‘HAPPINESS FOR EVERYBODY, FREE, AND NO ONE WILL GO AWAY
UNSATISFIED!’ -new developments in the CaveWriting Hypertext
Editing System
  Damon Baker (Independent) 39

RESEARCH PAPERS AND PANELS 41
Motions in Digital Young Adult Literature
  Ayoe Quist Henkel (Aarhus University) 43
Hypermediacy in Garmanns Sommer
  Kristin Ørjasæter (The Norwegian Institute for Children’s Books) 44
  Ture Schwebs (Bergen University College) 45
Remediating a Hyperfiction in ePub3: When Digital Literature
Meets Publishing Models - The Case of Children’s Literature with
The Tower of Jezik
  Nolwenn Tréhondart and Émilie Barbier (Université Paris 8) 46
Reading Apps: An Exploratory Research on Children’s E-lit Reading
Profiles
  Lucas Ramada Prieto (Universitat Autònoma de
  Barcelona) 47
Between Paper and Touchscreen: Building the Bridge with
Children’s Book
  Kamil Kamysz (Jan Matejko Academy of Fine Arts in Krakow, Faculty of
  Industrial Design) and Marcin Wichrowski (Polish-Japanese Academy of
  Information Technology) 48
To Teach Reading by Playing (with) the Literary Wor(l)d: On Kid
E-literature and Literacy
  Agnieszka Przybyszewski (University of Lodz) 49
Digital Artists’ Books and Augmented Fictions: A New Field in
Digital Literature?
  Lucile Haute (EnsadLab), Alexandra Saemmer (Université Paris 8),
  Aurelie Herbet (Université Paris 1), Emeline Brulé (TélécomParistech,
  Codesign Lab / Ensadlab) and Nolwen Tréhondart (Université Paris 8) 51
Literary Interaction in the Age of the Post-Digital
  Søren Bro Pold, Christian Ulrik Andersen and Jonas Fritsch (Aarhus
  University) 53
Touch and Decay: Tomasula’s TOC on iOS
  Kathi Inman Berens (Portland State University) 54
Jailbreaking the Global Mnemotechnical System: Electropoetics as
Resistance
  Davin Heckman (Winona State University) 56
Keleti Blokk Blokki Facebook Game as an Example of Non-fiction
Literary Flash
  Kaja Puto (Korporacja Ha!art) and Martyna Nowicka (Jagiellonian
University) 57
Protest Bots
  Mark Sample (Davidson College) 58
“Learn to taste the tea on both sides”: AR, Digital Ekphrasis, and a
Future for Electronic Literature
  Robert Fletcher (West Chester University) 58
Conditions of Presence: The Topology of Network Narratives
  David M. Meurer (York University) 60
Narrative Theory after Electronic Literature
  Daniel Punday (Purdue University Calumet) 61
Eric Dean Rasmussen: Narrative, Affect and
Materialist Aesthetics in Post-Digital Technotexts
  Eric Dean Rasmussen (University of Stavanger) 62
Sandy Baldwin: Literary Spamming in Games: Coal Dust in Lord of
the Rings Online and Endgame in Counter-Strike
  Sandy Baldwin (West Virginia University) 63
Rob Wittig: Jokes, Prompts and Models: Engaging Player
Collaboration in Netprov
  Rob Wittig (University of Minnesota—Duluth) 64
Mark Marino: A Workbench for Analyzing Electronic Literature
  Mark Marino (University of Southern California) 64
Imagination, Eventhood, and the Literary Absolute
  Proposed Panel 65
The Literary “Event” in Electronic Literature
  Mario Aquilina (Univeristy of Malta) 66
The Literary Absolute: Can It Go Electronic?
  Ivan Callus (University of Malta) 67
Games, Literature and Imagination
  Gordon Calleja (University of Malta) 68
A Stitch in Twine: Platform Studies and Porting Patchwork Girl
  Jim Brown (Rutgers University—Camden) 70
Can We Define Electronic Literature Such as Authoring Tool
Literature?
