Index

TABLE OF CONTENTS
Aymerie Mansoux,
Marloes de Valk
Pedro Soler
Femke Snelting
Jul ien Ottavi
oRx-qX
Ivan Monroy Lopez
Martin Howse
Simon Yuill
Olga Goriunova
Sher Doruff
Fl ori an Cramer
Hans-Christoph
Steiner
006 P refaee
014 Artists and Free Software - an Introduetion
018 Generous Praetiees: A Fietional
Conversation, Based on Emails, Physieal
Eneounters, IRC and a Skype session
028 The 'Free' and New Creative Praetiees:
Open Souree Modular Art-efaets
034 Information Nomads and Community Surfing
046 Software Cult
054 Free Time
064 All Problems of Notation Will be Solved
by the Masses: Free Open Form Performance,
Free/Libre Open Souree Software,
and Distributive Praetiee
092 Autoereativity: The Operation of Codes of
Freedom in Art and Culture
118 Who Done It? Ethieo-Aestheties,
the Produetion of Subjeetivity
and Attribution
128 The Creative Common Misunderstanding
138 Copyright is for Copying
Prodromos Tsiavos
Ross Rudeseh Harley 170
Mi ehael van Sehai k 180
Ri ca rdo Lafuente
Naney Mauro-Flude
Alex MeLean
Thor Magnusson
Dave Griffiths
Eleonora Oreggia
Fabianne Balvedi
Shahee Ilyas
Alejandra Maria
Perez Nunez
Rob Myers
Credits and
Aknowledgments 314
206
224
232
248
254
262
270
280
294
154 Common(s) Issues for Digital Art Libraries:
From Open Lieensing to Open Collaboration
From Open Ci reuits to Open Distribution:
Can Video Artists Adopt FLOSS Strategies
as thei r Own?
The Shrink-Wrapped Design Proeess
192 Appropriation and Type - Before and Today
Linux for Theatre Makers: Embodiment & Nix
Modus Operandi
Live eoding for free
Expression and Time: the question
of strata and time management in creative
praetiees using teehnology
On free software art, design,
eommunities and eommittees
The Piksel Big Bang
Free Studios
F/LOSS and the Computer Culture of the
Maldives
FLOSS, it's Relation with Southern Time
Open Souree Art Again