|
Artists Re:thinking the Blockchain |
2017 |
UK |
edited by Ruth Catlow, Marc Garrett, Nathan Jones, and Sam Skinner |
Liverpool University Press |
|
Artists-in-Labs Networking in the Margins |
2010 |
Austria |
Jill Scott |
Springer |
|
Artists-in-labs: Processes of Inquiry |
2006 |
Germany |
edited by Jill Scott |
Springer |
|
Artivismo Tecnologico |
2007 |
Italy |
Giacomo Verde |
BFS Edizioni |
|
At a Distance: Precursors to Art and Activism on the Internet |
2006 |
USA |
Annmarie Chandler & Norie Neumark |
The MIT Press |
|
At the Edge of Art |
2006 |
UK |
Joline Blais & Jon Ippolito |
Thames & Hudson |
|
Atlas of AI, Power, Politics, and the Planetary Costs of Artificial Intelligence |
2021 |
USA |
Kate Crawford |
Yale University Press |
|
Atlas of Anomalous AI |
2020 |
UK |
(edited by) Ben Vickers & K Allado-McDowell |
Ignota Books |
|
Atlas of Cyberspace |
2002 |
UK |
Martin Dodge, Rob Kitchin |
Pearson Education |
|
Atmospheric Noise, The Indefinite Urbanism of Los Angeles |
2021 |
USA |
Marina Peterson |
Duke University Press |
|
Audio Culture: Readings in Modern Music |
2004 |
USA |
Christoph Cox & Daniel Warner |
Continuum |
|
Audio Visual: on Visual and Related Media |
2009 |
Germany |
Holger Lund & Cornelia Lund |
Arnoldsche Verlagsanstalt |
|
Auditions: Architecture and Aurality |
2015 |
USA |
Rob Stone |
The Mit Press |
|
Augmented Photography |
2017 |
Switzerland |
(edited by) Milo Keller, Joël Vacheron, Maxime Guyon |
Ecal Editions |
|
Augmented Reality Art - From an Emerging Technology to a Novel Creative Medium |
2014 |
Austria |
edited by Vladimir Geroimenko |
Springer |
|
Authenticity?: Observations and Artistic Strategies in the Post-Digital Age |
2017 |
The Netherlands |
edited by Barbara Cueto, Bas Hendrikx |
Valiz |
|
Automating Vision, The Social Impact of the New Camera Consciousness |
2020 |
UK |
Anthony McCosker, Rowan Wilken |
Routledge |
|
Autonomia |
2014 |
Chile |
Enrique Rivera |
Bienal de Artes Mediales |
|
Autopilot |
2002 |
Germany |
Carsten Nicolai |
Die Gestalten Verlag |
|
Avant-garde Videogames: Playing with Technoculture |
2014 |
USA |
Brian Schrank |
Mit Press |
|
BA (Hons) Games Design & Art 2017 |
2017 |
UK |
VV.AA. |
University of Southampton |
|
BAD SHIBE - A story by Rob Myers |
2017 |
UK |
Rob Myers, Ruth Catlow, edited by Nathan Jones |
Furtherfield |
|
BASICS! CTM 2005 club transmediale |
2005 |
Germany |
Oliver Baurhenn, Jan Rohlf, Remco Schuurbiers, Marc Weiser |
CTM Festival |
|
BES - Bolsa Ernesto De Sousa Arte Experimental Intermedia 15 |
2008 |
Portugal |
Isabel Soares Alves, Rui Eduardo Paes, Luís Silva |
Fundação Luso-Americana |
|
BREAK 2.2 - Invisible Threat / Nevidna Grožnja |
2003 |
Slovenia |
Samo Klemenčič and Urša Jurman |
break festival |
|
BUILD YOUR OWN WORLD - 2010 01SJ BIENNIAL |
2010 |
USA |
Steve Dietz, Jaime Austin |
ZER01 |
|
BULL.MILETIC : SLOW SEEING |
2004 |
Germany |
edited by Bull.Miletic |
Kunstlerhaus Bethanien GmbH |
|
Back Office #1 Graphic Design and Digital Practices |
2017 |
France |
VV.AA. |
Éditions B42 |
|
Background Noise: Perspectives on Sound Art |
2006 |
USA |
Brandon LaBelle |
Continuum |
|
Bandits Mages Bourges - 10e Festival des arts multi-média: rencontres internationales des étudiants et des artistes indépendants |
2007 |
France |
Jean-Pascal Vial, Isabelle Carlier |
Bandits-Mages |
|
Bandits Mages Bourges - 6ème festival international des arts audiovisuels & du multi-média |
1999 |
France |
Jean-Paul Labro |
Bandits-Mages |
|
Bandits Mages Bourges - 8e Festival des arts multi-média: rencontres internationales des étudiants et des artistes indépendants |
2003 |
France |
Jean-Paul Labro |
Bandits-Mages |
|
Barcelona Club Flyers |
1999 |
Spain |
|
Actar |
|
Bare Acts: Sarai Reader 05 |
2005 |
India |
Sarai Media Collective |
Sarai |
|
Beautiful Data: A History of Vision and Reason since 1945 |
2015 |
USA |
Orit Halpern |
Duke University Press |
|
Becoming Digital: Toward a Post-Internet Society (SocietyNow) |
2017 |
UK |
Vincent Mosco |
Emerald Publishing |
|
Before and After the I-Bomb: An Artist in the Information Environment |
2002 |
Canada |
Tom Sherman |
Banff Centre Press |
|
Behavioral Objects 1 – A Case Study: Celeste Boursier-Mougenot |
2016 |
Germany |
edited by Samuel Bianchini, Emanuele Quinz |
Sternberg Press |
|
Behind the Blip: Essays on the Culture of Software |
2011 |
USA |
Matthew Fuller |
Autonomedia |
|
Behind the Smart World |
2015 |
Austria |
edited by Linda Kronman, Andreas Zingerle |
servus.at |
|
Behind the Smart World - Saving, Deleting and Resurfacing Data |
2016 |
Austria |
Linda Kronman and Andreas Zingerle (KairUs) |
servus.at |
|
Behind the Zines: Self-publishing Culture |
2011 |
Germany |
R. Klanten & A. Mollard & M. Hubner |
Die Gestalten Verlag |
|
Being Time: Case Studies in Musical Temporality |
2019 |
USA |
Richard Glover, Bryn Harrison, Jennie Gottschalk |
Bloomsbury Academic |
|
Believing in Bits: Digital Media and the Supernatural |
2019 |
UK |
(edited by) by Simone Natale, Diana Pasulka |
Oxford University Press |
|
Benjamin Grosser - Systems Under Liberty |
2015 |
France |
Valentina Peri |
Galerie Charlot |
|
Berlin Quarterly. European review of Culture. Issue 1 |
2013 |
Germany |
Cesare Alemanni |
Cycling Bear Publishing GmbH |
|
Bernhard Leitner: Ton / Raum / Skulptur |
2016 |
Austria |
Abteilung Kunst und Kultur Amt der Niederösterreichischen Landesregierung |
Kerber Verlag |
|
Betonblumen 11 Evan Roth - Street Art Passage Vienna |
2010 |
Austria |
Vitus Weh, Jogi Neufeld, Evan Roth |
SCHLEBRÜGGE.EDITOR |
|
Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments |
2017 |
UK |
Cathy van Eck |
Bloomsbury Publishing |
|
Between Page and Screen |
2012 |
USA |
Amaranth Borsuk, Brad Bouse |
Siglio |