  Odile Farge (Université Paris 8) 71
Alex Mitchell and Tiffany Neo: Beneath the Surface: System
Representation and Reader Reception in Electronic Literature
  Alex Mitchell and Tiffany Neo (National University of Singapore) 72
The Interactive Character as a Black Box
  Christine Wilks (Bath Spa University) 73
Electronic Literature as Action and Event: Participatory Culturw
and "The Literary"
  Proposed Panel 74
Electronic Literature and the Public Literary
  Stuart Moulthrop (University of Wisconsin-Milwaukee) 75
Together we make a message
Lane Hall (University of Wisconsin-Milwaukee) 76
We Interrupt for This Breaking Story
  Rob Wittig (University of Minnesota-Duluth) 77
The Electronic Literature, How, When, Where
  Lello Masucci and Roberta Iadevaia (Atelier Multimediale) 78
The Myth of the End of a Myth
  Philippe Bootz (Université Paris 8) 78
E-literary Diaspora—The Story of a Young Scholar’s Journey from
Writing to Faces
  Mette-Marie Zacher Sørensen (University of Copenhagen) 79
Latin American Electronic Literature and Its Own Ends
  Claudia Kozak (Universidad de Buenos Aires / CONICET) 80
Interaction Between Art and Literature in Arab Digital Poetry and
the Issue of Criticism
  Eman Younis (Beit Berl College) 81
Publishing without a Publisher’s Peritext: Electronic Literature, the
Web, and Paratextual Integrity
  Patricia Tomaszek (University of Bergen) 83
Simon Biggs: A Language Apparatus
  Simon Biggs (University of South Australia) 84
Aurature and the End(s) of Electronic Literature
  John Cayley (Brown University) 84
From Mechanism to Subjectivity: The Posthumanist Performativity
of Electronic Literature
  Jorgen Schafer (Universitat Siegen) 86
The Many Ends of Network Fictions: Gamebooks, Hypertexts,
Visual Novels, Games and Beyond
  Jeremy Douglass (UC Santa Barbara) 85
“‘Till Algebra is Easier —”: Elements of Computation in the Poems
of Emily Dickinson
  Angus Forbes (University of Illinois at Chicago) 88
Reading, Seeing, and Sensing: The Internet of Things Makes
Literature
  Elizabeth Losh (UC San Diego) 89
Data Visualization Poetics
  Maria Mencia (Kingston University) 90
The S.I.C. Method and the Great Open Novel: An Unconventional
Method for a Conventional End
  Renato Nicassio (Università di Bologna/ Università degli studi
  dell’Aquila) 91
From The Unknown to Piksel Zdrój: Collaboration in E-literature:
Models, Newcomers, Predictions
  Marius Pisarski (Warsaw University) 93
Letter to an Unknown Soldier: A Participatory Writing Project
  Kate Pullinger (Bath Spa University) 91
Electronic Literature as a Means to Overcome the Supremacy of
the Author Function
  Heiko Zimmermann (University of Trier) 94
Abandoned and Recycled Electronic Literature: Jean-Pierre Balpe’s
La Disparition du Général Proust
  Jonathan Baillehache (University of Georgia) 96
Boolean Poetics: The Search String as Post-Literary Technique
  Chris Rodley (University of Sydney) 97
The Generative Literature Project & 21st Century Literacies
  Mia Zamora (Kean University) 98
Bringing Scandinavian E-Lit in from the Edges
  Melissa Lucas (Scandinavian Language Institute) 99
Archiving Electronic Literature Beyond its End: Archiving Nordic
Works at an Academic Library, a Presentation of a Collaboration in
Progress within the University of Bergen
  Patricia Tomaszek and Aud Gjersdal (University of Bergen) 100
Renderings: An E-Lit Translation Project
  Nick Montfort (Massachusetts Institute of Technology) 101
Literary Experiments with Automatic Translation: A Case Study of a
Creative Experiment Involving King Ubu and Google Translate
  Aleksandra Małecka (Korporacja Ha!art) and Piotr Marecki (Jagiellonian
  University, Korporacja Ha!art) 102
Translating E-poetry: Still Avant-Garde
  José Molina (University of Tuebingen) 103
Digitizing Ariadne’s Thread: Feminism, Excryption, and the
Unfolding of Memory in Digital Spaces
  Maria Angel and Anna Gibbs (University of Western Sydney) 104
Female Voices in Hispanic Digital Literature
  Maria Goicoechea and Laura Sanchez (Universidad Complutense de 
  Madrid) 105
Research and Practice in Electronic Poetry in Ireland
  Proposed Panel 106
The End of Landscape: Graham Allen’s Holes
  Anne Karhio (National University of Ireland, Galway / University of
  Bergen) 106
Multicultural Translations in the Digital Space
  Jeneen Naji (National University of Ireland, Maynooth) 107
Digitalvitalism.com and John Pat McNamara
  Michael J. Maguire (DIME) 108
Electronic Literature: A Publisher’s Perspective
  James O’Sullivan (Pennsylvania State University) 109
Running Out of Time: The Strategies of Ending in Digital Fictions
  Raine Koskimaa (University of Jyväskylä) 110
The Digital Diasthima: Time-Lapse Reading as Critical and Creative
Performance
  Álvaro Seiça (University of Bergen) 111
The Archetypture of Time - The Time of Interaction
  Marika Wato (Institute of Digital Art, University of Information
  Technology and Managment in Rzeszow), Andrzej Głowacki (Institute
  of Digital Art, University of Information Technology and Managment in
  Rzeszow) and Grażyna Pietruszewska-Kobiela (Department of Theory of
  Literature, Jan Dlugosz Academy in Czestochowa) 112
Digital Letterisms
  Natalia Fedorova (Saint Petersburg State University) 113
Performance Art, Experimental Poetry and Electronic Literature
in Portugal: An Intermedial Archive to an Intermedial Practice of
Language
  Sandra Guerreiro Dias and Bruno Ministro (Center for Social Studies -
  Associate Laboratory, University of Coimbra) 114
Fandom Vs. E-Lit: How Communities Organize
  Flourish Klink (Independent) 115
The Road to Assland: The Demoscene and Electronic Literature
  Piotr Marecki (Jagiellonian University, Korporacja Ha!art) 116
Rhematics and the Literariness of Electronic Literature
  Velimatti Karhulahti (University of Turku) 117
Anastasia Salter: Ephemeral Words, Ephemeral People: Suicide and
Choice in Twine Games
  Anastasia Salter (University of Central Florida) 118
Fox Harrell, Dominic Kao and Chong-U Lim: Toward Understanding 
Real-World Social Impacts of Avatars
  Fox Harrell, Dominic Kao and Chong-U Lim (Massachusetts Institute of
  Technology) 120
Digital Games: The New Frontier of Postmodern Detective Fiction
  Clara Fernandez-Vara (New York University) 121
Live Performance, Voicescapes, and Remixing the Under Language:
Sounds and Voices at the End(s) of Electronic Literature
  Proposed Panel 123
Remixing the Under Language
  John Barber (Washington State University Vancouver) 123
Digital Manipulation of the Voice in New Media Writing
  Hazel Smith (University of Western Sydney) 124
Sound Composition for Intermedia
 Roger Dean (University of Western Sydney) 126
On Landscape as an Interface: Textuality, Walking Practices and
Augmented Location in Notes for Walking
  Megan Heyward (University of Technology, Sydney) 127
Locative Audio Play
  Jon Hoem (Bergen University College) 128
Borderline of Textuality, Materiality of Networks: From Land Art
Geographical Poetry to Locative Literature
  Anna Nacher (Jagiellonian University) 129
The Ends of Publishing
  Proposed Panel 130
The Publishing Platform Is the Message
  Todd Taylor (University of North Carolina - Chapel Hill) 131
Melting Reality at the Ends of the Earth: Co-fictioning Arctic
Futures
  Andrew Morrison (Oslo School of Architecture and Design) 132
Cairn: An Academic Publishing Platform for Scholarly and Creative
Multimedia
  Cheryl Ball (West Virginia University) and Andrew Morrison (Oslo
  School of Architecture and Design) 133
Watching Textual Screens Then and Now: A Cinema/E-Lit
Conversation
  Steven Wingate (South Dakota State University) 134
Fill in the Blanks: Narrative, Digital Work and Intermediality
  Ariane Savoie (Université du Québec à Montréal and Université
  Catholique de Louvain) 135
The Poets’ Dream Database
  Rachael Katz (University at Buffalo) 136
Murmurs, Open Corpus of Online Written Poetry-The End of Isolated Poems
  Josè Aburto (Independent) 137
Guardians of the Gutenberg Galaxy: A Cultural Analysis of
Resistances to Digital Poetries
 David Devanny (Falmouth University) 138
The Public Life of Electronic Literature: Writers’ Festivals Online
  Simone Murray (Monash University) 139
The Practice of Research: A Methodology for Practice-Based
Exploration of Digital Writing
  Lyle Skains (School of Creative Studies and Media, Bangor University)
  140
The Challenge of Visuality for Electronic Literature
  Donna Leishman (Dundee University) 141
The Message Is the Medium: Understanding and Defining
Materiality in Representational and Communicative Practices
Across Media
  Johannah Rodgers (The City University of New York) 142
It Is the End of the World as We Know It and I Feel Fine
  Markku Eskelinen (University of Jyväskylä) 143
This Is Not the Beginning or the End of Literature
  Proposed Panel 144
Is It Just a Little Bit Late for the Future of Electronic Literature?
  Sandra Bettencourt (CLP (FLUC-UC)) 144
The Endgame for Electronic Literature?
  Diogo Marques (CLP (FLUC-UC)) 146
Without Beginning or End: Reading and Writing in Generative
Literature
  Ana Marques da Silva (CLP (FLUC-UC)) 147
Jason Lewis: Written. Not Found. Not Generated. Not Random.
  Jason Lewis (Concordia University, Canada) 148

THE ARTS PROGRAM 151
Art Director’s Statement
  Roderick Coover (Temple University) 155

READINGS, PERFORMANCES, AND SCREENINGS 155
Chez Moi: Lesbian Bar Stories from Before You Were Born
  Caitlin Fisher and Tony Vieira (York University, Canada) 157
Talk with Your Hands Like an Ellis Island Mutt: A Recombinatory
Cinema Toolkit
  Steven Wingate (South Dakota State University, USA) 158
Inextrinsix: Multilingual, Collaborative Digital Poems
  Penny Florence (Slade School of Fine Art, University College London,
  UK) and Paolo Totaro (Independent, Australia) 160
The End of the White Subway
  Stuart Moulthrop (University of Wisconsin-Milwaukee, USA) 162
Vital
  Jason Lewis (Obx Labs / Concordia University, Canada) 164
Text/Sound-Videos
  Jörg Piringer (Independent, Austria) 165
A Bot Sampler in Two Voices
  Leonardo Flores (University of Puerto Rico, Mayaguez, Puerto Rico) and
  Mark Sample (Davidson College, USA) 166
The Pipes
  Kristian Pedersen and Audun Lindholm (Gasspedal Animert, Norway)
  166
Pry
  Samantha Gorman (USC, Tender Claws, USA) and Danny Cannizzaro
  (Tender Claws, USA) 167
BDP: Big-Data Poetry
  David Jhave Johnston (City University of Hong Kong, Hong Kong) 168
Jason Nelson Digital Magic Show and Poetic Interfaces
  Jason Nelson (Griffith University, Australia) 169
The Not Yet Named Jig
  Judy Malloy (Princeton University, USA) 170
Curlew
  Dene Grigar and Greg Philbrook (Washington State University
  Vancouver, USA) 171
To Be With You
  John Cayley (Brown University, USA) 172
Zenon Fajfer’s EYELIDS_Book of Emanations
  Zenon Fajfer (independent poet; Ha!art Foundation, Poland) and
  Katarzyna Bazarnik (Jagiellonian University; Ha!art Foundation, Poland)
  172
Borderline
  Donna Leishman (Duncan of Jordanstone College of Art, UK) and Steve
  Gibson (Northumbria University, UK) 173
Waves
  Kristian Pedersen and Audun Lindholm (Gasspedal Animert, Norway)
  174
Any Vision
  Zuzana Husarova (Comenius University, Slovakia) 175
Monoclonal Microphone: The Movie
  John Cayley (Brown University, USA) 176
text, sound, electronics, live coding
  Hazel Smith and Roger Dean (University of Western Sydney/
  austraLYSIS, Australia) 177

OTTARAS: 3 CONCRETE - LONG RONG SONG, NAVN NOME
NAME, kakaoase
  Ottar Ormstad (Independent, Norway), Taras Mashtalir (Independent,
  USA) and Alexander Vojjov (Independent, Russia) 178
Machine Libertine
  Taras Mashtalir (Independent, Russia) and Natalia Fedorova (Saint
  Petersburg State University, Russia) 179
Kjell Theøry
  Judd Morrissey (School of the Art Institute of Chicago, USA) 181
Shy nag Code Opera
  Christopher Funkhouser (NJIT, USA), Sonny Rae Tempest (Independent,
  USA) and Louis Wells (NJIT, USA) 182
The Exquisite Corpus
  Talan Memmott (USA) 183

KID E-LIT 185
About the Kid E-Lit Exhibition; The Tower of Jezik
  Emilie Barbier (University of Paris 8, France), Ana Abril Hernández
  (University Complutense Madrid, Spain), Leja Hočevar (Academy of Fine
  Arts, Slovenia), Luis Javier Pisonero (Central University of Venezuela)
  and Mario Aznar (University Complutense Madrid, Spain) 188
  Kid E-Lit Exhibition
  Tuesday, August 4 • 17:30 - 19:00 (Bergen Public Library) 188
The Computer Wore Heels
  LeAnn Erickson (Temple University, USA) 189
Typomatic
  Pierre Fourny (ALIX, France), Guillaume Jacquemin (Buzzing Light
  Interactive Design & Digital aAt, France), Serge Bouchardon (University
  of Technology of Compiègne, France), Luc Dall’Armellina (University of
  Cergy-Pointoise, France) and Hélène Caubel (ALIS, France) 190
The Sailor’s Dream
  Simon Flesser and Magnus Gardebäck - Simogo (Sweden) 191
My Own Alphabet
  Aleatory Funkhouser (USA) 192
Wuwu & Co
  Merete Pryds Helle, Kamila Slocinska, Tim Garbos and Aksel Køie -
  Touchbooks (Denmark) 193
Mrs. Wobbles and the Tangerine House
  Mark Marino (University of Southern California, USA) and The Marino
  Family 194
Poetracking
  Jorge Andrés Gómez (University Complutense Madrid, Spain), Baptiste
  Ingrand (University Paris 8, France) and Florine Morestin (University of
  Paris 8, France) 195
TAVS
  Camilla Hübbe, Rasmus Meisler & Stefan Pasborg - Høst &
  Søn (Denmark) 196
Moomin, Mymble and Little My
  Tove Jansson - Spinfy/WSOY (Finland) 197
Kubbe Lager Skyggeteater
  Åshild Kanstad Johnsen - Gyldendal (Norway) 198
Taro at the Center of the Earth
  Timo Parvela and Jussi Kaakinen - mobilive/WSOY (Finland) 199
Jakob og Neikob
  Kari Stai - Samlaget (Norway) 200
Alla Barns Rätt
  Pernilla Stalfelt - Spinfy/Rabén & Sjögren (Sweden) 201

END(S) OF ELECTRONIC LITERATURE 
FESTIVAL EXHIBITION 203
About the End(s) of Electronic Literature Festival exhibition; Lusca 
Mourns The Telegraph | In Search of Lost Messages
  Deanne Achong (Independent, Canada) 206
Collocations
  Abraham Avnisan (The School of the Art Institute of Chicago, USA) 207
Electronic Literature Collection, Volume 3 Preview;
Rest0ration: Kalfarlein 18
  Kathi Inman Berens (Portland State University, USA), Alicia Cohen (Reed
  College, USA), Kerstin Juhlin (Atelier 205, Norway), and Eva Pfitzenmaier
  (Borealis festival, Norway) 209
Langlibabex
  Claire Donato (Pratt Institute, USA), Álvaro Seiça (University of Bergen,
  Norway) and Luc Dall’Armellina (EMA Laboratory [Cergy-Pontoise
  University]/Paragraphe Laboratory [Paris 8]/Valence School of Fine
  Arts, France) 210
Eroica: A Hypermedia Fiction; House of Trust
Ian Hatcher (Independent, USA) and Stephanie Strickland
(Independent, USA) 212
Encyclopedia
  Johannes Heldén (Independent, Sweden) and Håkan Jonson
  (Independent, Sweden) 213
The Secret Language of Desire
  Megan Heyward (University of Technology, Sydney, Australia) and
  Michael Finucan (SAE Sydney, Australia) 214
 if-notNow, if-then-when-else
  Alinta Krauth (Griffith University, Australia) 215
Phantom Agents
  Will Luers (Washington State University, Vancouver, USA) 216
Gateway to the World
  Maria Mencia (Kingston University, UK) 218
  Jason Nelson (Griffith University, Australia) 219
infloresence.city
  Loren Schmidt (Independent, USA) and Katie Rose Pipkin (Independent,
  USA) 220
The ChessBard Plays
  Aaron Tucker (Ryerson University, Canada) 221

HYBRIDITY AND SYNAESTHESIA 223
About the Hybridity and Synaesthesia Exhivìbition; Play Music for My 
Poem
  Philippe Bootz (Université Paris 8, France) and Nicolas Bauffe (MIM,
  France) 226
From Beyond
  John Murray (University of California, Santa Cruz, USA) and Anastasia
  Salter (University of Central Florida, USA) 227
#Carnivast
  Mez Breeze (Mez Breeze Design, Australia) and Andy Campbell
  (Dreaming Methods, UK) 229
Poetry Chains and Collocations
  Angus Forbes (University of Illinois at Chicago, USA) 230
Fish Net Stockings
  Joellyn Rock and Alison Aune (University of Minnesota Duluth, USA) 232
Mother/Home/Heaven
  Caitlin Fisher and Tony Vieira (York University, Canada) 234
RIMA
  Julie Vulcan and Ashley Scott (Squidsilo, Australia) 236

DECENTERING: GLOBAL ELECTRONIC LITERATURE 237
About the Decentering: Global Electronic Literature Exhibition;
Small Poetic Interfaces – The End of Click
  José Aburto (Independent, Peru) 240
High Muck a Muck: Playing Chinese
  Nicola Harwood, Fred Wah, Jin Zhang, Bessie Wapp, Simon Lysander
  Overstall, Tomoyo Ihaya, Phillip Djwa, Thomas Loh, Hiromoto Ida and
  Patrice Leung (High Muck a Muck Collective, Canada) 241
  Decentering: Global Electronic Literature
  Thursday, August 6 • 17:30 - 18:30 (3,14) 241
Liberdade
  Francisco Marinho (Federal University of Minas Gerais, Brazil) and
  Alckmar Santos (Federal University of Santa Catarina, Brazil)  243
Labyrinth…
  Jakub Jagiełło and Laura Lech (Independent, Poland) 244
“This Is Not a Utopia”—Collection of Russian Electronic Literature
  Curators: Natalia Fedorova (Saint Petersburg State University, Russia)
  with Daria Petrova (Saint Petersburg State University, Russia) 245
  Decentering: Global Electronic Literature
  Thursday, August 6 • 17:30 - 18:30 (3,14) 245
Falling Angels (2001)
  Alexroma 246
asciiticism (2006)
  Ivan Khimin 246
Snow Queen (2010)
  Machine Libertine 247
Focus (2014)
  Irina Ivannikova and Maxim Kalmykov 247
Polarities (2014)
  Elena Demidova and Maxim Kalmykov 248
1/2/3 (2015) 
  Anna Tolkacheva 248
Kuryokhin: Second Life (2015)
  Michael Kurtov 249
p2p: Polish-Portuguese E-Lit
  Curators: Álvaro Seiça (University of Bergen, Norway) and Piotr Marecki
  (Jagiellonian University, Poland) 250
Roda Lume (1968)
  E. M. de Melo e Castro 251
Signagens (1985-89)
  E. M. de Melo e Castro 251
Sintext-W (1999) 
  Pedro Barbosa  252
Computer Poetry (1983)
  Silvestre Pestana 252
Google Earth: A Poem for Voice and Internet (2011)
  Manuel Portela 254
Amor de Clarice (2005)
  Rui Torres 254
Poemas no Meio do Caminho (2008)
  Rui Torres 255
BwO (2008)
  André Sier 256
Machines of Disquiet (2015)
  Luís Lucas Pereira 256
Księga Słów Wszystkich (1975)
  Józef Żuk Piwkowski 257
Przemówienia / Speeches (1993)
  Marek Pampuch 257
Poeta /Poet (2003)
  Michał Rudolf 258
Fifth Demo (1990)
  Kaz  258
Złe słowa (2013)
  Piotr Puldzian Płucienniczak (Poland) 258
Cierniste diody / Thorny diods (2014)
  Leszek Onak 259
The Archetypture of Magical Reality (2014)
  Andrzej Głowacki 260

INTERVENTIONS: ENGAGING THE BODY POLITIC 261
About the Interventions: Engaging the Body Politic Exhibition;
Cavewriting Classics on the Oculus Rift
  Damon Baker (Independent, USA) 264
The End: Death in Seven Colours
  David Clark (NSCAD University, Canada) 265
Inside the Distance
  Sharon Daniel (University of California, Santa Cruz, USA) 266
Front
  Donna Leishman (Dundee University, UK) 268
The Wandering: An Interactive Poetry Robot!
  Jason Nelson (Griffith University, Australia) 269
Death of an Alchemist
  Chris Rodley (University of Sydney, Australia) and Andrew Burrell
  (Independent, Australia) 270
Faceless Patrons
  Andreas Zingerle (University of Art and Industrial Design, Linz, Austria)
  and Linda Kronman (Danube University Krems, Austria) 271

SPONSORS OF ELO 2015 275